Have you ever wondered what fonts are? What makes them special in the world of computers or what makes them unique from each other? Why do some people claim that writing a sentence in italics means you are using a different font than when you write it without italics? Want to learn more about fonts and where to find them on Windows or on the web? In this guide, I will try to answer all these questions and explain the various little things that together make up a font and a font family.

Let's start:

What is a font?

A font is a set of characters, usually letters, numbers, punctuation, and other symbols. Fonts are characterized by their size, weight and style. Fonts may be larger than others, or they may be bolder or italic than others.

All of these characteristics apply to the fonts we use today, except that we now commonly use and see fonts displayed on screens of all kinds. At the same time, we rely less and less on paper and similar materials. Fonts used on computers, web browsers, office applications, or any other application are still defined by the same characteristics: size, weight, and style.

Let's look at these three main characteristics one by one and see what makes them significant. Probably everyone has heard of the Arial font, so we are using it as an example.

What is font size?

Font size is usually defined in points, which are often equivalent to pixels on computer monitors. For example, an 18 point Arial font means that the font you are using is called Arial and that its characters (letters, numbers, and other symbols) have a size or height, if you will, of a maximum of 18 points. A sentence written in 24 Arial paragraphs looks like this:

What is font weight?

Fonts are also characterized by weight. The weight of a font refers to the thickness of the characters it contains, or more specifically, the thickness of the strokes of the characters. For example, the font can be regular, bold, light. Normal weight means that the characters in that font are standard. A light font means that its characters are thinner than a similar standard or regular font. Also, a bold font means that the characters are much thicker than the regular form of that font.

The font also has more weights such as lighter, bold or bold. Sometimes, the weight of a font can be specified in numbers, such as a light 100 font or a bold 600 font. However, the average computer user will be dealing with standard font weights and bold fonts. Below you can see an example of Arial in bold, along with the usual 18 dots of Arial.

What is a font style?

Finally, the third essential characteristic of a font is its style. Fonts can be italic (or italic), condensed (or narrow), extended, and so on. For example, characters from an italic font have different italics. Characters from a condensed or narrow font have narrower spacing than the standard spacing between them, while a rich font has wider spacing between its characters. Here is an example of fonts with different styles:

In addition to the three main aspects that define it (size, weight, and style), a font is also characterized by other things, such as its design, the way it is presented, the characters (using dots or using vectors), or their orientations. For example, Arabic fonts are designed to be read from right to left, not left to right like the fonts used for European languages.

What is a font family?

A font family is also called a typeface and is a collection of all fonts that share the same similar characteristics in design. Fonts belonging to the same family may vary in size, weight, and style, but share the same basic design.

For example, when people think of Arial, they think of the Arial font family, not all the fonts it contains. For example, the Arial font family contains many different fonts such as Arial Light, Arial Regular, Arial Italic, Arial Medium, Arial Bold, Arial Black, Arial Condensed, Arial Narrow, Arial Monospaced, Arial Rounded, Arial Cyrillic, Arial Greek, and others. .

Although they are all different from each other, they all share the same design which makes them look similar. For example, letters may have different weights or have a higher slant, but in the end they all look the same.

Fonts as files on your computer

Fonts are stored as files on computers running Windows and other operating systems. This means that each of them has a name, extension, size, and so on. In the same way that executable files almost always have the ".exe" extension on Windows, fonts have a few specific extensions that are commonly used. The most common font extensions are ".ttf" and "otf".

« .TTF" is an abbreviation for TrueType fonts, a font format created by Apple and licensed by Microsoft for free use in the 1980s. Because of this, this format is now the most widely used on Windows computers.

« .OTF" comes from OpenType and is a font format built on TTF or TrueType. OpenType is also a subsidiary of Microsoft, but this time it was implemented with Adobe instead of Apple. OpenType fonts are used on Windows computers as well as websites on the Internet.

On Windows computers and devices, fonts, like everything else, are stored in files. These font files are located on the system partition where Windows is installed, in the " Fonts". In other words, they are in c:\windows\fonts».

To get to font management in Windows 10, you need to open " OptionsWindows» and go to the menu « Personalization».

Select fonts on the left side of the window. On right side, you will see all the fonts installed in Windows 10. Click on the font for which you want to see more details. You can also use the search field at the top to enter the name of the font you wish to view and then click on the relevant search result.

After selecting a font, you will be shown examples of text using that font. You can use the text box at the top with the message "Enter here to view font" to enter text.

If you have selected a font family, you will get a drop down menu with all the font options in the family. The metadata section is updated based on the font selected from the drop-down menu.

If the selected font is variable, the " font information"Additional link displayed" variable font properties".

The Variable Font Properties window has two drop-down menus. The first menu shows the design options that make up the font family. The second menu shows the axes of variation. This means that in addition to design options, the font allows full flexibility so that it can produce any other options that are needed. Just like the previous window, you have a text field where you can enter your text to check the results of your choices.

How to remove fonts in Windows 10

To delete fonts, you need to enter the Manage Fonts section. To do this, go to the " Settings → Personalization → Fonts". "Select the font you want to delete and click on it. In the Font Details window, click the " Delete».

Confirm the delete action and the font will be deleted.

Where to download new fonts

If you want to install new fonts on your computer.

To do this, there are several sites where you can download safe, free fonts:

Difficult to read at low resolutions

Reading low resolution fonts was a problem with early fonts used on computer screens. Instead of smooth lines, the fonts created jagged lines that made text difficult to read. TrueType fonts have greatly improved the use of hinting technology. Anti-aliasing was added later, and finally sub-pixel rendering. Microsoft has implemented the latter under the name ClearType. clear type can be enabled or disabled in Windows depending on user preference.

Sub-pixel rendering takes advantage of the technology used in LCD screens. For every pixel on the screen, there are three actual pixels on the LCD for each of the primary colors (red, green, blue). White is obtained by running all three pixels at maximum intensity. Sub-pixel rendering displays different information about each color pixel to smooth out edges.

Some people are worried about this technology because the fonts appear to be in color instead of black. The effect is worse if the background on the screen is not white. If you have this problem, you can disable this feature in Windows.

A Brief History of Fonts

Historically speaking, the word font, or font, meant a set of various symbols that were either carved from wood or formed from molten metal into a mold. The first type probably appeared when the first printing technique was developed. It happened in East Asia, around 206 BC. - 220 AD, when the Chinese began to use woodcuts on cloth and paper. Chronologically, the next important step was the invention of mechanical printing by Johannes Gutenberg in Europe around 1450. This was the moment Gutenberg hired a scribe to help him design and create the first Western world typeface. According to Wikipedia, it had only 202 characters, but it served to print the first books in Europe. Shortly thereafter, Gutenberg created a second 300-character typeface, which he used to create the world's first printed Bible. This is known as the Gutenberg or 42-line Bible, the Mazarin Bible or B42. Regardless of the name it bears, it marks the beginning of the era of the printed book in Europe and the Western world in general.

Many different types of type were developed after this, but the period of type growth was in the 20th century when printing became an industry and industrial printing presses became common. This was a period of widespread printed books and newspapers, and thus it was the time of the birth of many different types.

Finally, starting in the last half of the 20th century, people switched from reading on paper to reading on screens. Due to the growth of the Internet, reading news and searching for written information is, in general, becoming more popular on computers, tablets, smartphones and other similar devices. People not only began to pay much more attention to how fonts look when displayed on screens, but also more people than ever before, began to create fonts. Thus, today it is probably almost impossible to know how many different fonts there are.

What fonts do you prefer?

I hope that in this article I was able to shed some light on what fonts and font families are. Write in the comments which fonts you prefer to use. If you have any questions about this topic feel free to ask in the comments below and I will do my best to answer them.

This can help you connect with the user, build a brand, and set the tone for the entire project. The wrong font can make your design look flat, disjointed, or even give users the wrong impression of your brand. Now, with that knowledge, let's look at some beautiful typography from Design Shack.

The mood and the message you want to convey must match each other

It may sound strange, but it's true: every typeface has its own mood. And just like your mood, it can change depending on the environment.

This mood helps set the features of the project. This is driven by what people think about the content. It creates a connection between what you do and who you are and how people react to you. (Too much pressure to sign, right?)

Making the right connection starts with understanding what you want your design to convey, as well as a little knowledge about the different styles and history of type.

Compare messages

Did you mean this?

Or tried to say it?

The only difference here is in the fonts. See how different these messages are?

Font Mood for Beginners

There is no definite science to font matching by mood. In fact, it's mostly intuitive, and you just need to look at the font and the word together to understand what they mean (If you don't believe this, look at the previous example).

Here are some examples to get you started with different typography styles.

• Serif font (Serif): eternity, formality
• Novosti serif (Modern serif): gloss, high fashion
• Slab serif: importance, attention
• Sans serif font: neutral, simple
• Compressed (Condensed): authoritative, intense
• Bold (Black or bold): importance, stop
• Handwritten (Script): elegant, characteristic
• Geometric: retro, children
• Monospaced: code-based, sharp
• Rounded (Bubble or rounded): friendly, lively
• Vintage (Vintage): trendy, cool
• Grunge: rough, mystical

Avoid cliches

Here comes the tricky part: don't fall into the trap of using cliched fonts because of their general association or because you're not sure what to do. You can find lists all over the internet telling you which font to use for any type of project. You won't get it here.

Maybe you want to mix serifs with lighter content, or make handwriting more masculine. As with any combination of fonts, choose one for the title and big words, and something simpler for the rest of the text. This combination can be more traditional with serif fonts, or more modern with vintage and new serif fonts.

Consider your surroundings

An important part of how type is perceived is what elements surround it. It can be anything from images to other fonts. Different combinations can make the user perceive what they see differently.

Think of some simple sans-serif typeface. For the most part, these fonts are fairly neutral, and will adjust to the meaning of their surroundings. Look at the two images above for example. Are they perceived differently? The font is the same in both images, but the output is quite different. In the picture of the airport, you can feel the hustle and bustle, but the picture of the beach exudes calmness.

Who is your audience?

There is another element that you cannot control when it comes to typography and mood. This is how your audience perceives your content and font variations.

Let's take Comic Sans, which has been joked about more than once. Most designers won't use it. They will grin and laugh if one of the colleagues creates a project with him. On the other hand, Comic Sans is a popular font. You'll find it everywhere, from church bulletins to amateur newspapers and simple signage.

Where you think there is a real design problem, there will always be people who don't. The same can happen with any font.

Users will approach the design from different perspectives. We will take into account your audience in advance and try to predict how they will perceive the design. What do they think of your choice of typography? Can you make decisions that align with what they want or expect from the project?

5 Fonts No Self Respecting Designer Would Use

Choosing or not choosing a font doesn't have to be a sad decision. We've all been hurt in our lives when a great design was ruined by a stupid or simply overused use of the wrong font. Just for fun, here are five fonts we're sure you'll never use:

1. papyrus: It is difficult to fit into any design and at the same time it has serious problems with readability.
2. Jokerman: Any typeface that has polka dots, spikes, or swirls is downright funny.
3. Times New Roman: The default font from text editors and exam tests for grade 10. This is a normal typeface, but may have a slight laziness to it.
4. Impact: If you want to shout to your users, "This is very important, you need to read this now!" then choose it. (It was a very good font...until the memes ruined it).
5. Comic Sans: Too much has already been said about him.

Conclusion

Your mood, the mood of your audience, and the mood of the typography come together to create the overall feel of the project.

When planning a project and working on its creation, do not forget to take into account the mood of your audience. And if you stumble along the way, don't worry, it happens. Learn from these mistakes and rethink the process with your next project.

Each person has their own handwriting. By writing down information by hand on paper, we convert it into certain symbols. In the same way, which is displayed on a computer screen or on a printer, it initially goes through the stage of converting text characters into their images on a screen or on paper. For this, computer fonts are used.

Drawing a comparison between human handwriting and computer font, we can say that the font is analogous to handwriting. More precisely, font is a set of images of symbols of a certain alphabet. These images, as a rule, are designed in the same style, in a common format, and have the same design.

The font is an instruction for the computer in what form the characters of the text should be displayed on the screen or printed.

There are many fonts, they differ from each other in three ways:

• headset,
• character size,
• inscription.

Consider these font options.

Typeface

A typeface is one font or a set of fonts that have the same design, a common artistic solution. As a rule, fonts of one typeface are developed by one author.

Linguistically, the words "headset" and "headset" are similar. A set means a set of items that have a similar purpose, such as a furniture set, a jewelry set, etc. The typeface also combines a set of fonts for displaying text on the screen or on a printer. All items from the typeface, as well as all fonts of one typeface, are made in the same style, have a single artistic solution.

Each headset has its own Name, e.g. Times New Roman, Courier New. There are typefaces with special characters, such as Symbol and Wingdings.

Russian letters are not used in the names of computer fonts. Instead, the Latin alphabet is used, for example, "Baltica", "Svetlana" (this is a transliteration when Russian names are written English letters). English translation of Russian font names is also possible, for example, "Schoolbook". Fonts that came to us from the West retain their names, such as the Garamond font.

The word "headset" is usually omitted. As a rule, they simply say “choose Arial font” or “document is set in Times New Roman font”. They also usually simplify and instead of "headset" or "headset name" they say " font name».

Font character size

If the typeface (in other words, the name of the font) is the first parameter of fonts, then the second parameter is font character size.

You can also find this name - font size(type size font). This is the same as the font size.

Why do we need different font sizes? Typically, headings are printed larger than the body of the document. In this way, attention is drawn to the headings, which makes it easier to read the document at the first glance at the page. The text in footnotes and notes is typed smaller than the text of the main text of the document, which emphasizes the secondary importance of the information presented there.

How is the font size (or font size) set? Usually users choose font size - 8, 10, 12, 14, etc. Here, the numbers indicate the vertical size of the font characters in typographic points between the top of the highest character and the bottom of the lowest character (see figure).

The word "point" comes from the German word "punkt" and translates as "point". For those who love numbers, I inform you that one point is equal to 1/72 of an inch, that is, 0.3528 millimeters. Accordingly, in order to convert 8 points into millimeters, you need to multiply 8 by 0.3528. The result is that 8 points is 2.8224 millimeters.

Font style

Let's move on to the last third parameter of fonts, more precisely, to the style . Font style- these are different font options within the same typeface, more precisely:

• style and
• font saturation.

The most common font styles are straight and italics. If the user of the term "italic" does not know, then he simply says that he uses " stroke with slope».

Saturation is responsible for the thickness of character strokes. Usually use normal (regular) and bold styles. The latter is sometimes still simplistically called "thick type" if one does not know the terms "bold" or "bold".

Some typefaces may contain light (thin), very light (light), bold (heavy) and extra-bold (ultra heavy) weight fonts.

Computer programs allow the use of conventional, cursive,bold And bold italic font styles. Some fonts (more specifically, typefaces) have all of the weights listed, while others have only one weight, usually the regular weight. That, as they say, is the will of the artist, the author of the font.

Designed for typing.

Fonts are created by artists in accordance with:

• with figurative intent;
• with the requirements of the unity of style and graphic composition;
• with specific semantic and artistic and decorative tasks;
• with applied tasks.

The design of the first typographic fonts was created on the basis of handwritten fonts, for example, a handwritten semi-ustav - Russian, a Gothic font (Gothic writing) - a Latin font. There is also a special font - Braille for the blind.

Main Characteristics of Fonts

• headset: combining fonts that are different in size and style, but identical in character;
• style: straight, cursive
• saturation: light, bold, bold (the ratio of the thickness of the stroke to the width of the intra-letter gap);
• width: normal, narrow, wide;
• size (size) in points (1 point = 1/72 inch);
• serif shape.

There are main groups of fonts: typesetting and display fonts. These two groups branch out into many subgroups. Each headset has its own name. Designing headsets is a complex and time-consuming job.

Font Anatomy

Typographers have developed a complex vocabulary describing the many features of type and typography. Some of his concepts do not apply to all scripts. For example, serifs, which are purely decorative elements in typefaces of European scripts, may look like details of Arabic or East Asian characters (such as stroke thickness), but the latter may carry a semantic meaning and are incorrectly called serifs.

serifs

Fonts can be divided into two main categories: with serifs (serifs) And sans-serif (chopped). Serifs are small features at the ends of letter strokes. In printing industry, sans-serif fonts are also called grotesque(German Grotesk from ital. grottesco ).

There is a wide variety of fonts, both serif and sans serif. Both groups contain both typefaces designed for typing large amounts of text, and designed primarily for decorative purposes. The presence or absence of serifs is just one of many factors that are considered when choosing a font.

It is often assumed that serif fonts are easier to read in long texts than sans serifs. Research on this issue has been mixed, suggesting that the main reason for this effect is more familiarity with serif fonts. As a rule, printed works, such as newspapers and books, use serif fonts, at least in the body text. Websites may not detect the font and use the user's browser settings. But font-setters tend to use sans-serif fonts because, unlike printed materials, they are thought to be easier to read on low-resolution computer screens.

Proportions

Proportional and monospace fonts

Proportional the font displays characters of different widths, whereas disproportionate, or monospace, the font uses constant fixed-width characters.

Most people find proportional typefaces to be more attractive and readable, and as such, these typefaces are most commonly used in professionally printed materials. For the same reason, GUI programs (such as word processors and browsers) typically use proportional fonts. However, many proportional fonts contain fixed-width characters so that, for example, columns of numbers remain aligned.

Monospaced fonts are better suited for some purposes because their characters line up in crisp, even columns. Most manual typewriters and alphanumeric computer displays use monospace fonts. Most computer programs that have a text-only interface (such as terminal emulators) also use only monospaced fonts. Programmers tend to prefer monospaced fonts when editing Source Code. ASCII art usually requires a monospaced font to display correctly. On web pages, verbatim tags use non-proportional fonts. Any two lines of text with the same number of characters should appear the same width when using a monospaced font, while when using a proportional font, the same two lines can have completely different widths. This is because, in the latter case, wide characters (such as the letters W, Q, Z, M, D, O, H, and U) require more space than narrow characters (such as i, t, l, and 1). In publishing, editors read manuscripts in monospaced fonts for ease of editing, and it is considered bad manners to send manuscripts in proportional fonts.

Fonts in Russia

The only font manufacturer in the USSR was the Department of typesetting (1938-1993) of the Research Institute of Printing Machine Building. Over the years of the department's existence, about 80 typefaces have been developed. After the department was abolished, many of the designers who worked in it moved to ParaGraph.

Several companies are involved in the design of Cyrillic fonts in Russia, the most famous of which are ParaType (a former division of ParaGraph, spun off in 1998) and Letterhead Studio (founded in 1998). The ParaType font library, which came to pirates in the late 90s, is the main content of all pirated collections without exception.

Classification of fonts according to GOST

• The sans serif group

This group includes typefaces that do not have serifs, for example: Magazine chopped, Ancient, Poster, Alphabet.

• A group of fonts with barely visible serifs

This includes typefaces whose stroke ends are slightly thickened, such as Oktyabrskaya.

• Medieval font group

This is the most complete group of fonts. The serifs of the fonts included in this group blend smoothly with the main strokes and, as a rule, are built as arcs of circles. Examples of typefaces in this group: Literary, Bannikovskaya, Lazursky, Times.

• Group of ordinary fonts

The fonts of this group have a pronounced contrast and long thin straight serifs, connecting with the main strokes at right angles. Example: Ordinary new, Elizabethan, Bodoni.

• Block type group

Contrast in these fonts is absent or barely noticeable, thickened straight serifs are connected to the main strokes at right angles. Examples: Bruskovaya newspaper, Baltika.

• A group of new low-contrast fonts

As a rule, the fonts of this group, which are characterized by long rounded serifs, softly mating with the main strokes, are used when typing a large amount of text, in books and newspapers. Examples: New Newspaper, School, Bazhanovskaya, Magazine, Academic.

• Group of additional fonts

This group includes all fonts that cannot be assigned to any of the other groups. For example, handwritten typefaces such as Zhikharevskaya.

Modern fonts

see also

• font rasterization library.
• International Association of Typographers

Links

• IFONT.RU - a large catalog of fonts - Font classification, articles about fonts and typography
• Medieval type compositions - photo essay
• Font fonts by category with preview

Wikimedia Foundation. 2010 .

See what "Fonts" are in other dictionaries:

The development of writing began with the transmission of the content of messages with real pictures (pictorial fonts), then the content was abstracted, and a conceptual font arose (hieroglyphs, cuneiform). At the next level of abstraction, alphabetic appeared ... ... Encyclopedia of mythology

Typographic. A complete collection of typographic letters or letters used to reproduce the written characters of any language, called. Sh. In addition to uppercase and lowercase letters, Sh. also includes capital letters, punctuation marks, numbers, a hyphen or a sign ... ... Encyclopedia of Brockhaus and Efron

Fonts- (classification) 1) W. typewriters are classified according to the size (height, width) of characters, their configuration. A set of letters with signs characterized by certain sizes and configurations forms a Sh. of a certain brand; 2)… … Forensic Encyclopedia

Fonts- the development of writing began with the transmission of the content of messages with real pictures (fig. Sh.). Then the content was abstracted, and a conceptual script (hieroglyphs, cuneiform) arose. At the next level of abstraction, the alphabetical Sh ... Ancient world. encyclopedic Dictionary

Fonts- (lat. scriptum written). The development of writing began with the transmission of the content of messages with real pictures (pictorial Sh.). Then the content was abstracted, and a conceptual script (hieroglyphs, cuneiform) arose. On the next level... ... Dictionary of antiquity

• a set of written characters of a language or group of languages.
  • Foreign words and phrases font written by hand in ink.
  • The works of ancient Greek authors, in the original and in translations into languages ​​with Latin font, are described under the Latinized form of the personal name of the author.
• writing style, handwriting.
  • On a thick vellum sheet, the prince wrote in medieval Russian font phrase: "The humble abbot Pafnutiy laid his hand."
• a special set of letters and other printed ov with certain features of the pattern of ov and mi.
  • The document is set in Schoolbook font.
• colloquial. (), color or font (3) used when typing.
  • The name is printed in capital letters, font- fat.
  • Once opened a respectable newspaper: font petty, the words are all clever.
• polygraph hard a characters used in traditional e text.
  • From printing textbooks, I knew that the worst thing for a typesetter is to scatter the cash register with font or a ready-made set.
  • They managed to take out of the printing house, where the fascist newspaper was printed, several kilograms font.
• comp. and , designed to implement work with the "font" 3 ..
  • In addition, memory cards can be inserted into the CompactFlash slot to store documents waiting to be printed or connected fonts.
• Computer Handwriting
• ... Braille is based on a combination of six dots
• Times New Roman Cyr
• type of block letters
• type of printed text
• outer hiv block letters
• headset
• its size in pins
• a set of characters for typing, usually including the alphabet of at least one language, numbers and punctuation marks and having a general pattern
• set of letters
• set of letters in rhyme with a pin
• set of typographic letters
• cursive, petite
• m. German. set, cast, printable, letters. Fonts (sets) get names, with which they are designated. First, punches (chasings) are cut on steel, with which matrices (lyaki) are knocked out with one blow in copper, and a font (set) is poured into them from a gartu, an alloy of tin, lead, zinc and iron filings. Each of the sets is given, according to his handwriting, a special name; lowercase, regular set: cicero, and oblique, italic, cursive to it; capital or large: body, various names: English, long, black, thick, Egyptian, etc. then, small: petite and oblique petite, of which the slightest kind of diamond, on the back of our asigia
• lettering
• newspaper handwriting
• typographic alphabet
• letter shape
• block shape
• form of characters
• form of writing
• what else, besides bizarre figurativeness, was once a grotesque
• what is usually cast from the hart
• what is poured from the hart
• petite, cursive and gothic
• (German, from schreiben - to write). 1) cast from printing metal and serving for typesetting manuscripts, letters of various sizes and therefore various names. 2) in mining - a gutter in the ground to drain water.
• metal letters used in printing houses for typesetting and printing.
• German Schrift, from Schreiben, write. Letters that are the same size and format.
• typographic letters: they have different names in size: cicero, corpus, borges, petite, nonpareil, etc.
• Typographic alphabet.
• Newspaper handwriting.
• What else, besides bizarre imagery, was the grotesque once upon a time?
• A set of letters.
• What is usually cast from a garth?
• FONT Braille is based on a combination of six dots
• what is cast from the hart?
• computer handwriting

Synonyms for font

• • ABC
  • alphabet
  • headset
  • graphic arts
  • writing
  • letter
  • handwriting
  • poshib

Meronyms for the word font

• • letter

Hyponyms for font

• • web font
  • system font

Single-root words for font

• adjectives

  • typeface

  nouns

  • type designer

Phraseological units for the word font

• • display font
  • arabic font
  • web font
  • Gothic
  • Glagolitic script
  • civic font
  • Greek font
  • humanistic font
  • bold font
  • capital font
  • square font
  • cyrillic font
  • computer font
  • cursive font
  • latin script
  • typeface
  • italic font
  • typeface
  • written font
  • poster font
  • bold font
  • semi-statutory font
  • chopped font
  • cursive
  • serif font
  • system font
  • cursive font
  • slavic font
  • text font
  • typographic font
  • uncial
  • statutory font
  • drawing font
  • sans serif font
  • braille
  • serif font