The name of the hero has become a household name for centuries. Even one who has not read the poem represents a stingy person.

The image and characterization of Plyushkin in the poem "Dead Souls" is a character deprived of human features, who has lost the meaning of the appearance of his light.

Character appearance

The owner is over 60 years old. He is old, but he cannot be called weak and sick. How does the author of Plushkin describe it? Stingy, just like him:

• An incomprehensible floor hidden under strange rags. Chichikov takes a long time to figure out who is in front of him: a man or a woman.
• Rough gray hair sticking out like a brush.
• Insensitive and vulgar face.
• The clothes of the hero cause disgust, it is ashamed to look at her, ashamed of a person dressed in a semblance of a dressing gown.

Relationships with people

Stepan Plyushkin reproaches his peasants for theft. There are no reasons for this. They know their owner and understand that there is nothing left to take from the estate. Everything is tidied up at Plyushkin's, it rots and deteriorates. Stocks are piling up, but no one is going to use them. A lot of everything: wood, dishes, rags. Gradually, the reserves turn into a pile of dirt, scrap. A pile can be compared to the garbage collected by the owner of the master's house. There is no truth in the landowner's words. The people do not have time to steal, to become a fraudster. Due to unbearable living conditions, stinginess and hunger, the peasants run away or die.

In relations with people, Plyushkin is angry and obnoxious:

Likes to quarrel. He quarrels with men, argues, never immediately perceives the words expressed to him. He scolds for a long time, talking about the absurd behavior of the interlocutor, although he is silent in response.

Plyushkin believes in God. He blesses those who leave him on their way, he is afraid of God's judgment.

Hypocritical. Plyushkin tries to feign concern. In fact, everything ends with hypocritical actions. The master enters the kitchen, he wants to check if the courtiers are eating him, but instead he eats most of what is cooked. Whether people have enough cabbage soup with porridge, he is of little interest, the main thing is that he is full.

Plyushkin does not like communication. He avoids guests. Having calculated how much his household loses when receiving, he begins to shun, refuses the custom of visiting guests and hosting. He himself explains that his acquaintances got to know each other or died, but most likely that no one wanted to visit such a greedy person.

Hero character

Plyushkin is a character that is hard to find positive features. It is all riddled with lies, stinginess and slovenliness.

What traits can be distinguished in the character of the character:

Wrong self-esteem. Behind the external good nature lies greed and a constant desire for profit.

Desire to hide your condition from others. Plyushkin is complacent. He says he has no food when the granary full of grain rots for years. He complains to the guest that he has little land and no patch of hay for the horses, but this is all a lie.

Cruelty and indifference. Nothing changes the mood of a stingy landowner. He does not experience joy, despair. Only cruelty and an empty, callous look is all the character is capable of.

Suspicion and anxiety. These feelings develop in him at breakneck speed. He begins to suspect everyone of stealing, loses his sense of self-control. Avarice occupies his entire being.

Main distinguishing feature- this is stinginess. The miser Stepan Plyushkin is such that it is difficult to imagine if you do not meet in reality. Stinginess is manifested in everything: clothes, food, feelings, emotions. Nothing in Plushkin is fully manifested. Everything is covered and hidden. The landowner saves money, but for what? Just to collect them. He does not spend either for himself, or for his relatives, or for the household. The author says that the money was buried in the boxes. This attitude towards the means of enrichment is amazing. To live from hand to mouth on sacks of grain, with thousands of serf souls, vast areas of land, can only be a miser from the poem. The scary thing is that in Russia there are many such Plyushkins.

Attitude towards relatives

The landowner does not change in relation to his relatives. He has a son and a daughter. The author says that in the future his son-in-law and daughter will happily betray him to the ground. The indifference of the hero is frightening. The son asks his father to give him money to buy uniforms, but, as the author says, he gives him "shish". Even the poorest parents do not abandon their children.

The son, lost in cards and again turned to him for help. Instead, he received a curse. The father never, even mentally, remembered his son. He is not interested in his life, destiny. Plyushkin does not think whether his offspring are alive.

A rich landowner lives like a beggar. The daughter, who came to her father for help, takes pity on him and gives him a new dressing gown. 800 souls of the estate surprise the author. Existence is comparable to the life of a poor shepherd.

Stepan lacks deep human feelings. As the author says, feelings, even if they had rudiments in him, "shallowed every minute."

The landowner, living among garbage, rubbish, does not become an exception, a fictional character. It reflects the reality of Russian reality. Greedy misers starved their peasants, turned into half animals, lost their human features, aroused pity and fear for the future.

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In Gogol's poem "Dead Souls" all the characters have the features of collectiveness and typicality. Each of the landowners whom Chichikov visits with his strange request for the sale and purchase of "dead souls" personifies one of the characteristic images of the landowners of Gogol's modernity. Gogol's poem in terms of describing the characters of the landlords is interesting primarily because Nikolai Vasilyevich was a foreigner in relation to the Russian people, Ukrainian society was closer to him, so Gogol was able to notice the specific character traits and behavior of certain types of people.

Age and appearance of Plushkin

One of the landowners visited by Chichikov is Plyushkin. Until the moment of personal acquaintance, Chichikov already knew something about this landowner - basically it was information on the subject of his stinginess. Chichikov knew that thanks to this trait, Plyushkin's serfs "die like flies", and those who did not die run away from him.

We offer you to get acquainted with the summary of the work of N.V. Gogol "Taras Bulba", which reveals the theme of patriotism and love for the Motherland.

In the eyes of Chichikov, Plyushkin became an important candidate - he had the opportunity to buy up a lot of "dead souls".

However, Chichikov was not ready to see Plyushkin's estate and get to know him personally - the picture that opened before him plunged him into bewilderment, Plyushkin himself also did not stand out from the general background.

To his horror, Chichikov realized that the person he took for the housekeeper was in fact not the housekeeper, but the landowner Plyushkin himself. Plyushkin could have been taken for anyone, but not for the richest landowner in the county: he was unreasonably thin, his face was slightly elongated and just as terribly thin as his body. His eyes were small and unusually lively for an old man. The chin was very long. His appearance was complemented by a toothless mouth.

In the work of N. V. Gogol "The Overcoat" the theme is revealed little man. We invite you to familiarize yourself with it summary.

Plyushkin's clothes were absolutely not like clothes, it could hardly even be called that. Plyushkin paid absolutely no attention to his costume - he was worn out to such an extent that his clothes looked like rags. Plyushkin could well have been mistaken for a tramp.

Natural senile processes were added to this appearance - at the time of the story, Plyushkin was about 60 years old.

The problem of the name and the meaning of the surname

Plyushkin's name is never found in the text, it is likely that this was done intentionally. In this way, Gogol emphasizes Plyushkin's detachment, the callousness of his character and the lack of a humanistic principle in the landowner.

In the text, however, there is a point that can help reveal the name of Plyushkin. The landowner from time to time calls his daughter by her patronymic - Stepanovna, this fact gives the right to say that Plyushkin's name was Stepan.

It is unlikely that the name of this character is chosen as a specific character. Translated from Greek, Stepan means “crown, diadem” and indicates a constant attribute of the goddess Hera. It is unlikely that this information was decisive in choosing a name, which cannot be said about the hero's surname.

In Russian, the word "plyushkin" is used to nominate a person who is characterized by stinginess and a mania for accumulating raw materials and material base without any purpose.

Marital status of Plushkin

At the time of the story, Plyushkin is a lonely person leading an ascetic lifestyle. He has been a widow for a long time. Once upon a time, Plyushkin's life was different - his wife brought the meaning of life into Plyushkin's being, she stimulated the appearance of positive qualities in him, contributed to the emergence of humanistic qualities. In their marriage, three children were born - two girls and a boy.

At that time, Plyushkin was not at all like a petty miser. He gladly received guests, was a sociable and open person.

Plyushkin was never a spender, but his stinginess had its reasonable limits. His clothes were not new - he usually wore a frock coat, he was noticeably worn, but he looked very decent, he did not even have a single patch on him.

Reasons for changing character

After the death of his wife, Plyushkin completely succumbed to his grief and apathy. Most likely, he did not have a predisposition to communicate with children, he was little interested and fascinated by the process of education, so the motivation to live and be reborn for the sake of children did not work for him.

In the future, he begins to develop a conflict with older children - as a result, they, tired of constant grumbling and deprivation, leave their father's house without his permission. The daughter is getting married without Plyushkin's blessing, and the son is starting to military service. Such liberty became the cause of Plyushkin's anger - he curses his children. The son was categorical towards his father - he completely cut off contact with him. The daughter still did not abandon her father, despite such an attitude towards her relatives, she visits the old man from time to time and brings her children to him. Plyushkin does not like to mess with his grandchildren and takes their meetings extremely cool.

Plyushkin's youngest daughter died as a child.

Thus, Plyushkin was left alone in his large estate.

Plushkin's estate

Plyushkin was considered the richest landowner in the county, but Chichikov, who came to his estate, thought it was a joke - Plyushkin's estate was in a dilapidated state - the house had not been renovated for many years. Moss could be seen on the wooden elements of the house, the windows in the house were boarded up - it seemed that no one really lived here.

Plyushkin's house was huge, now it was empty - Plyushkin lived alone in the whole house. Because of its desolation, the house resembled an old castle.

Inside the house was not much different from appearance. Since most of the windows in the house were boarded up, the house was incredibly dark and it was difficult to see anything. The only place where sunlight penetrated was Plyushkin's private rooms.

An incredible mess reigned in Plyushkin's room. It seems that it was never cleaned here - everything was covered in cobwebs and dust. Broken things were scattered all over the place, which Plyushkin did not dare to throw away, because he thought that he might still need them.

Garbage also was not thrown anywhere, but was piled up right there in the room. Plyushkin's desk was no exception - important papers and documents lay mixed with garbage here.

A huge garden grows behind Plyushkin's house. Like everything in the estate, it is in disrepair. No one has cared for the trees for a long time, the garden is overgrown with weeds and small bushes, which are covered with hops, but even in this form the garden is beautiful, it stands out sharply against the background of deserted houses and dilapidated buildings.

Features of Plyushkin's relationship with the serfs

Plyushkin is far from the ideal of a landowner; he behaves rudely and cruelly with his serfs. Sobakevich, talking about his attitude towards serfs, claims that Plyushkin starves his subjects, which significantly increases the death rate among serfs. The appearance of Plyushkin's serfs becomes a confirmation of these words - they are unnecessarily thin, immensely thin.

Not surprisingly, many serfs run away from Plyushkin - life on the run is more attractive.

Sometimes Plyushkin pretends to take care of his serfs - he goes into the kitchen and checks whether they are eating well. However, he does this for a reason - while the control over the quality of food passes, Plyushkin manages to eat heartily. Of course, this trick did not hide from the peasants and became an occasion for discussion.

Plyushkin constantly accuses his serfs of theft and fraud - he believes that the peasants are always trying to rob him. But the situation looks completely different - Plyushkin intimidated his peasants so much that they are afraid to take at least something for themselves without the knowledge of the landowner.

The tragedy of the situation is also created by the fact that Plyushkin's warehouse is bursting with food, almost all of it becomes unusable and then thrown away. Of course, Plyushkin could give the surplus to his serfs, thereby improving living conditions and raising his authority in their eyes, but greed takes over - it is easier for him to throw away unusable things than to do a good deed.

Characteristics of personal qualities

In his old age, Plyushkin became an unpleasant type because of his quarrelsome nature. People began to avoid him, neighbors and friends began to visit less and less often, and then they completely stopped communicating with him.

After the death of his wife, Plyushkin preferred a solitary way of life. He believed that guests are always harmful - instead of doing something really useful, you have to spend time in empty conversations.

By the way, such a position of Plyushkin did not bring the desired results - his estate confidently fell into disrepair until it finally took on the appearance of an abandoned village.

There are only two joys in the life of the old Plyushkin - scandals and the accumulation of finances and raw materials. Sincerely speaking, he gives himself to one and the other with his soul.

Plyushkin surprisingly has the talent to notice any little things and even the most insignificant flaws. In other words, he is overly picky about people. He is unable to express his remarks calmly - basically he shouts and scolds his servants.

Plyushkin is incapable of doing something good. He is a callous and cruel person. He is indifferent to the fate of his children - he lost contact with his son, while his daughter periodically tries to reconcile, but the old man stops these attempts. He believes that they have a selfish goal - the daughter and son-in-law want to get rich at his expense.

Thus, Plyushkin is a most terrible landowner who lives for a definite purpose. In general, he is endowed with negative character traits. The landowner himself does not realize the true results of his actions - he seriously thinks that he is a caring landowner. In fact, he is a tyrant, destroying and destroying the fate of people.

Plyushkin Stepan is a character in N.V. Gogol's poem "Dead Souls", the fifth and last "seller" of dead souls. He is the personification of complete necrosis. human soul. In this character, a bright personality, absorbed by stinginess, died. Despite Sobakevich's persuasion not to go to him, Chichikov nevertheless decided to visit this landowner, since it is known that he has a high mortality rate for peasants. Being the owner of 800 or more souls, Plyushkin lives in a dilapidated estate, eats crumbs, wears old, patched things, and also poorly supports his wards. He picks up every unnecessary trifle that comes his way and brings it home. And the desolation and littering of his house clearly testifies to the disorder in the mind of Plyushkin himself.

It is known about this character that he was previously a rich and economic landowner and father of three children, but after the death of his beloved wife, he completely changed. His children left him: the eldest daughter married a cavalryman and left, the son went into the army, and then lost, the youngest daughter died. Relationships with children deteriorated. Having a rich fortune, he does not want to help them a penny. Knowing all this, Chichikov is afraid even to start a conversation about his "case". However, the old man surprisingly well accepts his offer to redeem the "dead souls" and even offers to help in drawing up a bill of sale in the city, since the chairman is his old friend. According to the author, this character is deeply unhappy. Shadow and light were forever mixed in his soul.

"Dead Souls", did not even imagine what bright personalities he would meet. In all the variety of characters in the work, the miser and miser Stepan Plyushkin stands apart. The rest of the rich in literary work are shown statically, and this landowner has his own life story.

History of creation

The idea that formed the basis of the work belongs to. Once a great Russian writer told Nikolai Gogol the story of a swindle that he had heard during his exile in Chisinau. In the Moldovan city of Bendery last years only people of military ranks died, ordinary mortals were in no hurry to the next world. The strange phenomenon was explained simply - hundreds of fugitive peasants from the center of Russia fled to Bessarabia at the beginning of the 19th century, and during the investigation it turned out that the "passport data" of the dead were appropriated by the fugitives.

Gogol considered the idea ingenious and, on reflection, invented a plot in which the main actor became an enterprising person who enriched himself by selling "dead souls" to the Board of Trustees. The idea seemed interesting to him because it opened up the opportunity to create an epic work, to show through a scattering of characters all of Mother Russia, which the writer had long dreamed of.

Work on the poem started in 1835. At that time, Nikolai Vasilievich spent most of the year abroad, trying to forget the scandal that erupted after the production of the play The Inspector General. According to the plan, the plot was to take three volumes, and in general the work was defined as comic, humorous.

However, neither one nor the other was destined to come true. The poem turned out to be gloomy, exposing all the vices of the country. The author burned the manuscript of the second book, but did not start the third one. Of course, in Moscow they flatly refused to publish a literary work, but the critic Vissarion Belinsky volunteered to help the writer, clamoring with the St. Petersburg censors.

A miracle happened - the poem was allowed to be published, only on the condition that the title acquire a small addition to divert attention from the serious problems raised: "The Adventures of Chichikov, or Dead Souls." In this form, in 1842, the poem went to the reader. New labor Gogol was again at the epicenter of the scandal, because the landowners and officials clearly saw their images in him.

Gogol hatched a brilliant idea - first he showed the shortcomings of Russian life, then he planned to describe the ways of resurrecting "dead souls". Some researchers associate the idea of ​​the poem with The Divine Comedy: the first volume is “hell”, the second is “purgatory”, and the third is “paradise”.

It is believed that Plyushkin was supposed to transform from a greedy old man into a wanderer-benefactor who tries in every possible way to help the poor. But Nikolai Gogol was never able to convincingly describe the ways of the rebirth of people, which he himself admitted after the burning of the manuscript.

Image and character

The image of a half-crazy landowner in the work is the brightest of all who meet on the path of the main character Chichikov. It is Plyushkin that the writer gives the most complete description, looking even into the character's past. This is a lonely widower who cursed the daughter who left with her lover and the son who lost at cards.

Periodically, the daughter with her grandchildren visits the old man, but she does not receive any help from him - one indifference. An educated and intelligent man in his youth, over time, turned into a “worn-out wreck”, a grumbler and a little bastard with a bad temper, becoming a laughingstock even for servants.

The work contains detailed description Plushkin's appearance. He walked around the house in a decrepit dressing gown (“... which was not only ashamed to look at, but even ashamed of”), and appeared at the table in a worn, but quite neat frock coat without a single patch. At the first meeting, Chichikov could not understand who was in front of him, a woman or a man: a creature of indeterminate sex was moving around the house, and the buyer of dead souls mistook him for a housekeeper.

The stinginess of the character is on the verge of insanity. There are 800 serf souls in his domain, barns full of rotting food. But Plyushkin does not allow his hungry peasants to touch the products, and with dealers he is uncompromising "like a demon", so the merchants stopped coming for the goods. In his own bedroom, a man carefully folds the feathers and pieces of paper he found, and in the corner of one of the rooms heaps of "good" picked up on the street.

Life goals come down to the accumulation of wealth - this problem often acts as an argument for writing essays on the exam. The meaning of the image lies in the fact that Nikolai Vasilievich tried to show how painful stinginess kills bright and strong personality.

Multiplying good is Plyushkin's favorite pastime, as evidenced even by the change in speech. At first, the old curmudgeon meets Chichikov warily, specifying that "there is no use in visiting." But, having learned the purpose of the visit, dissatisfied grumbling is replaced by undisguised joy, and main character poem turns into a "father", "benefactor".

In the lexicon of the miser there is a whole dictionary of swear words and expressions, from “fool” and “robber” to “devils will bake you” and “scum”. The landowner, who has lived all his life in the circle of peasants, is replete with common folk words.

Plyushkin's house resembles a medieval castle, but battered by time: there are cracks in the walls, some of the windows are boarded up so that no one sees the riches hiding in the dwelling. Gogol managed to combine the character traits and image of the hero with his house with the phrase:

“All this fell into the pantries, and everything became rotten and a hole, and he himself turned, finally, into some kind of hole in humanity.”

Screen adaptations

Gogol's work has been staged in Russian cinema five times. Based on the story, two cartoons were also created: “The Adventures of Chichikov. Manilov" and "The Adventures of Chichikov. Nozdrev.

"Dead Souls" (1909)

In the era of the formation of cinema, Pyotr Chardynin undertook to capture the adventures of Chichikov on film. A silent short film with a truncated Gogol storyline was filmed at a railway club. And since the experiments in the cinema were just beginning, the tape turned out to be unsuccessful due to improperly selected lighting. The theater actor Adolf Georgievsky played the role of mean Plyushkin.

"Dead Souls" (1960)

The film-performance staged by the Moscow Art Theater was directed by Leonid Trauberg. A year after the premiere, the picture received the Critics' Prize at the Monte Carlo Film Festival.

The film starred Vladimir Belokurov (Chichikov), (Nozdrev), (Korobochka) and even (the modest role of a waiter, the actor did not even get into the credits). And Plyushkin was brilliantly played by Boris Petker.

"Dead Souls" (1969)

Another television performance, which was conceived by director Alexander Belinsky. According to film fans, this film adaptation is the best of the film productions of an imperishable work.

The tape also involved bright actors of Soviet cinema: (Nozdrev), (Manilov), (Chichikov). The role of Plyushkin went to Alexander Sokolov.

"Dead Souls" (1984)

A series of five episodes, filmed by Mikhail Schweitzer, was shown on central television.

Leonid Yarmolnik reincarnated as a greedy landowner - the actor is called Plyushkin in the picture.

• The meaning of the character's name contains the motive of self-denial. Gogol created a paradoxical metaphor: a ruddy bun - a symbol of wealth, satiety, joyful contentment - is opposed to a "mouldy cracker", for which the colors of life have long faded.
• The surname Plyushkin has become a household name. So called overly thrifty, maniacally greedy people. In addition, the passion for storing old, useless things is a typical behavior of people with mental disorder, which received the name "Plyushkin's syndrome" in medicine.

Quotes

“After all, the devil knows, maybe he’s just a braggart, like all these little moths: he’ll lie, lie, to talk and drink tea, and then he’ll leave!”

“I live in my seventies!”

“Plyushkin muttered something through his lips, for there were no teeth.”

“If Chichikov had met him, so dressed up, somewhere at the church doors, he would probably have given him a copper penny. But before him stood not a beggar, before him stood a landowner.

“I don’t even advise you to know the way to this dog! Sobakevich said. “It’s more excusable to go to some obscene place than to him.”

“But there was a time when he was only a thrifty owner! He was married and a family man, and a neighbor came to him to dine, listen and learn from him about housekeeping and wise stinginess.

Plan
1. The history of writing the poem "Dead Souls".
2. The main task that N.V. Gogol when writing a poem.
3. Stepan Plyushkin as one of the representatives of the landlord class.
4. Appearance, life and customs of Stepan Plyushkin.
5. The reasons for the moral decay of the hero.
6. Conclusion.

The famous poem by N.V. Gogol's Dead Souls was written in 1835. It was during this period that such a direction as realism gained particular popularity in literature, the main goal of which was a truthful and reliable depiction of reality through a generalization of the typical features of a person, society and life in general.

Throughout creative way N.V. Gogol was interested in the inner world of man, his development and formation. When writing the poem "Dead Souls", the writer set as his main task the opportunity to comprehensively show the negative features of the landlord class. A striking example of such a generalization is the image of Stepan Plyushkin.

Plyushkin does not appear in the poem immediately, this is the last landowner whom Chichikov pays a visit to during his journey. However, for the first time, Chichikov learns briefly about his way of life and character in passing during his conversation with Nozdryov and Sobakevich. As it turned out, Stepan Plyushkin is a landowner who is already over sixty, the owner of a large estate and more than a thousand serfs. The hero is distinguished by particular stinginess, greed and a mania for accumulation, but even such an impartial characterization did not stop Chichikov and he decides to get to know him.

Chichikov meets the hero in his estate, which was in decline and devastation. Was no exception and main house: all the rooms in it were locked, except for two, the hero lived in one of them. It seemed that in this room Plyushkin folded everything that caught his eye, any little thing that he subsequently did not use anyway: these were broken things, broken dishes, small pieces of paper, in a word - unnecessary rubbish to anyone.

Plushkin's appearance was as untidy as his house. It was clear that the clothes had long since fallen into disrepair, and the hero himself looked clearly older than his years. But it wasn't always like that... More recently, Stepan Plyushkin lived measured, quiet life surrounded by his wife and children in his native estate. Everything changed overnight ... Suddenly, the wife dies, the daughter marries an officer and runs away from her home, the son leaves to serve in the regiment. Loneliness, longing and despair took possession of this man. All that, on which, it would seem, his world rested, collapsed. The hero lost heart, but the last straw was the death of his outlet - the youngest daughter. Life is divided into "before" and "after". If quite recently Plyushkin lived only for the well-being of his family, now he sees his main goal only in the senseless filling of warehouses, barns, rooms of the house, in the moral outliving of himself ... he goes crazy. Avarice and greed, developing every day, finally broke the thin and previously strained thread of relations with children, who, as a result, were deprived of his blessing and financial support. This shows the special cruelty of the hero in relation to loved ones. Plyushkin loses his human face. After all, it is no coincidence that Chichikov, in the first minutes of meeting the hero, sees a sexless creature in front of him, which he takes for an elderly woman - a housekeeper. And only after a few minutes of reflection, he realizes that in front of him is still a man.

But why is it exactly like this: moral exhaustion, a ruined estate, a mania for hoarding? Perhaps, by doing so, the hero was only trying to fill his inner world, his emotional devastation, but this initial passion eventually grew into a destructive addiction, which, in the bud, outlived the hero from the inside. But he just lacked love, friendship, compassion and simple human happiness ...

Now it is impossible to say with complete certainty what the hero would be like if he had a beloved family, the opportunity to communicate with children and loved ones, because Stepan Plyushkina N.V. Gogol portrayed it this way: a hero who “lives an aimless life, vegetates”, being, in the words of the author of the poem himself, “a hole in humanity”. However, in spite of everything, in the soul of the hero, those human feelings still remained that were unknown to other landowners who visited Chichikov. First, it is a feeling of gratitude. Plyushkin is the only one of the heroes who considered it right to express gratitude to Chichikov for buying "dead souls". Secondly, he is not alien to a reverent attitude to the past and to the life that he now lacked so much: what inner enthusiasm ran across his face at the mere mention of his old friend! All this suggests that the flame of life has not yet gone out in the soul of the hero, it exists and it is glimmering!

Stepan Plyushkin, of course, causes pity. It is this image that makes you think about how important it is to have close people in your life who will always be there: both in moments of joy and in moments of sadness, who will support, lend a hand and stay close. But at the same time, it is important to remember that in any situation it is necessary to remain human and not lose your moral character! It is necessary to live, because life is given to everyone in order to leave a memorable mark behind!