Methodical development

Integrated lesson of literature, history, fine arts in the 10th grade on the novel

F.M. Dostoevsky "Crime and Punishment".

Lesson-excursion

Prepared and hosted:

Svishcheva Irina Rafailievna, teacher of Russian language and literature of the 1st qualification category of the Shemordan Lyceum of the Sabinsky Municipal District of the Republic of Tatarstan.

Theme: "Petersburg of F.M. Dostoevsky" (based on the novel "Crime and Punishment")

Epigraph:"Petersburg of Dostoevsky is" a city in which it is impossible to be.

Lesson Objectives:

1) to help students not only see Dostoevsky's Petersburg, chaotic diversity, crowding, suffocating crampedness of human existence, but also feel sympathy for suffering people; to give an idea of ​​the insolubility of those contradictions and impasses that the heroes of the novel find themselves in, to lead to the understanding that this “insolubility” does not depend on the will of people, but on the state of society, which is so structured that the life of each of the characters is possible only on humiliating conditions, on constant deals with conscience;

2) development of skills in the analysis of a work of art, development of oral speech; ability to think logically;

3) education of aesthetic taste by means of literature and other forms of art.

Equipment: portrait of F.M.Dostoevsky, plates, illustrations by I.S.Glazunov for the works of the writer, postcards with views of St. Petersburg, multimedia projector.

Preliminary work:

Landscapes: part 1 d.1. (“disgusting and sad coloring” of the city day); part 2.d. 1 (repetition of the previous picture); part 2.d.2. (“a magnificent panorama of St. Petersburg”); part 2.d.6. (evening Petersburg); part 4.d.5. (view from the window of Raskolnikov's room); part 4.d.6. (stormy evening and morning on the eve of Svidrigailov's suicide).

Scenes of street life: part 1.g.1. (drunk in a cart drawn by huge draft horses); part 2.d.2. (scene on the Nikolaevsky bridge, whiplash and alms); part 2.d.6. (organ grinder and a crowd of women at the tavern; a scene on ... a bridge); part 5.g.5. (death of Katerina Ivanovna).

Interiors: h1.y.Z. (Raskolnikov's closet); part 1.g.2. (tavern where Raskolnikov listens to Marmeladov's confession); part 1.g.2.and part..2 g.7 (the room is the "passing corner" of the Marmeladovs); part 4.g.3 (tavern where Svidrigailov confesses); part 4.g.4 (the room is Sonya's "shed").

2) prepare a story about the history of the founding of the city of St. Petersburg, about the artist I.S. Glazunov;

3) find illustrations with views of St. Petersburg.

Scheme on the topic of the lesson(drawn out on the board and in notebooks):

Petersburg Dostoevsky

landscapes

Scenes of street life

Interiors

During the classes

I. Introductory speech of the teacher:

The background against which the action of the novel "Crime and Punishment" unfolds is St. Petersburg in the mid-60s. The novel opens with a description of Rodion Raskolnikov's closet (reading the description of the main character's room, analysis).

The landscape in the novel carries a great artistic load. The landscape is never aimed at a simple description of the situation, it not only creates a mood, enhances and sets off the social and psychological characteristics of the characters, but also expresses what is internally connected with the depicted human world. The landscape is firmly connected with the image of Raskolnikov, passed through the prism of his perception. A person suffocates in Dostoevsky's Petersburg, everything bears the sadness of the general disorder, the scarcity of human existence. The terrible life of people awakens in readers sympathy, indignation, the idea that a person should not live like this. The heroes of the novel are powerless to resolve the contradictions and impasses that life puts them in. Behind the fate of people is the image of the underworld. - Dostoevsky's landscape descriptions are very brief. This feature is the secret of the strong effect it has on the feelings of the reader.

II. Student's message about the history of St. Petersburg with the projection of views of St. Petersburg on the screen:

The city, founded by Peter in 1703, was founded at the mouth of the Neva in a place convenient in military and commercial terms. Petersburg was created according to a single plan. Already in the first years of its compositional center - the Peter and Paul Fortress and the Admiralty.

Their golden spiers shine over the city, largely defining the originality of its artistic appearance. The beauty of St. Petersburg is truly legendary. Its splendid monuments, its regal squares and embankments, its white nights, its mists forever fascinated Russian art. The works of F. M. Dostoevsky are shrouded in the gloomy charms of St. Petersburg, poems by Blok, Bryusov, Akhmatova were dedicated to St. Petersburg, artists painted it endlessly. A.S. Pushkin composed the hymn to the great city in " The Bronze Horseman", lyrically described his magnificent architectural ensembles, the dusk of the white nights in "Eugene Onegin":

The city is magnificent, the city is poor,

Spirit of bondage, slender appearance,

The vault of heaven is green-pale,

Fairy tale, cold and granite...

Belinsky confessed in his letters how hated Peter was to him, where it was so hard and painful to live. Gogol's Petersburg is a werewolf with a double face: a poor and miserable life is hidden behind the ceremonial beauty.

And now he still attracts painters and graphic artists. The architecture of St. Petersburg is truly unique. Russian classicism and Russian baroque. It can be said without hesitation that classicism did not bring more beautiful fruits than in Russia anywhere, even in its homeland - in France.

I see the city of Peter, wonderful, majestic,

At the behest of Peter, erected from the blat,

An ancestral monument to his mighty glory,

Adorned by his descendants a hundredfold!

Everywhere I see traces of a great power,

And every trace of Russian glory is illuminated!

(P. Vyazemsky)

Teacher:

Many buildings in St. Petersburg were built in the baroque style, in the classical style. They built a lot, but often in pursuit of profit, customers demanded from architects only cheapness in work. This is how the dull buildings of factories, factories, closely standing tenement houses with courtyards - wells, with dark rooms for servants, with gloomy, black staircases, arose. In such houses, which consisted entirely of small apartments, the heroes of F.M. Dostoevsky lived.

This is how we get to know another Petersburg - Dostoevsky's Petersburg. Reading by a student of N.M. Konshin’s poem “Complaints against Petersburg”:

It's stuffy in the smoky city

Close to hearing and sight,

In it we killed bored

Life is the best time.

In the sky - dust, or clouds,

Either heat or thunder;

Closely packed in heaps

Houses rushed up;

There is laughter, but not joy,

Everything shines, but soullessly ...

Listen, pale youth,

It's stuffy in the smoky city!

Teacher:

Petersburg is gradually becoming a city of contrasts. Pomp and dullness, wealth and poverty, soullessness and lack of spirituality, despair and hopelessness sink deeper and deeper into a person's life.

And now pay attention to the illustrations for the novel "Crime and Punishment" by the artist, for whom Dostoevsky was one of his favorite writers (work with illustrations).

Report of the student "Favorite writer of the artist I.S. Glazunov - F.M. Dostoevsky."

III. The image of the city in the novel "Crime and Punishment".

Let's fast forward to the pages of the novel, walk along the streets of St. Petersburg, look into flights of stairs and apartments, listen to the sounds of the city where Dostoevsky's characters live.

Students work with text. Episode analysis:

1. Streets of St. Petersburg.

2. Rooms of Raskolnikov and Sonya Marmeladova.

3. Stairs, spans, houses.

4. Sounds of the city.

5. The fate of a person (suicide).

(From a tiny cell along Sadovaya, Gorokhovaya and other streets, Raskolnikov goes to an old woman - a pawnbroker, meets Marmeladov, Katerina Ivanovna, Sonya ... incredulity.” Between them there can be no other relationship than indifference, bestial curiosity, malicious mockery.

The interiors of the "Petersburg corners" do not look like human habitation: Raskolnikov's "closet", the Marmeladovs' "passing corner", Sonya's "barn", a separate hotel room where Svidrigailov spends his last night - all these are dark, damp "coffins".

All together: landscape paintings of St. Petersburg, scenes of its street life, interiors of "corners" - create the general impression of a city that is hostile to man, crowds, crushes him, creates an atmosphere of hopelessness, pushes him to scandals and crimes.)

IV. Conclusion (statements of students). Teacher:

Thus, these episodes of the novel and illustrations to them reveal the capitalist way of life; the world of untruth, injustice, misfortune, human torment, the world of hatred and enmity, the decay of moral principles, pictures of poverty and suffering of the urban lower classes in the 60s of the 1X century, shocking with their formidable truth. The episodes of the novel are imbued with pain about a man doomed to unbearable hardships and suffering, forced to live "on an arshin of space", in closets that look like "a coffin". Petersburg of cellars and attics is a city of "humiliated and offended". There is nothing to "breathe" in this city.

We opened the conflict between man and society. We visited Dostoevsky's Petersburg. Crime and punishment» What works are written by F.M. Dostoevsky? a) "The Idiot" b) "The Brothers Karamazov" c) "The Gambler" d) "The Precipice" e) " Crime And punishment... the genre of the novel " Crime And punishment"? a) social and household ...

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Russian literature of the 19th century. F. M. Dostoevsky's novel "Crime and Punishment"

Literature

On the topic “F.M. Dostoevsky « Crime And punishment". EOR No. 11. Comparative characteristics heroes of the novel by F.M. Dostoevsky « Crime And punishment". Raskolnikov and Marmeladov...

Work done:
Menshchikova Alena, Melnikov Zakhar,
Khrenova Alexandra, Pechenkin Valery,
Shvetsova Daria, Valov Alexander, Metzler
Vadim, Elpanov Alexander and Tomin Artem.

Part 1 Ch. 1 (drunk in a cart pulled by huge draft horses)

Raskolnikov walks down the street and runs into
deep thought", but from
his thoughts are distracted by a drunk,
who was being transported at that time along the street in
cart, and who called out to him: "Hey you,
German hatter." Raskolnikov did not
ashamed, but frightened, because he is completely
I didn't want to attract anyone's attention.

In this scene, Dostoevsky introduces us to his hero:
describes his portrait, tattered clothes, shows him
character and makes hints at Raskolnikov's intention.
He is disgusted with everything around him and
those around him, he is uncomfortable: "and went, no longer noticing
around and not wanting to notice it. "He does not care what about
he will think. Also, the author emphasizes this with evaluative
epithets: "deepest disgust", "evil contempt"

Part 2 ch. 2 (scene on the Nikolaevsky bridge, blow of the whip and alms)

On the Nikolaevsky bridge, Raskolnikov peers into St. Isaac's
Cathedral. The monument to Peter I, sitting on a rearing horse, disturbs and
scares Raskolnikov. Before this majesty, before
imagining himself a superman, he feels like a "small
man", from which Petersburg turns away. As if ironically
over Raskolnikov and his "superhuman" theory, Petersburg
first with a blow of a whip on the back with a whip (an allegorical rejection of
Raskolnikov Petersburg) admonishes the lingering on the bridge
hero, and then with the hand of the merchant's daughter throws Raskolnikov
alms. He, not wanting to accept handouts from a hostile city,
throws two kopecks into the water.

Turning to the artistic construction of the text and artistic
means, it should be noted that the episode is built on the contrast
images, almost every scene has its opposite: a blow
opposed to the almsgiving of the old merchant's wife and her
daughter, Raskolnikov's reaction ("angrily gnashed and clicked
teeth") is opposed to the reaction of others ("circle
laughter was heard"), and the verbal detail "of course"
indicates the habitual attitude of the St. Petersburg public to
"humiliated and insulted" - violence reigns over the weak and
mockery. That miserable state in which the hero found himself as
could not be better emphasized by the phrase "a true collector
pennies on the street."
Artistic means are aimed at enhancing feelings
loneliness of Raskolnikov and on the display of duality
Petersburg.

Part 2 ch.6 (drunken organ grinder and a crowd of women at the "drinking and entertainment" institution)

Part 2 Chapter 6
Raskolnikov rushes about the quarters of St. Petersburg and sees scenes
one uglier than the other. IN Lately Raskolnikov "
was drawn to wander "in the haunted places," when he was sick
it became, "so that it was even more sick." Approaching one of
drinking and entertainment establishments, Raskolnikov's gaze falls
on the poor people who wandered around, on the drunken "ragamuffins",
swearing at each other, at "dead drunk" (evaluating epithet,
hyperbole) of a beggar lying across the street. The whole ugly picture
complemented by a crowd of shabby, battered women in nothing but dresses and
hairless. The reality that surrounds him in this
place, all the people here can only leave disgusting
impressions (“..accompanied ... a girl, about fifteen, dressed
like a young lady, in a crinoline, in a mantle, in gloves and in
a straw hat with a fiery feather; it was all old
and worn out").

In the episode, the author repeatedly notices the crowding
(“a large group of women crowded at the entrance, others
sat on the steps, others on the sidewalks..”),
gathered together in a crowd, people forget about grief,
their plight and glad to stare at
happening.
The streets are crowded, but the more acutely perceived
hero's loneliness. The world of Petersburg life is the world
misunderstanding, indifference of people to each other.

Part 2 ch.6 (scene on ... the bridge)

In this scene, we are watching a middle-class woman being thrown off a bridge on which
stands Raskolnikov. Immediately a crowd of onlookers gathers, interested
happening, but soon the policeman saves the drowned woman, and people disperse.
Dostoevsky uses the metaphor "spectators" in relation to people
gathered on the bridge.
Philistines are poor people whose lives are very hard. drunk woman,
who tried to commit suicide is, in a sense,
a collective image of the philistines and an allegorical depiction of all sorrows and
the suffering they endure during the times described by Dostoevsky.
Raskolnikov looked at everything with a strange feeling of indifference and
indifference." "No, disgusting ... water ... is not worth it," he muttered to himself, "as if
pretending to be a suicide. Then Raskolnikov is still going to
commit intentional: go to the office and confess. "Not a trace of the old
energy... Complete apathy took her place" - the author metaphorically notes how
pointing out to the reader the change within the hero that occurred after
seen.

Part 5 ch.5 (death of Katerina Ivanovna)

Petersburg and its streets, which Raskolnikov already knows by heart,
appear before us empty and lonely: “But the courtyard was empty and not
you could see knockers." In the scene of street life when Katerina
Ivanovna on the ditch gathered a small group of people, in which
there were mostly boys and girls, scarcity is visible
interests of this mass, they are attracted by nothing more than a strange
spectacle. The crowd, in itself, is not something positive, it
terrible and unpredictable.
Here the theme of the value of any human life And
personality, one of the most important themes of the novel. In addition, the episode of death
Katerina Ivanovna, as it were, prophesies what kind of death could await
Sonechka, if the girl had not decided for herself to keep firmly in her soul
Love and God.
The episode is very important for Raskolnikov, the hero is becoming more and more established
them in the correctness of the decision made: to atone for guilt by suffering.

Conclusion:

F.M. Dostoevsky draws attention to the other side of St.
suicides, murderers, drunks. Everything dirty and smelly gets along with
air into the inside of a person and generates not the most good feelings and emotions.
Petersburg suffocates, oppresses and breaks the personality.
The writer gives paramount importance to the image of corners and backyards
the brilliant capital of the empire, and together with the urban landscape in the novel
there are pictures of poverty, drunkenness, various disasters of the lower strata of society.
From such a life, people have become dumb, they look at each other "hostilely and with
incredulity." There can be no other relationship between them than
indifference, bestial curiosity, malicious mockery. From meeting these
Raskolnikov still has a feeling of something dirty, miserable,
ugly and at the same time what he sees evokes in him a feeling of compassion for
"humiliated and offended." The streets are crowded, but the sharper
the loneliness of the hero is perceived. The world of Petersburg life is the world
misunderstanding, indifference of people to each other. Reading the novel "Crime and Punishment", the reader is faced with one feature of the text: it constantly contains encrypted or abbreviated names of streets, bridges, lanes of St. Petersburg. Why is the author doing this? Most likely, this is due to the fact that Dostoevsky's goal is to present in the work not specific streets and bridges, but typical ones, to achieve a certain level of generalization. Each street carries the features of the neighboring ones. One way or another, they form the image of St. Petersburg in the novel, so different from the one that Pushkin painted in the introduction to The Bronze Horseman.
It is symbolic that many streets have dead ends; blind corners and walls often come across. They personify the life situations of the characters, when "there is nowhere else to go." The choice of the district of the city is also important - Sennaya Square, the outskirts, the center of trade in hay, firewood and livestock. There is a persistent rotten smell here, numerous people create incessant noise. There is also the sound of a hurdy-gurdy. Numerous beggars and drunks complete the color of the square. Stolyarny Lane is also mentioned more than once, on which most of the houses are drinking establishments. There are constant screams, screams and swearing. Raskolnikov's wanderings take place primarily in this area, in which there is also the house of an old money-lender, as well as the dwelling of Raskolnikov himself.
Wandering the streets, the hero is constantly confronted with pictures of the then Petersburg life. Here is a drunk in a horse-drawn cart, a drunken soldier with a cigarette, a group of poorly dressed women ... Raskolnikov also observes the scene of suicide: a woman with a yellow face rushes into a ditch and dirty water absorbs her. On another bridge, Raskolnikov gets hit with a whip by laughing people. The hero hears a quarrel between the "clerks" in the city garden, another time he sees a crowd of noisy women with hoarse voices and black eyes near a drinking establishment. He is also stunned by the scene when the "fat dandy" pursues the drunk girl. And here is the image of an organ grinder, whose music accompanies the singing of a girl in an "old and worn" robe. All this creates a holistic image of the city, where people have nothing to breathe, nowhere to go. They are tormented by stuffiness, the stench of stairs and St. Petersburg slums, crushed by the tightness of courtyards-wells.
Another feature of St. Petersburg is the atmosphere of irritation and anger, embracing many, and sometimes laughter that kills a person. Despite the tightness, people here are limited from each other, alienated. The color that prevails in the description of the city is yellow (it symbolizes sickness in Dostoevsky). Petersburg is an octopus city that seizes victims with its tentacles, a monster in whose mouths crushed and offended people live. As a result, the image of Petersburg becomes not only equal in rights with other images of the novel, but also central (since it is he who explains the actions of Raskolnikov, Svidrigailov, Luzhin, Sonya, the pawnbroker and other characters).

The novel by F. M. Dostoevsky "Crime and Punishment" consists of six parts. In the first part, the hero commits the murder of an old pawnbroker, the rest tells about the steps of a young man on the path of repentance. Such a composition of the novel emphasizes the idea that it is easy to commit a serious sin, but in order to atone for it, it is necessary to go through a long path full of suffering.

Reading the beginning of the novel, we follow step by step the hero who has conceived a terrible crime. Rodion Romanovich Raskolnikov goes to do a "test" and immediately abandons the disgusting idea of ​​\u200b\u200bmurder. But acquaintance with the history of the Marmeladov family, with the dramatic fate of Sonya, who was forced to go on a yellow ticket, leads the student to the idea of ​​​​rebuilding the world in justice. From his mother's letter, he learns about the decision of his sister Dunya to marry a wealthy lawyer Luzhin in order to correct financial situation families. The idea of ​​a crime, which had previously seemed to him a fantasy, now appears before him in some menacing and scary. He cannot give up life, the right to act, and sees the only way out of this situation in the murder of a rich old woman.

Exhausted by long walking and painful thoughts, Raskolnikov reaches Petrovsky Island, falls on the grass and falls asleep under a bush. In a painful state, he sees a terrible dream in which a horse is killed. Next to the tavern is a large cart, which is harnessed to huge draft horses. But in a dream, this large cart is harnessed to a "small, skinny, saucy peasant nag." This moment of sleep correlates with the real picture seen by Raskolnikov at the beginning of the novel, when he just went out into the street. In reality, it looked like this: “... one drunk, who, for unknown reasons and where, was transported at that time in a huge cart harnessed by a huge draft horse ...” A nag beaten to death in a hero’s dream symbolizes all human suffering. This suffering is unbearable, since the poor horse cannot move the heavy cart. In reality, a draft horse is harnessed to the cart. This means that the hero does not adequately perceive reality, and his thoughts about unbearable suffering are exaggerated: everyone is given a burden according to their strength.

It is necessary to pay attention to the behavior of Raskolnikov at the moment of killing the horse. In the dream, he is seven years old. The number "seven" is symbolic: it means the union of man with God. From the mother’s letter, we learn that in childhood, during the life of his father, little Rodion believed in God and “babbled his prayers” on his mother’s lap. In a letter, the mother asks her son: “Do you still pray to God, Rodya, and do you believe in the goodness of our Creator and Redeemer? I fear, in my heart, that the latest fashionable unbelief has visited you too? In a dream, the moment of the hero’s departure from God, the moment of loss of faith, is shown. Little Rodya “rushes with his fists at Mikolka in a frenzy”, the Father tries to stop his son and snatches him out of the crowd. An adult does not try to intervene in what is happening in a dream. The father in the dream is God. Raskolnikov rebels against God when he sees that he is not worth eliminating suffering. The world is arranged unfairly, and the hero seeks to rebuild the world in a just way so that there is no suffering in it.

The artistic space of a dream is made up of two mutually exclusive concepts: a church and a tavern. The tavern stands on the outskirts of the city and makes the hero an unpleasant impression and even fear. Here a picture of human sin is drawn: “There was always such a crowd there, they shouted, laughed, cursed, sang so ugly and hoarsely, and fought so often; such drunken and terrible faces always wandered around the tavern ... ”Rushing with his fists at the stinkingly sinful Mikolka, the hero rises against the people's sin. The desire to punish someone else's sin separates the hero from people, allows him to walk like a "pale angel", deprives him of consciousness of his own sinfulness. In a dream, the child loves the church and the old images in it, but the road to the temple passes by the tavern. So Dostoevsky emphasizes the idea that moral cleansing occurs after committing a sin. The black dust on the road corresponds to the land on the square that Raskolnikov will kiss when he goes to the police with a confession.

So, we see that the world in the perception of the hero is divided into two spaces that do not connect: a tavern and a church. In reality and in the text of the novel, the tavern and the church exist as a whole. The drunken Marmalade tavern turns into a church when he delivers a penitential speech and a sermon about the mercy of God, who forgives sinners. In the epilogue, the convicts attack Raskolnikov in the church, intending to kill him.

There are two Mikolki in the novel. In a dream, Mikolka is the owner of the horse, who decided to ride the drunken crowd. He beats his “mare”, because she “breaks his heart”. In the portrait of this peasant guy, his sinful beginning is emphasized: “young, with such a thick neck and with a fleshy, red, like a carrot face.” But there is also Mikolka - a righteous man. This is a young painter who decided to take on Raskolnikov's sin and suffer in order to cleanse his soul. The portrait of this Mikolka emphasizes high spirituality, readiness for a feat: “Determination sparkled in his eyes, but at the same time, deathly pallor covered his face, as if he was being led to execution. His completely whitened lips quivered slightly. It is not by chance that the fat, red-faced sinner Mikolka and the pale, with thin, dry features of the face, Nikolai, bear the same name. These are, as it were, two faces of one people, in their very baseness keeping the truth of God.

This dream became prophetic for Raskolnikov. The dream showed the good human nature of the hero. In a dream, the child cannot endure the suffering of the unfortunate horse, he is very worried about her murder: “With a cry, he makes his way through the crowd to the savraska, grabs her dead, bloody muzzle and kisses her, kisses her in the eyes, on the lips.”

Rodion wakes up in horror. He imagines how he will take an ax, begin to beat on the head, crush the old woman’s skull, slide in warm, sticky blood ... He refuses this “cursed dream of his” and feels freedom “from witchcraft, charm, from obsession”. He realized that his nature could not stand the crime.

But just when the hero feels that he has freed himself from the obsession with murder, the author puts him to the test. From an accidentally overheard conversation, Raskolnikov learns that tomorrow at seven o'clock the old woman will be at home alone. The author shows that a person who has departed from God does not remain alone, next to him is the devil, whispering seductive thoughts. The hero becomes superstitious, randomness begins to control him. Freedom from God leads to human bondage.

Topic: "Petersburg of Dostoevsky" based on the novel by F.M. Dostoevsky "Crime and Punishment".

Target:Show the city as a background that serves to depict the hopelessness of the heroes, on which dramatic events unfold. Help students see Petersburg as a symbol of a dysfunctional, immoral life. Point out the artistic means used by the author in the novel.

Tun lesson: Lesson-journey with elements of research work with text.

Equipment:Illustrations with views of St. Petersburg, illustrated stand "Corner of St. Petersburg".

DURING THE CLASSES

I. Organizing time.

II. Teacher's word. Message about the topic and purpose of the lesson.

Petersburg has become more than once actor in Russian

literature. Let us recall what A.S. Pushkin, N.V. Gogol,

ON THE. Nekrasov.

III. Student message.

IV. Checking homework. Students made a plan about St. Petersburg

Dostoevsky, drawing attention to the psychological nature

cityscape, street life scenes, diversity

Petersburg types, etc.

PLAN

1. The psychological character of the urban landscape.

part 1, ch. 1 - "Colour of the city day."

part 2, ch. 2 - "Magnificent panorama".

part 2, ch. 6 - "Magnificent Petersburg".

part 2, ch. 5 - "View from Raskolnikov's window."

part 6, ch. 6 - "Thunderous Evening".

2. Variety of Petersburg types.

part 1, ch. 1 - "Drunk in a cart."

part 2, ch. 2 - "Blow of the scourge and alms."

part 2, ch. 6 - "The organ grinder and a crowd of women at the tavern."

part 2, ch. 6 - "Scene on the bridge. Drowned woman.

h. 2, ch. 7 - "Death of Marmeladov".

3. Piles of dead stones (profitable places, black stairs).

part 1, ch. 1.

4. Interior.

part 1, ch. 3 - Raskolnikov's closet.

part 4, ch. 3 - "Room, Sonya's barn."

part 1, ch. 2 - "Corner of Marmeladov".

5. Reality and delirium in the pictures of Petersburg life.

h. 2, ch. 4 - "The night after the murder."

part 1, ch. 5 - "Raskolnikov's Dream".

6. M echt about a beautiful city.

h. 1, ch. 5 - "Raskolnikov thinks about fountains."

v.Teacher's word.

F.M. also has his own Petersburg Dostoevsky. Meager funds forced him to frequently change housing and live not in rich apartments, but in cold corner houses, devoid of any architecture, where people “swarm”.

Heroes of Dostoevsky eschew Pushkin's quarters. Raskolnikov walks from a tiny cell along Sadovaya, Gorokhovaya and other "middle" streets, meets Marmeladov, Katerina Ivanovna, Sonya ... Often passes through Sennaya Square, where back in the 18th century a market was opened for the sale of livestock, oats, where serfs were subjected to public punishment (recall the poems by N.A. Nekrasov “Yesterday, at six o'clock ...”).

A stone's throw from Sennaya was Stolyarny Lane, which consisted of sixteen houses, in which there were eighteen drinking establishments.

So, let's go on a trip to St. Petersburg.

VI. Analytical work with the text according to the proposed plan.

Work on the episode "Colour of the city day" (part 1, ch. 1)

Raskolnikov left the house.

What do we learn about the hero from the first lines of the novel? Where does he live? In which House?

What struck him on the street? What is the view from the window

Raskolnikov?

What is their role? What is the role of the generalizing word "all"?

Find a definition expressed by adjectives that carry

rejection of reality (“special stench”, “summer stench”, “unbearable

out."

Why so many definitions for the word "stink"? Isn't that what causes

Raskolnikov's feeling of disgust?

fly, heat, closeness ... and immediately gives a portrait of Raskolnikov?

What words show that the hero is indecisive? ("as if",

"something", "something".)

hard to surprise anyone? Who lived in the middle streets?

emphasize Dostoevsky?

What insult did the hero have to endure? Because of which?

What feeling gripped the hero?

Where is the hero going?

intermediate conclusion. (Notes in a notebook.)

The day spent with Raskolnikov made us think of Petersburg as a city dirty, unkempt, alien and distant. He lives his life, and the characters live theirs.

Work on the episode "Magnificent panorama" (part 2, ch. 2).

Raskolnikov committed a crime, it was necessary to hide the stolen, which he does. The hero feels unwell, walks along the Nikolaevsky bridge.

What makes Rodion wake up from bad thoughts?

Why was he hit?

unexpected? What did he experience? What was his condition?

("He gnashed angrily and snapped his teeth"). The same can be said about the animal.

Why does Dostoevsky say this about Raskolnikov? Who does the hero resemble?

Work on the episode "Blow of the Scourge" and "Alms" (part 2, ch. 2).

Immediately after the blow of the scourge, Raskolnikov receives alms.

Why does Dostoevsky need this scene? What did the author mean by this?

Who was Raskolnikov taken for? Why did the hero take alms?

What did he experience?

Why Dostoevsky shows the magnificence of St. Petersburg at the moment

humiliation and insults of the hero?

So what is the splendor of the city? What do Raskolnikov like?

How did the panorama of the city affect the state of the hero? So from what

uncomfortable, cold Rodion?

Which artistic technique the author uses when talking about splendor

cities and humiliated man?

Why did it seem to Raskolnikov that he “as if cut off with scissors

yourself from everyone?

intermediate conclusion. (Notes in a notebook.)

It is bad, uncomfortable for the hero both in the “middle” streets and where a wonderful panorama of the city opens up. Rodion Raskolnikov is lonely, his pride is angry. The charming landscape takes the heroes back to the former world only for a while, when they go to the university and, returning home, walk and admire the beautiful Petersburg.

Work on the episode "Evening Petersburg" (part 2, ch. 6).

- How does the author depict evening Petersburg? What is the state of the hero?

Why is Raskolnikov wandering aimlessly around the city? What is he thinking about?

Trying to explain the state of the hero, the author uses interrogative sentences. For what purpose?

Find words with a negative particle "not". What is denied by the hero?

Work on the episode "The Organ Grinder and crowd of women at the tavern"

(part 2, ch. 6).

- Where did Raskolnikov meet the organ grinder? What is its appearance?

Here Raskolnikov saw the girl. What an absurdity in clothes

What mood of the hero was caused by the girl's singing? Why Raskolnikov

affects passers-by? Was Raskolnikov understood?

Why does Dostoevsky show a crowd of women at a tavern?

For what purpose are they gathered here? What is their age? Appearance?

Why does Raskolnikov give them money?

Working on the episode “Bridge Scene. Drowned woman" ( part 2, ch. 6)

Another female fate. Raskolnikov accidentally met on the bridge the one who came here to lay hands on herself.

Raskolnikov meets a woman.

What is her portrait? What attracts attention in the appearance of a woman?

What was Raskolnikov's reaction to the fact that the woman rushed

bridge? What are the reasons for doing such a wild act?

What pushed her into the water? Will she try again to do the same

deed?

Work on the episode "Death of Marmeladov" (part 2, ch. 7)

How did it happen that he hit the subfly?

What impression did this tragic incident make on the crowd?

How did Raskolnikov react to what happened? Why did he take

lively participation in the funeral of Marmeladov?

What does the death of Marmeladov signify?

intermediate output (Entry in notebook.)

Onlookers look indifferently at the bloody body of a stranger (Marmeladov). But no one helped the poor fellow. Only Raskolnikov showed a lively participation in the fate of Marmeladov. Yes, selfish and indifferent people living in the "middle" and outlying streets of St. Petersburg.

Work on the episode "Thunderous Evening" and "Morning on the Eve of Svidrigailov's Death" (Part 6, Ch. 6)

And again we are on the street of uncomfortable Petersburg.

This will be the topic of another conversation. In the meantime, Svidrigailov is sitting in the tavern. He witnessed a quarrel among scribes.

What is their type?

What caused the quarrel?

What part did Svidrigailov take in resolving the quarrel?

Find a description of nature before a thunderstorm.

Why does Svidrigailov make an important decision at this moment? Which?

Why and to whom does Svidrigailov decide to help?

Find a description of the hotel where Svidrigailov goes after a thunderstorm.

What is she like? Why does the interior of the hotel make a depressing impression on the reader?

So, let's go into the room after Svidrigailov.

What is the decoration of the room (or number, as Dostoevsky writes)?

(The state of the hero and the decoration of the room brings him to delirium, dreams).

What nightmare does he have?

Night passed, morning came...

-What is the morning landscape like? Did the rain bring relief to the hero?

Why?

What details of the urban landscape emphasize the hopelessness,

the uselessness of a person in this world? (dog, "dead drunk in

Work on the episode "Raskolnikov's Closet" (part 1, ch. 3)

Text work.

from the words: "He woke up .... before …. sat without lunch.

2. Questions.

What are the synonyms for the name of the room where the poor student lives,

Dostoevsky uses? ("Closet", "cage", "coffin")

What associations do you have with these words?

(“Closet” - a mouse, “cage” - a beast, “coffin” - a dead person.

hid like a beast.)

What does it say about the poverty, the wretchedness of the decoration of his little room?

Can healthy dreams be born here? Why?

Is it possible, living in such conditions, to feel human?

Does Raskolnikov respect himself?

Can a hero change his lifestyle?

Working on an episode "View from Raskolnikov's window" (part 5, ch. 5)

What detail of the room is especially sharpened by Dostoevsky? (Yellow wallpaper.)

What is the view from Raskolnikov's window?

What details of the interior of the room emphasize the loneliness of the hero?

Why is there a lone geranium flower on the windowsill?

Work on the episode "Marmeladov's Corner" (part 1, ch. 2)

Rodion Raskolnikov accidentally met Semyon Marmeladov in a tavern. Having shown humanity, the former student sees off the drunken Marmeladov.

We will also go to the dwelling of this hero. Raskolnikov sees the miserable atmosphere of the room.

What represented room? What is her outfit?

What does it remind Raskolnikov of?

Is it convenient for family people to live in such a room?

Do Marmeladov's children live comfortably?

Can a husband and wife (Marmeladov and Katerina Ivanovna) find a place,

where you can talk frankly, heart to heart? Why did Marmeladov live in

passage room?

Why did Marmeladov's neighbors know about the family's sorrows?

Working on the episode "Sonya's Barn Room" (Part 4, Ch. 4)

Where does Sonya live? What can be seen remarkable in the room?

What is the lighting like in the room? What struck Raskolnikov when he

saw Sonya's room for the first time? (obtuse angle - hopelessness, dead end.)

What gives the right to call Sonya's room a "barn"? Like in this "barn"

How does a person feel when he lives so miserably? What thoughts will be born

at Sony under the low ceiling of the barn?

intermediate conclusion. (Entry in notebook.)

It is uncomfortable, bad for a person to live in a “barn”, “closet”, “cage”, “corner”, “coffin” (as Raskolnikov’s mother called her son’s closet).

Work on the episode "Raskolnikov's Dream" (part 1, ch. 5)

« Low ceilings crowd the soul and mind.

Life in St. Petersburg acquires freaks outlines, and the real often seems like a nightmarish vision, and delirium and dreams are real.

Artistic retelling of the dream.

- What does the nag symbolize?

Why did Raskolnikov see himself as a little boy?

intermediate conclusion. (Entry in notebook)

Image a nag, tortured overstrained by overwork, which, mockingly, is flogged in the eyes - one of the generalized images of the novel. This dream shows hysteria, which was justified by the authenticity of life, as if the fates of all the tormented people who live uncomfortable in St. Petersburg are concentrated.

Work on the episode "Dream of a Beautiful City" ( part 1, ch. 5.)

Raskolnikov thinks about fountains. It was green on the islands where Rodion went.

What landscape does Dostoevsky depict?

How does it differ from the usual landscape of the "middle" streets of St. Petersburg?

What was the first time Raskolnikov saw for a long time? (Flowers.)

Work on the episode "Establishment of fountains" ( part 1, ch. 6)

After a dream about a driven horse, he thinks about building tall fountains. Why?

Yes, the dream is great. A reality what? (Dirty, stink,

crap...)

Will Raskolnikov's dream ever come true?

What artistic technique does the author use in contrasting

reality and dream (antithesis)?

VII. Results.

1. How do you see the streets of St. Petersburg, along which Raskolnikov wandered?

2. Tell us about the appearance of people who meet on the "middle" streets?

3. What impression do they make on you?

4. How do you see Dostoevsky's Petersburg?

VIII. Artistic merits of the novel by F.M. Dostoevsky "Crime and Punishment".

I. Artistic detail in the novel.

· Pro we follow which color prevails in F.M. Dostoevsky at

description of the city, the interior of the room?

· What sounds is Petersburg “filled with”? What do we hear on

city ​​streets?

· What smells accompany everywhere the heroes of the living, in

"middle" streets of St. Petersburg?

Conclusion:Petersburg is a monster city, a monster city, a predator city.

II. Word and image in the novel "Crime and Punishment".

· Landscape - a background that serves to depict the hopelessness of the hero,

on where dramatic events unfold.

· Petersburg is a symbol of a dysfunctional, immoral life

poor people.

· Image nags are a symbol of disorder and reliability of life,

V which reflected the fate of all ordinary people,

exhausted by life.

· Description of the interior of the premises: "Closet", "cage",

"corner" (removes Marmeladov), "shed" (Sonia's home),

"coffin" (Raskolnikov lives here).

IX. Homework.

History of the Marmeladov family.

1. Portrait of Marmeladovach. 1, ch. 2.

2. Death of Marmeladovach. 2, ch. 7.

3. Pominkich. 3, ch. 2.

4. Death of Katerina Ivanovnach. 5, ch. 7.