The novel "Oblomov" is a classic, in which interest either subsides, or, on the contrary, flares up with great force. The thing is the character of Ilya Ilyich, who becomes a symbol of some eras, and villain others.

Oblomov's guests and the purpose of their arrival will help to understand the nature of a complex character.

Oblomov's guests

Throughout the novel, few guests come to Oblomov. All of them are different in nature, appearance and age. Alekseev and Tarantiev come to Ilya Ilyich more often and more diligently. At first glance, these are two opposite characters: noisy and quiet, rude and timid, arrogant and meek. But in fact, they have a lot in common: the inability to build a career, the desire to eat at the expense of others.

The rest of the guests were infrequent visitors to Ilya. They were brought to him by accidental circumstances. They flew in for a minute and, not seeing the point in communication, quickly left the uncomfortable house. Such guests understood that they could not reciprocate the host, reported some not very important news and left. Friends were an annoyance in Oblomov's life. They tried to return him to a stormy and ebullient life, but their views did not coincide. Oblomov disliked them more and more. He pushed them away, not wanting even ridiculous friendly contact. They were cold from the street, and it was cold not only in the literal sense of the word, but also figuratively.

Volkov

A cheerful young man is carefree and cheerful. He shares with Ilya breaking news showing off new things. The guest is a fashionista who loves to flaunt clothes from the latest collections. He has a beautiful hairstyle. Volkov's life is a stormy holiday. He manages to visit 10 different places in one day:

"Ten places in one day - unfortunate!"

Volkov is trying to change Oblomov's attitude towards women. Thoughts, and not to fall in love, visited the owner and immediately melted away. A busy life did not arouse envy in Ilya. He felt that his balanced and calm lifestyle was better.

Sudbinsky

The guest is a former colleague of Oblomov, they served together in the office. Sudbinsky has speaking surname. He is the builder of his own destiny: he makes a career, strives for promotions, receives awards. Sudbinsky came to visit a friend, to invite him to go with him to Ekateringof. The story about the affairs of the service did not arouse Oblomov's interest. He is glad that he does not need, as a guest, to get bogged down in a career "fuss". In the conversation of friends, the theme of the essence of man is raised, which fades into the background, leaving on the surface the desire for rank and service. Good earnings and eternal employment - what Sudbinsky colleague wanted to call for.

Penkin

With a proposal to go to Yekateringof, the young writer Penkin came to Oblomov. But before pronouncing the purpose of the visit, the guest spoke about his article, about literature in general. He excited Ilya with thoughts about fallen people and changes in society. Ilya even jumped out of a comfortable bed, but it was a momentary splash. Writing even at night is too wrong. Selling your thoughts is also absurd. Oblomov compares Penkin to a machine that spins without stopping every day. Life without sleep and rest is for Ilya Ilyich a synonym for an unhappy existence.

Alekseev

The purpose of his visit to Oblomov, like his whole life, is to eat. He invites Ilya to dinner with a mutual friend, and after dinner to go with friends to Yekateringof. Oblomov offers to stay and dine with him. Alekseev is a timid man who is afraid of himself. He does not advance in the service, does not have his own opinion, adapt to others, gradually losing face. It becomes unremarkable externally and internally. But only to this quiet guest Oblomov was able to voice his problems.

Tarantiev

Countryman and friend of Ilya Ilyich Tarantiev is a noisy and rude guest. Without asking consent, he tries to lift Oblomov out of bed. At the request of Tarantiev, the servant Zakhar dresses the master. Oblomov sits down in a chair. Tarantiev was an invited guest, he was invited to dinner, but another purpose of the visit was to beg for a black tailcoat. Only the servant prevented the impudence of the guest. Tarantiev constantly scolds, grumbles and swears. He is dissatisfied with everything in the world, looking for profit, an opportunity to deceive and cheat.

Doctor

The purpose of visiting the doctor is Oblomov's health. He warns Ilya about the possibility of a stroke (stroke), about the need to change his lifestyle, but he does not listen to his advice. The doctor is elegant and attractive. He enters the homes of wealthy patients, so he is reserved and calm. The doctor has a good income, his behavior is of interest.

- representatives of different classes, busy with their own affairs, but the results of their efforts are not much different from what happens in the house of Ilya Ilyich. In one day, six visitors appear - quite enough for a "lazy" gentleman. Oblomov himself is a little over thirty years old, so his acquaintances extend in a group of young people, among them: fashionable dandy Volkov, former colleague Sudbinsky, young writer Penkin, official Alekseev, bully and swindler Tarantiev and a doctor who recommends Oblomov to change his lifestyle.

"The most diligent visitors to Oblomov" Alekseev and Tarantiev are declared to have a delicious lunch and spend extra time. The rest looked infrequently, communication was gradually interrupted: “Oblomov was sometimes interested in some news, ... then, satisfied with this, he was silent. They had to reciprocate, to take part in what interested them. They are trying to get him to visit, they invite him to a walk in Yekateringof, "he did not like all this, it repelled him."

His idleness is provided by the social position and work of other people, but Ilya Ilyich clearly understands that he is unable to reorganize his life in such a way as to benefit or enjoy secular receptions. The absence of a common cause deprives the relationship of meaning, people have nothing to discuss and nothing to share, so Goncharov’s sympathies clearly lean towards the main character: “It’s better to do nothing at all than to do it somehow.”

All topics have been exhausted, nothing interesting in the future, and only relations with Andrei Stolz, who also often visits Oblomov, enliven Oblomov's behavior. This image is given as the opposite of Ilya Ilyich, the author endows him with the idealized features of an enterprising nobleman who received a “labor and practical education” from childhood. On the eve of the abolition of serfdom, Goncharov is trying to determine the driving forces of social development. Not without reason, even the beautiful Ilyinskaya joins her fate with him, because he is muscular, interesting, and Oblomov, with flabby cheeks and apathetic, "has grown a belly and thinks that nature sent him this burden."

None of Oblomov's guests is essentially able to change and change the surrounding life, the novel presents personal and social characteristics that show that these people are ordinary consumers who can only use what others have invented and created. At the dawn of technological progress in the middle of the 19th century, many writers and famous thinkers believed that accessible education, industrial advances would change the human race.

This delusion was later refuted: in our time, the class of consumers is constantly expanding, while the number of people in production and agriculture is falling. Therefore, Goncharov's critical attitude towards Oblomov's guests is not entirely justified, their "senseless" behavior allows people like Stolz to demonstrate their successes and achieve recognition in the crowd of "unfortunate" and worthless people.

The summer meeting of the Pencil Club was mired in total Oblomovism.
It fell to my lot to write out Ilyich's guests.
Regulations were almost non-existent.
The only condition is that the word must be embedded in the text "Gorelovo".
It turned out like this...

0. May Day demonstration

He used to be in bed
A sour spirit in a flabby body,
But the eternal sleep is interrupted by a call,
And the guest comes in a joint.

The May Day guest is cheerful and feathery.
He goes like a salmon to spawn.
He is hurried and businesslike,
And isn't it entwined with laurel.

After all, now in Yekateringof -
Walking, racing, tea and coffee,
Liveries, banknotes -
In short: the day of the monster.

And everyone considers it their duty
Call Oblomov to the gig.
But immovable and firm Ilya -
Doesn't want to go anywhere.

1. No matter how you feed the wolf

It is known that the feet feed the wolf -
Others more than their own.
Here it appears on the threshold,
Bringing spring jets,

A young male, nicknamed Volkov -
Frant, jumper, bon vivant -
Cracking incessantly and to no avail,
How he is filled with love

To the neighboring Lida, or Dasha
(And in general - it doesn't matter to whom),
What is rosier and more beautiful than all,
And takes at home.

Here is a matinee, there is a dinner party.
Take a look - new lacets -
Opportunity from the Moulin Rouge;
Literally no time to sit down!

Sat down - and the dove got in,
He jumped up, brushing off the dust,
And galloped away, whipping a forelock,
Trampling parquet, what is your feather grass ...

And what came, however?
Yes, boast of a new tailcoat.

(Note: Volkov believes that "lacets" are gloves,
although it actually translates as shoelaces.)

2. Wrong fate

An official friend Sudbinsky came,
As soon as Oblomov lay down again.
Once - socially close,
And now - ghostly, far away.

Portfolio, office space,
Official style, wax style,
Uniform, high-ranking bride -
Everything that Oblomov handed over to the scrap

Long and joyfully, a career
I don't consider it my destiny.
The master has his own creed:
Lie down and be yourself.

He was invited to be the best man for the wedding.
(Not to be confused with a driver.) Alas ...
Wouldn't a colleague know
About the promises of tryn-grass ...

3. Foam days

Pinned writer Penkin,
Brought a magazine article.
Oblomov, spreading his eyes,
I almost immediately said: “Adieu!”

However, he got into a dispute -
About whom/what to write/read.
And quickly vtyuhal modernist,
That all his cooking is vain.

- There the mayor moved in the teeth,
This bribe-taker went to a brothel -
What is the Russian Hecuba to me,
What is French Courchevel to me?

Where is the man, dear?
Than so - at least do not write at all.
Where are the ups and downs in the abyss
His disheveled soul?

Having sewn an epic mine,
He pushed the scribe out the door
And grinned half
Unburned face.

4. Furniture man

Then came Andreev,
Or maybe not Andreev,
Or maybe Alekseev,
Or Ivanov.
They call him Ivan
Or maybe not Ivan.
Came with an empty pocket
Eat other people's pancakes.

He is furniture man
Now a person, then furniture,
But about daily bread
It bakes like anyone else.
So he agrees
Always agree on everything.
Look to the right - red,
On the left is blue.

Although, in general, gray
Poor bastard,
Introduced for example
The absence of everything.
No meat, no fur
There is a hole all around.
Oblomov echo,
His alter ego.

5. Harlequin

Hooray! Last picture!
Take heart listener.
It remains to meet the Harlequin
And wipe the moisture off your face.

And here it is, with a virtual stick
Beating everyone, no laziness,
Appeared, absurd and brutal.
Mikhey Andreevich - good afternoon.

Tarantiev is a rare bitch.
He pressed Ilya for a long time.
His example is science to others,
How to eat your neighbor with shit.

What Alekseev, what Oblomov -
With him they played the role of Pierrot.
But the first is empty, like a tuft of straw.
The second, consider, paid dues.

However, for the future. After all, that nut
That Stoltz was too tough
Successful, though not without sin,
Razgryz provincial boor.

This is what happens sometimes:
Chervonets taking away in the goiter,
Harlequin betrothed to the hero
Not the worst fate...

Target: show role secondary characters works by I.A. Goncharov "Oblomov" in identifying the author's position.

Tasks:

Educational:

To form an idea of ​​a harmonious personality as a guideline for the self-education of each person;

Show the complexity and ambiguity of the character of the protagonist of the novel I.A. Goncharov through its comparison with the images of other characters in the work;

Reveal the originality of the means of creating images of heroes in work of art.

Developing:

Develop logical thinking and the ability to defend your position;

Form a personality capable of creative activity;

Develop group work skills.

Educators:

To cultivate love and respect for the Russian language and for Russian classical literature;

To promote the education of a culture of communication, the need for self-education;

To promote the education of the moral qualities of students, paying attention to the education of an active life position.

Lesson type: lesson learning new knowledge.

Work form: frontal work of the teacher with the class, group work, individual work, role-playing game.

Educational technologies: theatrical technology, technology of activity type (technology of development critical thinking, technology of problematic dialogue), game technology, technology of student-centered learning.

Equipment: projector, Power Point presentations “Visiting Ilya Oblomov”, “Physical Minute for the Eyes”, video clips from the feature film “A Few Days in the Life of Oblomov”, an audio recording of “Oblomov’s Thoughts”, handouts, scenery for the lesson illustrating the life of Ilya Ilyich Oblomov’s room.

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Grade: 10

Lesson #3

Date of:

Subject: Heroes of the novel by I.A. Goncharov "Oblomov" in their relation to Oblomov.

Target: show the role of secondary characters in the work of I.A. Goncharov "Oblomov" in identifying the author's position.

Tasks:

Educational:

To form an idea of ​​a harmonious personality as a guideline for the self-education of each person;

Show the complexity and ambiguity of the character of the protagonist of the novel I.A. Goncharov through its comparison with the images of other characters in the work;

Reveal the originality of the means of creating images of characters in a work of art.

Developing:

Develop logical thinking and the ability to defend your position;

- to form a personality capable of creative activity;

Develop group work skills.

Educators:

To cultivate love and respect for the Russian language and for Russian classical literature;

- to promote the education of a culture of communication, the need for self-education;

To promote the education of the moral qualities of students, paying attention to the education of an active life position.

Lesson type: lesson learning new knowledge.

Work form: frontal work of the teacher with the class, group work, individual work, role-playing game.

Educational technologies:theatrical technology, activity-type technologies (technology for the development of critical thinking, technology for problematic dialogue), game technology, technology for student-centered learning.

Equipment: projector, Power Point presentations “Visiting Ilya Oblomov”, “Physical Minute for the Eyes”, video clips from the feature film “A Few Days in the Life of Oblomov”, an audio recording of “Oblomov’s Thoughts”, handouts, scenery for the lesson illustrating the life of Ilya Ilyich Oblomov’s room.

During the classes:

1. Organizing time. Motivational mood.

Good afternoon guys. Today we continue our acquaintance with Goncharov's novel "Oblomov", we continue to analyze the text and comprehend the secrets of the author's artistic skill.

As you know, this novel is a classic of world literature.Roman Goncharova " Oblomov "is prominent in Russian and world literature a milestone on the way to solving many problems by mankind.Do you think it is important to read classical literature? (Yes)

Let's play the speaker game. Take on the role of a speaker and prove that reading classic literature is essential.

(Children's answers:

- A classic has become a classic because it carries something that, even after a long time, retains its relevance.

- Classic books are timeless as they help reveal many things human life, relationships that do not depend on time.

- Reading classical literature affects inner world reader. Even if the book is a hundred or more years old. She is the only one who can tell interesting events, convey all the shades of the experiences of the characters, their thoughts, accurately describe the actions and their causes. Some works can play a big role in the life of the public.

Another reason that can be a significant argument in favor ofreading classical literature- this is what these works are part of the intellectual and cultural heritage humanity, to lose which would be just a crime. Those joys, successes, defeats that our ancestors left us in the classics should not become unnecessary.)

Well done! With such an attitude, we can safely continue our journey through the pages of the novel by I.A. Goncharov "Oblomov".

2 . Checking homework.

At home, you were asked to fill out a questionnaire of minor, seemingly inconspicuous, characters of the novel, which can still influence the formation of the idea of ​​the main character. I hope that in the course of reading the novel, these characters helped you to reveal the image of Oblomov to a greater extent.

Guys, tell me, the names of which heroes did you put in this questionnaire?

(Volkov, Sudbinsky, Penkin, Alekseev, Tarantiev, Mukhoyarov, Olga's aunt, Zakhar).

(See Appendix 1).

3. Actualization of experience. Goal setting.

In the previous lesson, we studied central image novel by Ilya Ilyich Oblomov. Let's make a brief portrait of him. (Notes in a notebook).

Based on the completed table, answer the question: what do these characters have in common and what distinguishes them from each other?

(The first five characters - Oblomov's "guests", Olga's aunt and Mukhoyarov - are not directly related to Oblomov, they play a direct role. Zakhar is a servant, but has similarities with Oblomov. They will unite one thing - they are all secondary characters, but they are all concentrated around the main character, some of them even contribute to the creation of the image of the main character).

Important!! When using the “joint search” technique, the teacher takes into account the opinion of each student who speaks.

What features of the characters can be defined as contrasting? Why this contrast to the author?

(All the features that are opposed to the main character. To oppose each to Oblomov, to add up the idea of ​​\u200b\u200bthe image more clearly and vividly).

Do you think one character can somehow influence the reader's perception of the main character? How does it manifest itself?

What do you think, what will our today's lesson be devoted to, if we have already touched on the image of the central character? (They formulate the topic of the lesson approximately “Minor characters in the novel“ Oblomov ”).

How do you understand the meaning of the word "secondary"?

(Minor, -th, -th. Not main, not main, less significant (second degree in importance).

What is the purpose of our lesson? (Assess the role of minor characters in the novel)

4. Learning new knowledge.

Guys, today's lesson can be called unusual. If we came up with a name for each lesson, then today's name would be: "On a visit to Ilya Oblomov." Let's imagine that we are in art world, created by Goncharov on the pages of the novel.

front poll."Reference point".

1) What era are we in? (19th century)

2) What city are we in? (Petersburg)

3) What social circle does the hero belong to? (Nobility // master who has an estate, land, peasants)

4) Where could you meet people of this circle? (At the service, in the theater, at a ball or at a reception, in a park, on the Neva embankment).

5) Where are we going? Where can we find a hero? (Gorokhovaya street, rented apartment).

6) Why is the hero at home now? (Oblomov is always at home).

Since our hero does not go anywhere, we ourselves will have to go to visit Oblomov.

Only today, one half of the class will have the opportunity to plunge into the atmosphere of Oblomov's life and be a witness of Oblomov's communication with his guests, and the other half of the class will have a wonderful opportunity to express themselves from the creative side and show themselves a short excerpt from the novel, to be Oblomov's guests. So, we plunge into the atmosphere of eternal peace and sleep and look into the house of Ilya Ilyich Oblomov. And at the same time we will get acquainted with the guests themselves.

Using the theatrical technique (Appendix 2).

After staging:

Call phase: Evaluation questions:

What feelings did you experience while watching the dramatization of the text?

What questions arose during the comparison of the text and living characters?

Were the actors able to portray the characters they were imagining?

Were you able to trace the complexity of the character of the protagonist?

5. Physical minutes.

6. The stage of checking the understanding of what has been studied.

1. Group work. Reception "double diary".Divide the class into two groups. The teacher asks one group to fill in the column of the table “what the guests brought to Oblomov was positive” (+), the second - “what is negative” (-). It turned out the following:

1. Individual work(written, theses):

Who is Zakhar? What are the features of this character? What is its role?

(performed by a strong student while others work orally)

1. Front work.

a) Blitz poll:

How many guests came to Oblomov? (5).

What are their names (Volkov, Sudbinsky, Penkin, Alekseev, Tarantiev).

Where did some of the guests call Oblomov? (To Ekateringof, for entertainment, for the celebration of May 1).

What phrase did Oblomov repeatedly repeat when meeting with guests? ("Go away, you're out of the cold...").

What question was Oblomov trying to solve, asking for help from his visitors? (Housing problem).

b) Educational brainstorming.

Is the image of Oblomov as easy as it seems at first glance? (The image, like the novel, is ambiguous).

Due to what does this certain complexity of the image of the main character develop? (Due to the projection of images of secondary characters onto the main image. We can trace his actions, speech, behavior in general).

What do you think, what character traits does Oblomov lack for an ideal hero? (Self-confidence, panache, mischief, optimism, an active life position in general).

Can these qualities be adopted from his acquaintances, friends? (Perhaps he misses all this).

And what features of Oblomov's guests would not be worth adopting? Why? (Reverence, pretense, farce, spinelessness, impudence, rudeness).

Why are the guests unable to lift Oblomov off the sofa? (He is above their interests. He is a philosopher.

M. Prishvin: “No “positive” activity in Russia can withstand Oblomov’s criticism: his peace is fraught with a demand for the highest value, for such an activity, because of which it would be worth losing peace”).

What literary hero Russian literature of the first third of the 19th century resemble those qualities of Oblomov that appeared in the first episodes? (Manilova is a dreamer from the novel " Dead Souls» N.V. Gogol).

The typological feature of which heroes is unfulfillment in business, society? (Type " extra person»).

How does the treatment of the problem of the “superfluous person” in this novel differ from its consideration in previous literature? (In the works of A.S. Pushkin, A.S. Griboyedov, the type of “extra person” is an outstanding, titanic personality. I.A. Goncharov showed how reality destroys not a titan, but an ordinary son of the century, simply good man. Goncharov brought the logic of the development of the “extra person” to its logical conclusion (non-realization, complete inactivity. The conflict “man-environment” is moved inside the hero himself: it prevents the personality of the “landlord” from being realized in the hero himself, in the soul of the hero).

What role does the seemingly inconspicuous character Ivan Matveyevich Mukhoyarov play in the novel? (He is the spring in the events associated with Oblomov, decides the fate of the Oblomov estate, an unpleasant character).

And Olga's aunt, Marya Mihailovna? (Nothing special of itself. On the other hand, for a long timeIn the course of Olga’s romance with Oblomov, Marya Mikhailovna remains true to herself, without betraying her own attitude to their frequent meetings. Usually during the visits of Ilya Ilyich, "my aunt ... looks at him with her languid big eyes and thoughtfully sniffs her alcohol, as if she had a headache from him." It is in the behavior of Marya Mikhailovna, from whom he never officially asked for Olga's hand, that Oblomov finds mute support for the thought of the futility of this decisive step).

Checking the answer to the questions posed about Zakhar. Determination of its place in the text.

(Based on the irony of Blom and life perception, and also based on the key points we saw in the text, we can say with full confidence that Zakhar is “even more Oblomov than Ilya Ilyich himself.” This is most clearly expressed in the following episode of the text: “Oblomov looked reproachfully at him, shook his head and sighed, and Zakhar indifferently looked at the window and also breathed in. The master seemed to be thinking: “Well, brother, you are even more Oblomov than I myself ... ". The image of Zakhara is necessary in the novel, without him the picture of Oblomovism would be incomplete.)

Does the novel pose the problem of a holistic harmonious personality? How? For what?

(IN All the main characters of the novel are perfect. But they are perfect in every way. In Oblomov - the ideal of a poet, in Stolz - the ideal of a sober-minded person, in Olga - the ideal of a person who is aware of his duty. Oblomov is ideal for Pshenitsyna and Oblomovka. And Stolz and Olga are ideal for society. A harmonious personality is not Stolz, not Oblomov, not Olga separately. That's all of them put together. Oblomov is not an absolute ideal. If Goncharov combined the qualities of Stolz and Oblomov, he would have a perfect image).

With the appearance of which guest, the image of Oblomov seems to us not at all unambiguous? (when the Stolz-next topic appears).

7. The stage of fixing the new material.

A basket is placed on the table in front of the students. In advance, the teacher selects abstracts on the topic, including erroneous ones, and puts them in a basket. Students take out a piece of paper with some thesis from the basket, agree or refute, correcting.

1. As he gets to know Oblomov's guests, the reader understands that, perhaps, main character right in their attitude towards them. All of them are also Oblomovites, despite their seeming opposition to him. They only create the appearance of activity, while in fact they do nothing.
2. Oblomov's guests are not accidental. Volkov - a secular dandy, a dandy; Sudbinsky - Oblomov's colleague, who was promoted; Penkin is a successful writer; Alekseev is a faceless man, Tarantiev is assertive, arrogant, boorish. Oblomov could be a social dandy, like Volkov (and women liked him, even very beautiful women, but he alienated them from himself), could serve and rise to high ranks, like Sudbinsky, could become a writer, like Penkin (Stolz, bringing him books to read, addicted Oblomov to poetry. Oblomov found rapture in poetry ...), could take over people, allow assertiveness in actions, like Tarantiev, and the faceless Alekseev tells us that the choice can still be made.
3. The scene of Oblomov's meeting with the guests does not represent anything artistically valuable.
4. The author treats Oblomov in a completely different way than he treats other heroes of the novel - guests of the Oblomov estate. Volkov, Sudbinsky, Alekseev, Penkin, Tarantiev - all these cheap gentlemen - prominent representatives local secular society, "with ranks and titles." Their traditional visit is simply alien to the understanding of the protagonist. He is above their understanding of the world. He is more human.
5. Zakhar "is even more Oblomov than Oblomov himself."
6. The life and fate of Ilya Ilyich Oblomov cannot make one think about the most complex issues of free will and the need to live "as one should" or "as one wants."

8. The stage of informing students about homework, briefing on its implementation.

1. Consider a couple of "Stoltz and Oblomov". Answer in writing the question: “Oblomov and Stolz: twins or antipodes?”
2. Love in a novel The development of relations with women in Oblomov. Fill in the table with the necessary quotes (handout).
3. What is "Oblomovism"? Summarize what has been said before. Make a cluster "Features of" Oblomovism ".
4. For everyone: get acquainted with excerpts from the critical articles of Dobrolyubov N.A. "What is Oblomovism?" Druzhinina A.V. "Oblomov", Pisareva D.I. Oblomov. Roman Goncharova I.A. (summary in a notebook).

9. Summing up the lesson.

The guys in a circle speak in one sentence, choosing the beginning of the phrase from the reflective screen on the board:

Today I found out...

It was interesting…

It was difficult…

I have been doing assignments...

I realized that...

Now I can…

I felt that...

I purchased...

I learned…

I managed …

I was able...

I will try…

I was surprised...

Lesson taught me for life...

I wanted…

Evaluation by the teacher.

Today in the lesson we examined the role of the secondary characters of the novel. We have proved that one of the means of creating an image is to compare the character traits of several minor characters with the main one in order to more clearly trace the development of the image in the novel. In the next lessons, we will continue our conversation about a work of art, make sure of its specificity, reveal new manifestations of the author's skill - Ivan Alexandrovich Goncharov in his controversial novel Oblomov.

Lesson over! Goodbye!

Appendix 1. Inconspicuous characters of the novel.

Questionnaire to fill out (the form was distributed to the house).

Appendix 2

The use of theater technology in the classroom. Staging of the reception scene in Oblomov's house.

Oblomov, Volkov, Sudbinsky, Penkin, Alekseev, Tarantiev, Author.

The ticking of a clock is heard. On the screen - frames from the film "A Few Days in the Life of Oblomov" (the Hero lies, turned to the wall). The student playing the role of Oblomov lies on a previously prepared sleeping place in the middle of the class.

Call. Volkov enters.

A young man of about twenty-five entered, radiant with health, with laughing cheeks, lips and eyes. Envy took to look at him.

Hello Volkov! - said Ilya Ilyich.

Hello, Oblomov, - said the shining gentleman, coming up to him.

Don't come, don't come: you're out of the cold! he said.

You haven't gotten up yet! What is that dressing gown on you? They stopped wearing these a long time ago, ”he shamed Oblomov.

This is not a dressing gown, but a dressing gown, ”said Oblomov, lovingly wrapping himself in the wide skirts of the dressing gown.

Where are you from so early? - asked Oblomov.

From the tailor. Look, is the coat good? - he said, tossing and turning in front of Oblomov.

Great! Made with great taste, - said Ilya Ilyich.

Oblomov, do you know, I ... am in love with Lydia, - Volkov whispered.

Bravo! How long ago? She seems to be so cute.

That's three weeks! Volkov said with a deep sigh. - What you have dust everywhere! - he said.

All Zakhar! Oblomov complained.

Well, I have to go! Volkov said.

Come in the evening to drink tea, from the ballet: tell me how it was there, ”Oblomov invited.

I can’t, I gave my word to the Mussinskys: today is their day. Let's go and you. Do you want me to introduce you?

No, what is there to do?

You won't please. How many houses! Now everyone has days: at the Savinovs they dine on Thursdays, at the Maklashins - Fridays, at the Vyaznikovs - Sundays, at Prince Tyumenev - Wednesdays. My days are busy! Volkov concluded with shining eyes.

And you are not too lazy to hang around every day?

Here, laziness! What kind of laziness? Have fun! he said nonchalantly. - Farewell. I have ten more seats. And he disappeared.

Oblomov's thoughts (recorded in advance, audio recording is included):

“Ten places in one day - unfortunate! And that's life! Where is the person here? What does it break up and fall apart into? Of course, it's not bad to look into the theater and fall in love with some Lydia ... she's pretty! In the village with her, picking flowers, riding is good; Yes, ten places in one day - unfortunate!

Doorbell. Enter Sudbinsky.

A new guest has entered.

Hello Sudbinsky! Oblomov greeted cheerfully. - Forcibly looked to the old colleague! Don't come, don't come! You are cold.

Hello, Ilya Ilyich. I've been going to you for a long time, - the guest said, - but you know what a devilish service we have! There, look, I'm taking a whole suitcase to the report; and now, if they ask anything there, he ordered the courier to gallop here. You can't have yourself for a minute.

Are you still in service? So late? - asked Oblomov. - You used to be from ten o'clock ...

What to do! You have to work when you get money. I’ll rest in the summer: Foma Fomich promises to invent a business trip on purpose for me ... here, here I’ll get runs for five horses, three rubles per day, and then a reward ...

Ek break! - Oblomov said with envy; then he sighed and thought.

I need money: I’m getting married in the fall,” Sudbinsky added.

What you! Indeed? On whom? - Oblomov said with participation.

Not joking, on Murashina. Remember, they lived near me in the country? You drank tea at my place and it seems you saw her.

No, I do not remember! Pretty? - asked Oblomov.

Yes, honey. Let's go, if you want, to dine with them ...

Oblomov hesitated.

Yes... well, just...

That week,” Sudbinsky said.

Yes, yes, that week, - Oblomov was delighted, - my dress is not ready yet. Well, good party?

Yes, the father is a real state councilor; gives ten thousand, the apartment is state-owned. He gave us a whole half, twelve rooms; state-owned furniture, heating, lighting too: you can live ...

Yes, you can! Still would! What is Sudbinsky! - added, not without envy, Oblomov.

I invite you to the wedding, Ilya Ilyich, as the best man: look ...

How, certainly! Oblomov said.

Farewell, - said the official, - I chatted, something will be needed there ...

Oblomov's thoughts:

“Stuck, dear friend, stuck up to his ears. And blind, and deaf, and mute to everything else in the world. And he will come out into the people, in time he will turn things over and pick up officials ... We also call this a career! And how little a person is needed here: his mind, will, feelings - why is this? Luxury! And he will live his life, and much, much will not move in it ... And meanwhile he works from twelve to five in the office, from eight to twelve at home - unfortunate!

Penkin enters.

Hello Penkin; don't come, don't come: you're out of the cold! Oblomov said.

Oh you weirdo! he said. - Still the same incorrigible, carefree sloth!

Yes, carefree! Oblomov said. - Now I'll show you a letter from the headman: you break, break your head, and you say: carefree! Where are you from?

From the bookshop: went to see if the magazines were out. Have you read my article?

No.

I pass on this thought, and I know that it is new and bold. One traveler witnessed these beatings and complained to him when meeting with the governor. He ordered the official, who was going there for the investigation, to casually verify this and generally collect information about the personality and behavior of the mayor. The official summoned the townspeople, as if to ask about trade, but in the meantime, let's explore this as well. What about the burghers? They bow and laugh and extol the mayor with praises. The official began to recognize the party, and he was told that the bourgeois are terrible scammers, they sell rotten things, they weigh them down, they even measure the treasury, everyone is immoral, so these beatings are a righteous punishment ...

You should write, Ilya Ilyich, you have a lot of tact!

Oblomov waved it off.

Yes, read it yourself.

What didn't I see there? Oblomov said. - Why do they write this: they only amuse themselves ...

Depict a thief, a fallen woman, an inflated fool, and don’t forget the person right there. Where is the humanity? You want to write with one head! Oblomov almost hissed. - Do you think that a thought does not need a heart? No, it is fertilized by love. Stretch out your hand to a fallen man to lift him up, or weep bitterly over him if he perishes, and do not mock. Love him, remember yourself in him, and treat him as if you were yourself—then I will read you and bow my head before you...” he said, lying down again calmly on the sofa. “They portray a thief, a fallen woman,” he said, “but they forget about a person or they don’t know how to portray. What kind of art is here, what poetic colors did you find? Expose debauchery, dirt, only, please, without pretensions to poetry.

Well, would you order to depict nature: roses, a nightingale, or a frosty morning, while everything is boiling, moving around? We need one naked physiology of society; we don’t have time for songs now ...

Human, human give me! Oblomov said. - Love him...

However, I have to go to the printing house! Penkin said. Write at night and send light to the printing house. Farewell.

Oblomov's thoughts:
“Write at night, when do you sleep? And come on, five thousand a year will earn! It's bread! Yes, write everything, waste your thought, your soul on trifles, change your beliefs, trade your mind and imagination, force your nature, worry, boil, burn, not know peace and everything is moving somewhere ... And write everything, write everything like a wheel, like a car: write tomorrow, the day after tomorrow; the holiday will come, summer will come - and he writes everything? When to stop and rest? Unhappy!"

Call. Alekseev enters.

A man of indeterminate years entered, with an indefinite physiognomy, at a time when it is difficult to guess the age; neither handsome nor ugly, neither tall nor short, neither blond nor brunette. Nature did not give him any sharp, noticeable feature, neither bad nor good. Many called him Ivan Ivanych, others - Ivan Vasilyich, others - Ivan Mikhailovich.

A! Oblomov met him. - Is that you, Alekseev? Hello. Where? Don't come, don't come: I won't give you a hand: you're out of the cold!

What are you, what a cold! I did not think to visit you today, - said Alekseev, - but Ovchinin met and took me to him. I am behind you, Ilya Ilyich.

Where is it?

Yes, let's go to Ovchinin. There are Matvey Andreevich Alyanov, Kazimir Albertych Pkhailo, Vasily Sevastyanych Kolymyagin.

Why are they gathered there and what do they need from me?

Ovchinin invites you to dinner.

Hm! Dine ... - repeated Oblomov monotonously.

And then everyone goes to Yekateringof: they told me to tell you to hire a stroller.

I have two misfortunes! I don't know how to be.

What?

They drive from the apartment; imagine - you have to move out: breaking, fussing ... it's scary to think! After all, he lived in an apartment for eight years.

Well, what would you do in my place? - Oblomov asked, looking inquiringly at Alekseev, with a sweet hope, maybe he would think of something to calm him down.

You have to think, Ilya Ilyich, you can’t suddenly decide, ”said Alekseev.

Enter Tarantiev

Hello, fellow countryman, - Tarantyev said curtly, holding out his hairy hand to Oblomov. - Why are you lying to this day, like a deck?

Don't come, don't come: you're out of the cold! - said Oblomov, hiding behind a blanket.

Here's another - what he thought up - from the cold! - voiced Tarantiev. - Well, well, take your hand, if they give! It's almost twelve o'clock, and he's lying around!

Have you heard about my misfortunes? They are being driven from the apartment, the headman sent a letter.

Here's what: tomorrow, if you please, move to an apartment ... on the Vyborg side.

I won't move. (Arguing)

Well, to hell with you! - answered Tarantiev, going to the door. - Look, Ilya Ilyich, I will rent you an apartment - do you hear? he added.

And I'll go until I tell them not to wait for us in Ekateringof. Farewell, Ilya Ilyich, said Alekseev.

They leave.

Appendix 3

Compiling a quotation table ( homework 2nd row)

Volkov is a secular dandy, one of the guests in Oblomov's house. He is a young man of about twenty-five, full of health, with laughing eyes and lips. His life consists of endless visits to St. Petersburg houses, as well as all kinds of entertainment. Oblomov himself considers such a pastime empty and worthless. Spending his days at home, he prefers not to "crumble" in vain to please secular life. In addition to Volkov, Sudbinsky, Penkin, Alekseev, Tarantiev are in the main character's house. All these people, one way or another, bring at least some variety to Oblomovka.

If the first chapter of the novel is devoted mainly to the protagonist, who lies on the sofa all day and night, then the second and third chapters are devoted to the visits of St. Petersburg friends. Volkov's conversations include stories about his constant visits to various houses, his falling in love, showing off new acquisitions, such as a tailcoat or gloves. In the view of Oblomov, Volkov is an unfortunate person who is trying to get into ten houses in one day, as if “crushing” his soul into pieces. Listening to his guest, he is once again convinced that he has chosen the right way of life.