Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

The work of A.S. Pushkin "Eugene Onegin" tells about two completely different maidens, Tatyana and Olga.

Olga is a cheerful, modest, cheerful girl. She is an obedient daughter, her parents love her very much. Lensky is madly in love with Olga. She reciprocates his courtship, but her love is fickle. When Lensky died, she did not grieve for long and soon got married.

Tatyana, on the contrary, is sad, silent, very withdrawn into herself. She is not like other girls. While everyone was embroidering, filling out albums, flirting with each other, Tatyana read novels and admired nature. she seemed like a stranger to her own family. She didn’t sit down to caress either her father or her mother. “Tatyana had been unrequitedly in love with Eugene for a long time. When Onegin finally realized that he loved Larina, she was already married to a noble person. preserved love for Eugene, Tatyana remained faithful to her husband.

In my opinion, both girls are good - they never did anything bad to anyone. Pushkin also likes both heroines, but according to the author "... her portrait (Olga) is very nice to me, I used to love him myself, but he bored me immensely. .." Tatyana, on the contrary, the author supports in every possible way, calls her "dear Tatyana." Based on the foregoing, it follows that Pushkin sympathizes with Tatyana Larina, despite, and maybe even due to her unusual behavior.

An essay about " Comparative characteristics Olga and Tatyana" 4.67 /5 (93.33%) 6 votes

Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, unlike Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishments. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is true to her principles. Tatyana expresses all the features of an ideal Russian woman according to a. The girl is close to the author in her thoughts and worldview.

Olga is unlike her sister. Her image emphasizes the depth of Tatyana's image, contrasting a cheerful girl, a silly woman with a thoughtful woman with a huge and complex inner world. Tatyana is initially presented as a dreamer detached from the world, but as her image is revealed, we see that Tatyana is a realist and not insensitive. Olga, who at first attracted the reader with her cheerful disposition, opens up for us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - perfect girl, cheerful, beautiful ... but nothing more. Olga has a poor inner world, and although it also has positive traits, yet the image of Tatyana is a real woman with whom you can connect fate, start a family and raise children. With Olga, you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion with a description female images novel, the characters of which chose Tatyana.

In conclusion, we can say that he conveyed the depth of the image of Tatiana, showing her through the prism of the image of Olga. Both images are found in our days, but, unfortunately, there are fewer of them spiritually deep. Monotony is boring, the image of Tatyana is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do no harm to you or others.

It is also important that even the morally pure Tatyana also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural mezheumok”. Yevgeny really suffered from this “disease”. The symptoms of the “illness” are the contempt of one's culture, the loss of roots. In Europe, the Russian nobleman was not accepted, he was still a stranger. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be alien. Tatyana, however, remained, unlike Evgeny, at a moral height: "but I am given to another and I will be faithful to him for a century." She remained the "Russian soul". The proximity to the people and the simple village wisdom absorbed with the stories of the nanny also affected here. Even having been in the highest society, Tatyana remains an internally real Russian woman, who really understands the importance of duty. Her morality, despite the all-encompassing "disease" of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.

STATE OF MIND:

Tatyana: she was closed and silent, removed from society and even from her family: "she seemed like a stranger in her own family." She liked the calmness and solitude, in which she found a certain comfort, which also adorned her dreams. At heart, she was still a child. She fell in love with the "deceptions of Richardson and Rousseau" - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of French novels, on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, "like morning"; simple-hearted, "like the life of a poet", simple. Even her movements and voice were light, and she had a "ruddy freshness" characteristic. However, Onegin believed that "Olga has no life in features." She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. "Like a windy hope, frisky, carefree, cheerful." At one ball, her frivolous attitude, frivolity, quite characteristic of many secular ladies, is especially revealed: "Just a little from a diaper, a coquette, a windy child! She knows cunning, she is already taught to change." Quite simply, Olga reacted to the death of Lensky: "Weeping, she did not cry for long. Alas! The bride, young in her sadness, is unfaithful. Another attracted her attention." And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous characterization, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: "Tatyana, dear Tatyana! Now I shed tears with you." And he confesses, apologizing to the reader: "Forgive me, I love my dear Tatyana so much."

Olga: Pushkin in the very first lines of Olga's description gives her a very pleasant characterization. However, he considers her windy, frivolous, in the end he admits that she is very tired of him. Pushkin concluded all her beauty in her appearance, but nothing was left for her soul. She wasn't for a poet a bad person he just saw her empty.

COMMUNICATION, RELATION WITH SOCIETY:

Tatyana: She was alien to the society to which her sister was drawn. Ever since childhood, she "was a child herself, did not want to play and jump in a crowd of children, and often sat silently by the window all day long." Even in the family, she was like not her own, did not consider the interests of society similar to her own. And "from the most lullaby days, thoughtfulness is her friend." She didn't look for other friends.

Olga: She matched secular society, was sociable, cheerful, as a child, the nanny gathered a wide circle of all her friends for Olga, they played merrily. She was her own in this society, she loved evenings, balls, she was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like the others. Even her name is used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she often felt sad, she was "wild" (as the author writes) in the sense that "alien, unknown to people." She was an excellent dreamer.

Olga: Pushkin says that Olga "is sweet like a kiss of love, eyes like the sky, blue, a smile, linen curls, movements, voice, a light camp - everything is in Olga ..." However, you will meet such a person in any novel, there are plenty of them, because She bored Pushkin immeasurably. He met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: she loved fun, holidays, balls, classes for secular youth of that time, games and fun, entertainment, fashion, friends. Raised by society, adjusted to its laws.

STATE OF MIND:

Tatyana: she was closed and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked the calmness and solitude, in which she found a certain comfort, which also adorned her dreams. At heart, she was still a child. She fell in love with the "deceptions of Richardson and Rousseau" - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

She did not understand THEM and THEY did not understand her - Tatyana

was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of French novels, on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like morning”; simple-hearted, “like the life of a poet”, simple. Even her movements and voice were light, and she had a “ruddy freshness” characteristic. However, Onegin believed that "Olga has no life in features." She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. “Like a windy hope, frisky, carefree, cheerful.” At one ball, her frivolous attitude, frivolity, quite characteristic of many secular ladies, is especially revealed: “Just a little out of diapers, a coquette, a windy child! She knows cunning, she has learned to change. Quite simply, Olga reacted to the death of Lensky: “Planning, she did not cry for long. Alas! The young bride of her sadness is unfaithful. The other caught her attention." And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous characterization, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! With you now I shed tears. And he confesses, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”

COMMUNICATION, RELATION WITH SOCIETY:

Tatyana: She was alien to the society to which her sister was drawn. Since childhood, she was “a child herself, she didn’t want to play and jump in a crowd of children, and often all day long she sat silently by the window.” Even in the family, she was like not her own, did not consider the interests of society similar to her own. And "from the most lullaby days, thoughtfulness is her friend." She didn't look for other friends.

Olga: She corresponded to secular society, she was sociable, cheerful, in her childhood the nanny gathered a wide circle of all her friends for Olga, they played merrily. She was her own in this society, she loved evenings, balls, she was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like the others. Even her name is used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she often felt sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people. She was an excellent dreamer.

Olga: Pushkin says that Olga is “sweet as a kiss of love, eyes like the sky, blue, a smile, linen curls, movements, voice, a light camp – everything is in Olga…” bored Pushkin immeasurably. He met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: she loved fun, holidays, balls, classes for secular youth of that time, games and fun, entertainment, fashion, friends. Raised by society, adjusted to its laws.

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Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that arises in the reader's imagination is like the opposite of Olga's younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described is suddenly replaced by a serious intonation:

Allow me, my reader,
Take care of your big sister.
And she appears on the pages of the novel.
Nor the beauty of his sister,
Nor the freshness of her ruddy,
She would not attract eyes.
Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl

This is not the heroine to whom the novel is dedicated. There is another, to which "we will arbitrarily dedicate the tender pages of the novel." Olga's beauty is familiar, and Tatyana is different, memorable. But Pushkin nevertheless notes a certain relationship between the sisters. And besides the external similarity (“movement, voice, light camp” is inherent in both), there is a spiritual unity between them:

... a friend of so many years,
Her dove is young
Her confidante is dear ...

Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Paleness is Tatyana's constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatyana is still the same “old Tanya, poor Tanya” “sitting untidy, pale.” Pushkin does not give a direct description of Tatyana's appearance, does not resemble a painter with his specific depiction of an object, but "based on a specific force, conveys the impression made by the object." The poet creates the image by a method inherent only in verbal art. The image is transmitted through the impressions, sensations, attitude of the author. 3. The time has come, she fell in love.

The image of the moon in "Eugene Onegin" is inextricably linked with inner experiences main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side
She trembled and turned pale.”
illuminated by the moon,
Tatyana writes a letter to Onegin.
And my heart rushed far
Tatyana looking at the moon...
Suddenly a thought popped into her mind...
... the moon shines on her.
Leaning on, Tatyana writes.

Tatyana writes without a lamp. state of mind takes her away from the world of reality that daylight creates. This is the highest degree of abstraction.
Tatyana's letter is in front of me;
I keep it holy
I read with secret anguish
And I can't read.

It should be noted that Tatyana's letter is a translation from French. Writing in French, thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin's creativity, in particular Lotman, argue that "a whole series of phraseological clichés goes back to Rousseau's New Eloise." For example, “That is the will of heaven; I am yours”, “... Souls of inexperienced excitement.

for example, “This is the will of heaven; I am yours”, “... Souls of inexperienced excitement. Reconciled with time (who knows?)”. Pushkin defines such clichés as Gallicisms:
Gallicisms will be nice to me,
Like the sins of past youth
Like Bogdanovich's poetry.

In addition to the influence of "Eloise" Rousseau, Tatiana may have read poetry, a French poetess. Tatyana understands what she is condemning herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it is a shame to write to a young man you don't know, confessing your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own fate. Subsequently, the decision to marry and move to Moscow depended only on her.

Me with tears of spell
Mother prayed; for poor Tanya
All were equal in lots ... Mother did not order, but prayed. Tatyana is sure that after reading the letter, Eugene will not reject her: “Though keeping a drop of pity, you will not leave me.” So she knew she would be loved. Intuition? Or it's not confidence at all, but hope, a plea. Belinsky will say: “Onegin did not recognize his own soul; Tatyana recognized her own soul in him, not as in its full manifestation, but as a possibility ... ". Tatyana guessed about this possibility. At the beginning of the letter, Tanya's self-evident unity with her loved ones comes through childishly ingenuously. Yes, Tatyana saw Eugene briefly, several times, she listened to him attentively, but is this enough for true high love to arise? Who is this stranger to whom Tanya refers to you, he is much older than the 18-year-old heroine, brought up by the capital. She is right:

In the wilderness, in the village, everything is boring for you.
All that remains for her is “Think everything, think about one thing
And day and night until a new meeting.