Oblomov the image of the protagonist is the main character traits. Positive and negative character traits of Oblomov, his inconsistency in Goncharov's novel. Conclusions about the main character

Oblomov's character

Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels classical literature our time. So famous people spoke about the novel literary critics of that era. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment of the historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.

He was a young man of 32-33 years old, of medium height, with a pleasant face and an intelligent look, but without any definite depth of meaning. As the author noted, the thought walked across the face like a free bird, fluttered in the eyes, fell on half-open lips, hid in the folds of the forehead, then completely disappeared and a careless young man appeared before us. Sometimes boredom or fatigue could be read on his face, but all the same, there was a softness of character in him, the warmth of his soul. Oblomov's whole life is accompanied by three attributes of bourgeois well-being - a sofa, a dressing gown and shoes. At home, Oblomov wore an oriental soft capacious dressing gown. He spent all his free time lying down. Laziness was an integral feature of his character. The cleaning of the house was done superficially, giving the appearance of cobwebs hanging in the corners, although at first glance one might think that it was a well-cleaned room. There were two more rooms in the house, but he did not go there at all. If there was an uncleaned dinner plate with crumbs everywhere, an unsmoked pipe, one would think that the apartment is empty, no one lives in it. He always marveled at his energetic friends. How can you spend your life like that, spraying on dozens of things at once. His financial condition wanted to be the best. Lying on the sofa, Ilya Ilyich always thought of how to fix it.

The image of Oblomov is a complex contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.

The very character of the hero, according to the writer's intention, is much larger and deeper. Oblomov's dream is the key to the whole novel. The hero moves to another era, to other people. A lot of light, a joyful childhood, gardens, sunny rivers, but first you have to go through obstacles, an endless sea with raging waves, groans. Behind him are rocks with abysses, a crimson sky with a red glow. After an exciting landscape, we find ourselves in a small corner where people live happily, where they want to be born and die, it cannot be otherwise, they think so. Goncharov describes these inhabitants: “Everything in the village is quiet and sleepy: the silent huts are wide open; not a soul is visible; only flies fly in clouds and buzz in stuffiness. There we meet young Oblomov. As a child, Oblomov could not dress himself; servants always helped him. As an adult, he also resorts to their help. Ilyusha grows up in an atmosphere of love, peace and excessive care. Oblomovka is a corner where calmness and imperturbable silence reign. This is a dream within a dream. Everything around seemed to freeze, and nothing can wake up these people who live uselessly in a distant village without any connection with the rest of the world. Ilyusha grew up on fairy tales and legends that his nanny told him. Developing daydreaming, the fairy tale tied Ilyusha more to the house, causing inactivity.

In Oblomov's dream, the hero's childhood and upbringing are described. All this helps to know the character of Oblomov. The life of the Oblomovs is passivity and apathy. Childhood is his ideal. There in Oblomovka, Ilyusha felt warm, reliable and very protected. This ideal doomed him to an aimless further existence.

The key to the character of Ilya Ilyich in his childhood, from where direct threads stretch to the adult hero. The character of the hero is an objective result of the conditions of birth and upbringing.

Oblomov Roman laziness character

Composition Oblomov's character traits reasoning

Goncharov's novel "Oblomov" was written in the middle of the nineteenth century and accurately described bright representative a noble society, which has a consumerist attitude to life and the people around it, cannot find application for its knowledge and abilities. This is the fruit of upbringing, accustomed from generation to generation to use slave labor, to live at the expense of another person.

The main character of the novel is Ilya Ilyich Oblomov. He repeats not only the name of his father, but also his habits and way of life. The life test for Oblomov was his studies at the boarding school. He studied well, but he was more happy when his parents, having come up with dozens of reasons, left him at home. After graduating from a boarding school, and then in Moscow, Ilya Ilyich enters the service. But even there he cannot hold out for more than two years. He is bored and not interested in doing any work.

He justifies his passivity by the fact that he has big plans for the future. Lying on the couch, he ponders a plan to rebuild the estate. But things do not go beyond dreams. And even his friend Andrey Stolz cannot stir him up. Going abroad on business, Andrei introduces Oblomov to Olga Ilyinskaya. But this acquaintance revived Oblomov's life only for a short time. Kind and honest by nature, Ilya Ilyich suddenly realizes that he cannot make Olga happy, that their views on life are very different.

He wants a calm, measured life, without difficulties and upheavals, to be surrounded by kind and loving people. The mistress of the house where he rented an apartment, the widow of Pshenitsyn, was able to provide him with such a life. Over time, she became his wife, the mother of his son, was for him a nurse, a guardian angel. Even Stolz, having come to Oblomov, realized that he could not change the life of a friend.

After the death of Oblomov, Stolz told the writer about his fate. He wanted readers to appreciate his pure soul and constant struggle with himself and the life around him.

Plan

Introduction
Conclusion

Introduction

Goncharov's novel "Oblomov" was written during the transition of Russian society from outdated, house-building traditions and values to new, enlightening views and ideas. This process became the most difficult and difficult for representatives of the landlord social class, as it required an almost complete rejection of the usual way of life and was associated with the need to adapt to new, more dynamic and rapidly changing conditions. And if a part of society easily adapted to the renewed circumstances, then for others the transition process turned out to be very difficult, since it was essentially opposed to the usual way of life of their parents, grandfathers and great-grandfathers. Ilya Ilyich Oblomov is the representative of just such landlords, who failed to change along with the world, adapting to it. According to the plot of the work, the hero was born in a village far from the capital of Russia - Oblomovka, where he received a classic landowner, house-building upbringing, which formed many of Oblomov's main character traits - lack of will, apathy, lack of initiative, laziness, unwillingness to work and the expectation that someone will do everything for him.
Excessive guardianship of parents, constant prohibitions, the peacefully lazy atmosphere of Oblomovka led to a deformation of the character of a curious and active boy, making him introverted, prone to escapism and unable to overcome even the most insignificant difficulties.

The inconsistency of Oblomov's character in the novel "Oblomov"

The negative side of Oblomov's character

In the novel, Ilya Ilyich does not decide anything on his own, hoping for outside help - Zakhar, who will bring him food or clothes, Stolz, who can solve problems in Oblomovka, Tarantiev, who, although he will deceive, will figure out the situation of interest to Oblomov, etc. The hero is not interested in real life, it causes him boredom and fatigue, while he finds true peace and satisfaction in the world of illusions invented by him. Spending all his days lying on the couch, Oblomov makes unrealizable plans for the arrangement of Oblomovka and his happy family life, in many ways similar to the calm, monotonous atmosphere of his childhood. All his dreams are directed to the past, even the future that he draws for himself are echoes of a distant past that can no longer be returned.

It would seem that a lazy, lumberjack hero living in an untidy apartment cannot arouse sympathy and disposition in the reader, especially against the background of an active, active, purposeful friend of Ilya Ilyich - Stolz. However, the true essence of Oblomov is revealed gradually, which allows you to see all the versatility and inner unrealized potential of the hero. Even as a child, surrounded by quiet nature, care and control of his parents, subtly feeling, dreamy Ilya was deprived of the most important thing - the knowledge of the world through its opposites - beauty and ugliness, victories and defeats, the need to do something and the joy gained by one's own work.
From an early age, the hero had everything he needed - helpful courtyards carried out orders at the first call, and parents spoiled their son in every possible way. Once outside the parental nest, Oblomov, not ready for the real world, continues to expect that everyone around him will treat him as warmly and affably as in his native Oblomovka. However, his hopes were destroyed already in the first days in the service, where no one cared about him, and everyone was only for himself. Deprived of the will to live, the ability to fight for his place in the sun and perseverance, Oblomov, after an accidental mistake, leaves the service himself, fearing punishment from his superiors. The very first failure becomes the last for the hero - he no longer wants to move forward, hiding from the real, "cruel" world in his dreams.

The positive side of Oblomov's character

The person who could pull Oblomov out of this passive state, leading to the degradation of the personality, was Andrei Ivanovich Stolz. Perhaps, Stolz is the only character in the novel who thoroughly saw not only negative, but also positive features Oblomov: sincerity, kindness, the ability to feel and understand the problems of another person, inner peace and simplicity. It was to Ilya Ilyich that Stoltz came in difficult moments when he needed support and understanding. Pigeon tenderness, sensuality and sincerity of Oblomov are revealed during the relationship with Olga. Ilya Ilyich is the first to realize that he is not suitable for the active, purposeful Ilyinskaya, who does not want to devote herself to Oblomov's values - this betrays a subtle psychologist in him. Oblomov is ready to give up his own love, as he understands that he will not be able to give Olga the happiness she dreams of.

The character and fate of Oblomov are closely connected - his lack of will, inability to fight for his happiness, along with spiritual kindness and gentleness, lead to tragic consequences - fear of difficulties and sorrows of reality, as well as the hero’s complete departure into a pacifying, calm, wonderful world of illusions.

National character in the novel "Oblomov"

The image of Oblomov in Goncharov's novel is a reflection of the national Russian character, its ambiguity and versatility. Ilya Ilyich is the same archetypal Emelya the Fool on the stove, about which the nanny told the hero in childhood. Like a character in a fairy tale, Oblomov believes in a miracle that should happen to him by itself: a benevolent firebird or a kind sorceress will appear who will take him to the wonderful world of honey and milk rivers. And the chosen one of the sorceress should not be a bright, hardworking, active hero, but always “quiet, harmless”, “some kind of lazy person whom everyone offends”.

Unquestioning faith in a miracle, in a fairy tale, in the possibility of the impossible - main feature not only Ilya Ilyich, but also any Russian person brought up on folk tales and legends. Falling on fertile ground, this belief becomes the basis of a person’s life, replacing reality with an illusion, as happened with Ilya Ilyich: “he had a fairy tale mixed with life, and sometimes he unconsciously feels sad, why a fairy tale is not life, and life is not a fairy tale.”

At the end of the novel, Oblomov, it would seem, finds that "Oblomov" happiness that he had long dreamed of - a calm, monotonous life without stress, a caring kind wife, an arranged life and a son. However, Ilya Ilyich does not return to the real world, he remains in his illusions, which become more important and significant for him than real happiness next to a woman who adores him. In fairy tales, the hero must pass three trials, after which he will expect the fulfillment of all desires, otherwise the hero will die. Ilya Ilyich does not pass a single test, first succumbing to failure in the service, and then to the need to change for Olga. Describing Oblomov's life, the author seems to be ironic about the hero's excessive faith in an unrealizable miracle, for which there is no need to fight.

Conclusion

At the same time, the simplicity and complexity of Oblomov's character, the ambiguity of the character himself, the analysis of his positive and negative sides, make it possible to see in Ilya Ilyich eternal image unrealized personality "not of his time" - " extra person", who failed to find his own place in real life, and therefore gone into the world of illusions. However, the reason for this, as Goncharov emphasizes, is not in a fatal combination of circumstances or the difficult fate of the hero, but in the wrong upbringing of Oblomov, who is sensitive and gentle in character. Grown as a "houseplant", Ilya Ilyich turned out to be unadapted to a reality that was hard enough for his refined nature, replacing it with the world of his own dreams.

positive and negative traits character of Oblomov, his inconsistency in Goncharov's novel | source

Ivan Aleksandrovich Goncharov worked on the novel Oblomov for ten years. The characterization of the protagonist is so convincingly presented by the classic that it went beyond the scope of the work, and the image became a household word. The quality of the author's elaboration of the characters of the story is impressive. All of them are integral, possessing features contemporary writer of people.

The topic of this article is the characterization of the heroes of Oblomov.

Ilya Ilyich Oblomov. Sliding on the plane of laziness

The central image of the book is a young (32-33 years old) landowner Ilya Ilyich Oblomov, a lazy imposing dreamer. He is a man of medium height, with dark gray eyes, pleasant features, and puffy hands, pampered like a child. This person lives in a St. Petersburg apartment on the Vyborg side is ambiguous. Oblomov is an excellent interlocutor. He is by nature incapable of harming anyone. His soul is pure. Educated, has a broad outlook. At any given time, his face reflects a continuous stream of thoughts. It would seem that we are talking about if it were not for the enormous laziness that had taken root in Ilya Ilyich. From childhood, numerous nannies took care of him in detail. "Zakharki da Vanya" from the serfs did any work for him, even small work. In idleness and lying on the couch, his days pass.

Confiding in them, Oblomov signed an enslaving contract for his Vyborg apartment, and then paid the fake "moral damage" to Agafya Mukhoyarov's brother in the amount of ten thousand rubles by means of a fake loan letter. A friend of Ilya Ilyich Stolz exposes the scoundrels. After that, Tarantiev "goes on the run."

People close to Oblomov

People around feel that he is a sincere person, Oblomov. A characteristic is a characteristic, however, the self-destruction of the protagonist by laziness does not prevent him from having friends. The reader sees how a true friend Andrey Stolz is trying to wrest Oblomov out of the tight embrace of doing nothing. He also became, after the death of Oblomov, according to the will of the latter, the adoptive father for his son Andryusha.

Oblomov has a devoted and loving civil wife - the widow Agafya Pshenitsyna - an unsurpassed hostess, narrow-minded, illiterate, but honest and decent. Outwardly, she is full, but okay, hardworking. Ilya Ilyich admires her, comparing her with a cheesecake. The woman breaks off all relations with her brother Ivan Mukhoyarov, having learned about the low deception of her husband by him. After the death of a common-law husband, a woman feels that "the soul has been taken out of her." Having given her son to be raised by the Stolts, Agafya simply wants to leave after her Ilya. She is not interested in money, which is evident from her refusal of the due income from the Oblomov estate.

Ilya Ilyich is served by Zakhar - untidy, lazy, but idolizing his master and devoted to the end servant of the old school. After the death of the master, the former servant prefers to beg, but is near his grave.

More about the image of Andrei Stolz

Often the topic school essays is Oblomov and Stolz. They are even opposite in appearance. Lean, swarthy, with sunken cheeks, it seems that Stolz is all made up of muscles and tendons. He has a rank behind him, a guaranteed income. Later, while working for a trading company, he earned money to buy a house. He is active and creative, he is offered an interesting and profitable job. It is he who, in the second part of the novel, is trying to bring Oblomov to Olga Ilyinskaya, introducing them. However, Oblomov stopped building relationships with this lady, because he was afraid to change housing and engage in active work. Disappointed Olga, who planned to re-educate the lazy man, left him. However, the image of Stolz is not ideal, despite his constant creative work. He, as the antipode of Oblomov, is afraid to dream. In this image, Goncharov invested rationality and rationalism in abundance. The writer believed that the image of Stolz had not been finalized by him. Anton Pavlovich Chekhov, on the other hand, even considered this image negative, the judgment that he was “too pleased with himself” and “thinks too well of himself.”

Olga Ilyinskaya - woman of the future

The image of Olga Ilyinskaya is strong, complete, beautiful. Not a beauty, but surprisingly harmonious and dynamic. It is deeply spiritual and at the same time active. met her singing the aria "Casta diva". This woman turned out to be able to stir up even such a penny. But the re-education of Oblomov turned out to be an extremely difficult task, no more effective than training woodpeckers, laziness took deep roots in him. In the end, Oblomov is the first to refuse a relationship with Olga (due to laziness). A characteristic of their further relationship is Olga's active sympathy. She marries the active, reliable and faithful Andrei Stolz who fell in love with her. They have a wonderful harmonious family. But an astute reader will understand that an active German "does not reach" the level of his wife's spirituality.

Conclusion

A string of Goncharov's images passes before the eyes of the reader of the novel. Of course, the most striking of them is the image of Ilya Ilyich Oblomov. Having wonderful prerequisites for a successful, comfortable life, he managed to ruin himself. At the end of his life, the landowner realized what had happened to him after all, giving this phenomenon a capacious laconic name “Oblomovism”. Is it modern? And how. Today's Ilya Ilyichs have, in addition to a dream flight, also impressive resources - computer games with amazing graphics.

The novel did not reveal the image of Andrei Stolz to the extent conceived by Ivan Aleksandrovich Goncharov. The author of the article considers this natural. After all, the classic depicted two extremes in these heroes. The first is a useless dream, and the second is a pragmatic, unspiritual activity. Obviously, only by combining these qualities in the right proportion, we get something harmonious.

In the novel "Oblomov" Ivan Goncharov touches upon the problem of the formation of a personality that grew up in an environment where they tried in every possible way to infringe on the manifestation of independence.

The image and characterization of Oblomov will help the reader figure out what people become who are accustomed from childhood to get what they want with the help of others.

External image of Ilya Ilyich Oblomov

"He was a man of about thirty-two or three years old, of medium height, with dark gray eyes, of pleasant appearance."

On the face of a man, certain emotions were hardly guessed. Thoughts wandered through him, but disappeared too quickly, like birds.

Ilya Ilyich Oblomov was fat. Small plump hands, narrow shoulders, pale color of the neck indicated excessive effeminacy. In his youth, the master was distinguished by harmony. The pretty blond liked the girls. Now he is bald. Andrey Stolz advises a friend to drop excess weight, arguing that it makes him sleepy. Visiting Oblomov's apartment, he often sees that the master is sleeping on the go, looking for any excuse, just to lie down on the sofa. Yes, and puffiness makes it clear that health is bad. The weight gain could be the reason.

Rising from the bed, Oblomov grunts like an old man. He calls himself:

"a dilapidated, worn, flabby caftan."

Recently, Ilya Ilyich attended all kinds of social events. Soon, going out into the world began to oppress him. Visiting guests required a neat appearance, and he was tired of the daily change of shirts and the requirement to be clean-shaven. Keeping track of his own appearance seemed to him a "stupid idea."

Always messy in clothes. Bed linen is rarely changed. Servant Zakhar often makes remarks to him. Stolz assures that they have not been walking in such dressing gowns as he wears for a long time. Socks on it from different pairs. He could easily wear a shirt inside out and not notice.

“Oblomov was always in the house without a tie and a vest. He loved space and freedom. The shoes on my feet were wide. Lowering his legs from the bed, he immediately hit them.

Many details appearance they say that Ilya is really lazy, indulges his own weaknesses.

Housing and life

For about eight years, Ilya Oblomov has been living in a spacious rented apartment in the very center of St. Petersburg. Only one of the four rooms is used. She serves him as a bedroom, and a dining room, and a reception room.

“The room where Ilya lay seemed perfectly cleaned. There was a mahogany bureau, two sofas upholstered in expensive fabrics, chic embroidered screens. There were carpets, curtains, paintings, expensive porcelain figurines.”

Interior items were expensive things. But this did not brighten up the negligence emanating from every corner of the room.

There were a lot of cobwebs on the walls and ceiling. The furniture was covered in a thick layer of dust. After meeting with his beloved Olga Ilyinskaya, he would come home, sit on the sofa, and draw her name in large letters on the dusty table. Various items were placed on the table. There were dirty plates and towels, last year's newspapers, books with yellowed pages. There are two sofas in Oblomov's room.

Attitude towards learning. Education

At the age of thirteen, Ilya was sent to study at a boarding school in Verkhlevo. Literacy did not attract the boy.

“Father and mother planted Ilyusha for a book. It was worth the loud screams, tears and whims.”

When he should have left for training, he came to his mother and asked to stay at home.

“He sad came to his mother. She knew the reason, and secretly sighed about being separated from her son for a whole week.

I studied at the university without enthusiasm. I was absolutely not interested in additional information, I read what the teachers asked.

He was satisfied with notes in a notebook.

In the life of a student Oblomov there was a passion for poetry. Comrade Andrei Stoltz brought him various books from the family library. At first he read them with delight, and soon gave up, as was to be expected of him. Ilya managed to graduate from the university, but the proper knowledge was not deposited in his head. When it was necessary to show his knowledge in jurisprudence and mathematics, Oblomov could not cope. I always believed that education was sent to a person as retribution for sins.

Service

After training, time flew by faster.

Oblomov "did not advance in any field, continued to stand at the threshold of his own arena."

Something had to be done, and he decided to go to St. Petersburg to prove himself in the service of a clerical clerk.

At 20, he was quite naive, certain views on life could be attributed to inexperience. The young man was sure that

"The officials were a friendly, close family, worried about mutual peace and pleasure."

He also believed that there was no need to attend the service every day.

“Sleet, heat, or just a lack of desire can always serve as a legitimate excuse for not going to work. Ilya Ilyich was upset when he saw that he had to be in the service strictly adhering to the schedule. I suffered from longing, despite the condescending boss.

After working for two years, he made a serious mistake. When sending an important document, I confused Astrakhan with Arkhangelsk. Didn't wait for a response. He wrote a report about leaving, and before that he stayed at home, hiding behind his shaky health.

After the incident, he did not attempt to return to the service. He was glad that he did not need now:

"from nine to three, or from eight to nine to write reports."

Now he is sure that work cannot make a person happy.

Relationships with others

Ilya Ilyich seems quiet, absolutely non-confrontational.

“An observant person, glancing briefly at Oblomov, would say: “Good man, simplicity!”

His communication with the servant Zakhar from the first chapters can radically change his opinion about not. He often raises his voice. The footman really deserves a little shake-up. The master pays him for maintaining order in the apartment. He often puts off cleaning. Finds hundreds of reasons why it's impossible to get out today. There are already bedbugs, cockroaches in the house, and occasionally a mouse runs through. It is for all sorts of violations that the master scolds him.

Guests come to the apartment: Oblomov's former colleague Sudbinsky, writer Penkin, countryman Tarantiev. Each of those present tells Ilya Ilyich, lying in bed, about an eventful life, they invite him to take a walk, to unwind. However, he refuses everyone, it is a burden for him to leave the house. The master is afraid that he will not slip through. In each proposal, he sees a problem, expects a catch.

“Although Oblomov is affectionate with many, he sincerely loves one, believes him alone, maybe because he grew up and lived with him. This is Andrey Ivanovich Stolz.”

It will become clear that despite the indifference to all kinds of entertainment, Oblomov does not cause hostility among people. They still want to cheer him up, make another attempt to pull him out of his beloved bed.

Living with the widow Pshenitsyna, Ilya takes great pleasure in taking care of her children, teaching them to read and write. With the aunt of his beloved Olga Ilinskaya, he easily finds common topics for a conversation. All this proves the simplicity of Oblomov, the absence of arrogance, which is inherent in many landowners.

Love

With Olga Ilinskaya Oblomov his friend Andrey Stolts will introduce him. Her piano playing will make a lasting impression on him. At home, Ilya did not close his eyes all night. In his mind, he drew the image of a new acquaintance. He remembered every feature of his face with trepidation. After that, he began to visit the Ilyinsky estate often.

Confessing love to Olga, will plunge her into embarrassment. They didn't see each other for a long time. Oblomov moves to live in a rented dacha located near the house of his beloved. I could not help myself to visit her again. But fate itself will bring them together, organizing a chance meeting for them.

Inspired by feelings, Oblomov is changing for the better.

"He gets up at seven o'clock. There is neither fatigue nor boredom on the face. Shirts and ties shine like snow. His coat is beautifully tailored.”

Feelings have a positive effect on his self-education. He reads books, does not lie idle on the couch. Writes letters to the manager of the estate with requests and instructions to improve the situation of the estate. Before his relationship with Olga, he always put it off until later. Dreams of family, children.

Olga is more and more convinced of his feelings. He does all her errands. However, "Oblomovism" does not let the hero go. Soon it begins to seem to him that he:

"is in the service of Ilyinskaya."

In his soul there is a struggle between apathy and love. Oblomov believes that it is impossible to feel sympathy for someone like him. "Loving someone like that is ridiculous, with flabby cheeks and a sleepy look."

The girl responds to his guesses with crying and suffering. Seeing the sincerity in her feelings, he regrets what was said. After a while, he again begins to look for a reason to avoid meetings. And when her beloved comes to him herself, she cannot see enough of her beauty, and decides to make her a marriage proposal. However, the established way of life takes its toll.

Oblomov's character

Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels of classical literature of our time. This is how well-known literary critics of that era spoke about the novel. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment of the historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.

The image of Oblomov is a complex, contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.

Oblomov Roman laziness character

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