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In 1532, Titian met Charles V of Spain and worked on his orders for more than twenty years. Last years Titian spent his life in Venice, performing, among other things, the numerous orders of Philip II of Spain. Until the end of his life (August 27, 1576), the artist continued to work with amazing creative ingenuity. Portrait of the Inquisitor Doge Andrea Gritti:


The early period of Titian's work is the subject of scholarly debate. It is difficult to differentiate between the works of Bellini, Giorgione and Titian in the first years of the 16th century. By 1510, Titian had mastered the painting style of Giorgione. The ideal of earthly, bodily beauty and the master's love for playing with various textures were embodied in the painting Earthly and Heavenly Love (Rome, Borghese Gallery). Creativity of Titian: Creativity of Titian:




In the 1530s, Titian creates canvases that are perfect in terms of painting technique. The painting Entry of Mary into the Temple (1534–1538, Venice, Accademia Gallery) for Scuola della Carita is a bright, festive image in which the architecture seems to form a frame for numerous portrait images. This work evokes urban views and images of Venetian holidays by Carpaccio and Gentile Bellini and foreshadows the scenes of Veronese's feasts. Holy Mary Magdalene:


Titian's painting Venus of Urbino can be compared with Venus Giorgione: Titian depicts the goddess awake, she is reclining on her bed in an exquisitely decorated room. A beautiful woman is presented majestic, full of self-respect, but her image no longer evokes a sense of mystery, as in Giorgione's painting. Venus of Urbino (1538):


The Crowning of Christ with Thorns (1542): The Crowning of Christ with Thorns (1542): In the Parisian version of The Crowning with Thorns (Louvre), he uses sharp diagonal formations and closely clustered figures to convey the emotional tension, and through it, the power of Christ's physical suffering. In the Parisian version of The Crowning with Thorns (Louvre), he uses sharp diagonal constructions and closely grouped figures to convey emotional tension, and through it, the power of Christ's physical suffering.


Portrait of Pope Paul III (gg.):. The unfinished Portrait of Pope Paul III with Alessandro and Ottavio Farnese (1546, Naples, Capodimonte National Museum and Gallery) shows a frail but cunning old man who is being deceived by duplicitous obliging relatives. The unfinished Portrait of Pope Paul III with Alessandro and Ottavio Farnese (1546 , Naples, National Museum and Gallery of Capodimonte) presents a frail but cunning old man who is trying to deceive duplicitous helpful relatives.




Adam and Eve (1550): Adam and Eve (1550): By the end of the 1550s, new features appeared in the artist's works, forming in their totality the phenomenon that was called "Titian's late style." It is characterized by work with more liquid colors and sonorous colors, as if smoldering from the inside, subject to the play of light. The method of superimposing dense layers of paint with sharp, intermittent strokes, the mixing of which takes on certain forms only when viewed from a sufficient distance, determined the interest of many artists of the 19th and 20th centuries. to the work of the master. By the end of the 1550s, new features appeared in the artist’s works, forming in their totality the phenomenon that was called the “late Titian style”. It is characterized by work with more liquid colors and sonorous colors, as if smoldering from the inside, subject to the play of light. The method of superimposing dense layers of paint with sharp, intermittent strokes, the mixing of which takes on certain forms only when viewed from a sufficient distance, determined the interest of many artists of the 19th and 20th centuries. to the work of the master.


The Abduction of Europe (gg.): The epitome of the late style is the painting The Abduction of Europe, where not only human figures, but also the landscape look alive, moving.












Ascension of Jesus Christ (years): Ascension of Jesus Christ (years):






Carrying the Cross by Christ (gg.):





Grade 10 student S. Monko

The presentation on Renaissance art contains information and slides on this topic.

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Features of Renaissance Art

Renaissance (Renaissance) Renaissance - from the French "Renaissance" Revival of Antiquity The era of intellectual and artistic flowering, which began in Italy in the 14th century, reaching a peak in the 16th century

Renaissance ideas: Humanism (the humanistic ideal of a free, developed, self-improving personality) The idea of ​​national art Utopia (the image of an ideal world)

The great ancient experience of philosophy and art has been revived, and above all, the idea that "man is the measure of all things." Renaissance literature painting architecture

Renaissance literature The main representatives of the Renaissance in literature: Dante Alighieri Francesco Petrarca William Shakespeare Miguel de Cervantes

The development of genres in the Renaissance Early: Middle: Late: sonnet novel essay short story drama

Dante Alighieri (1265 - 1321) Italian poet, creator of the Italian literary language. The pinnacle of Dante's work is the poem "The Divine Comedy" (published in 1472) in three parts ("Hell", "Purgatory", "Paradise")

Francesco Petrarca (1304 - 1374) Italian poet, humanist, researcher of antiquity. Petrarch is the founder of the humanistic culture of the Renaissance, along with Dante, the creator of the Italian literary language. Francesco Petrarca is the creator of the sonnets.

Aphorisms and quotes by Francesco Petrarch To be able to express how much you love means to love little. He who has many vices has many masters. To seek power for peace and security is to climb a volcano in order to shelter from the storm.

William Shakespeare (1564 - 1616) English playwright, poet of the Renaissance.

Genres of Shakespeare's works: Chronicles ("Richard II") Comedies ("The Taming of the Shrew") Tragedies ("Romeo and Juliet") Tragicomedies ("Pericles, Prince of Tyre")

Miguel de Cervantes (1547- 1616) The Greatest Writer Spain. The author of one of the first novels in the modern sense, "The Cunning Hidalgo Don Quixote of La Mancha"

Renaissance painting The main representatives of Renaissance painting: Leonardo da Vinci Vecellio Titian Albrecht Durer

Leonardo da Vinci (1452 - 1519) Italian painter, sculptor, scientist, engineer and architect of the Renaissance.

Famous works of Leonardo da Vinci "Gioconda" "Lady with an ermine"

Vecellio Titian (1485 - 1576) "King of painters and painter of kings" called Titian Vecellio, one of the greatest masters of world painting. His art is the most striking phenomenon of the Venetian school of the Italian Renaissance.

Famous works by Titian Vecellio "Penitent Mary "Flora" Magdalene"

Albrecht Durer (1471 - 1528) German painter and graphic artist. The founder of the art of the German Renaissance.

The famous works of Albrecht Dürer "Young Venetian" Madonna and Child "woman"

Renaissance architecture

Features of architecture Revival architecture grew in the struggle against the old gothic architecture. Main principles: symmetry of plans and compositions of buildings and uniform distribution, placement of all elements of the facade at equal intervals from each other. Internet resources: 1. Wikipedia; 2. http://smallbay.ru/renessitaly.html

Late Renaissance



Giorgione,

The main role in the work of Giorgione is played by color with a variety of tones and their soft tints. Giorgione is considered the founder of easel painting. His style influenced the painting of the Venetian school, was developed by his student Titian.

"Sleeping Venus" 1507


who were called by contemporaries

"the painter of kings and the king of painters" and why?

Titian Vecellio

(1476/77-1576)

At the core color Titian

Golden color scheme, which is based on subtle shades of flowers.

"Venus of Urbino", 1538


"Penitent Mary Magdalene"

COLORITY - the harmony of the different colors of the picture.

"Portrait of Charles V"


Mannerism (from maniera - reception, manner), a trend that reflected the crisis of Renaissance humanistic ideals.

The masters of mannerism strove not so much to follow nature as to express the "inner idea" of the image born in the artist's soul.

  • dynamic composition,
  • underlined expression of decor,
  • striving for stage effects.

Mannerism predetermined the birth of the Baroque style.

Jacopo Tintoretto


Paolo Veronese



Andrea Palladio

Italian

architect

of the late Renaissance, laid the principles of architecture, which were developed in the architecture of European classicism of the XVII-XVIII centuries.


The ability to harmoniously connect architecture with the surrounding landscape with a special

manifested itself in the villas of Palladio, imbued with a sense of dissolution in nature, marked by the classical clarity of forms and overall composition

Capra or "Rotonda" near Vicenza;

Barbaro-Volpi at Maser near Treviso, 1560-1570

most famous villa "Rotonda"- the first central dome

secular building.

Presentation " Art of Venice» will help the world teacher artistic culture or stories to illustrate the story of the work of prominent Venetian painters: Giorgione, Titian, Veronese and Tintoretto, which differs from art, and a special relationship to nature and pictorial technique.

Art of Venice

Presentation dedicated to art of Venice, contains about eighty slides and is designed to be used in separate parts. Each of these parts is dedicated to the work of one of the outstanding Venetian painters. It is no coincidence that I call these artists painters. The main thing that I would like to emphasize is the special attitude of the Venetian Renaissance artists to painting. Unlike Leonardo, Raphael and Michelangelo, Venetian artists practically abandoned the drawing as the basis of the work and paint became their main means of creating an image. Not chiaroscuro, but different shades of color create volume on their canvases.

Giorgione

Venetian painters are also distinguished by a special attitude towards nature, which ceases to be just a background. The landscape plays a special, very important role in most of their creations. In confirmation, one of the most mysterious and still not read paintings Giorgione "Thunderstorm". The main character of this canvas can be safely called nature.

“The space of the Thunderstorm is no less deep than the perspective of Raphael, but its development is not made dependent on the “history” depicted in it, but is given in its entirety and simultaneity. Such a moment here is a flash of lightning that precedes a thunderstorm, and although the picture is written on a biblical and philosophical theme ..., nature remains its leitmotif. … Without these two figures, the landscape would have faded, lost its meaning … for nature reveals its secrets only in the process of accumulation of experience and its interpretation by man. It is this deep, vital, irrational connection between nature and humanity that constitutes the poetics of Giorgione ... "

Giulio Carlo Argan. History of Italian art

Titian

It was interesting to read the description of the process of working on a painting creation Titian, which leads Dmitrieva N.A. in A Brief History of Art. The artist's students recall how the master, without using underpainting, applied a thick layer of paint to the canvas and created the relief of future figures with strong strokes of the brush. The paint was likened to plastic clay. Titian "sculpted" the figures with color. The master applied the final touches with light strokes of his fingers, rubbing one tone into another.

Veronese

The most typical artist of festive Venice can be safely called Veronese.

“He was a painter, and only a painter, but a painter to the marrow of his bones, a lion of painting, violently talented and ingenuous in his art with that magnificent innocence that always captivates and is able to atone for much that is missing”

N. A. Dmitrieva. Short story arts"

Veronese created huge canvases with hundreds of smartly dressed, having fun Venetians. From his paintings, one can study the fashion trends of Venice in the 16th century. Heroes of the Bible and ancient myths Veronese dressed in luxurious outfits in which he saw his contemporaries. It is interesting to compare last supper» Leonardo da Vinci and The Feast in the House of Levi (which was also originally called The Last Supper). After a serious "conversation" with the inquisitors, the artist changed the name of his creation, not wanting to make any changes to the content of the picture.

Tintoretto

The last great painter of the Italian Renaissance was Tintoretto. His works anticipate the work of Baroque masters. They are filled with expression and dynamism. His characters are in rapid motion, the figures are written in amazing angles. The composition is often built diagonally, which always creates the effect of movement. Pavel Muratov in "Images of Italy" devotes a special chapter to Tintoretto, in which he confesses his love for the artist and his creations.

  • Argan J.K. History of Italian Art. - M .: JSC Publishing House "Rainbow", 2000
  • Beckett V. History of painting. - M .: Astrel Publishing House LLC: AST Publishing House LLC, 2003
  • Vipper B.R. Italian Renaissance 13th - 16th century. - M.: Art, 1977
  • Dmitrieva N.A. Brief history of arts. From ancient times to the 16th century. Essays. - M.: Art, 1988
  • Muratov P.P. Images of Italy. - M.: Respublika, 1994
  • Samin D.K. One hundred great artists. – M.: Veche, 2004

I want to finish talking about the Italian Renaissance interesting video. Wendy Beckett has her own original view on the art of painting.

Good luck!