Frederic Chopin was born on February 22, 1810 in the village of Zhelyazova Wola near Warsaw (Poland). A wonderful taste in music was instilled in the future composer by his mother, who played the piano well and sang. Unusual musical abilities, as well as the most important - the love of playing the piano, manifested themselves in Frederic in early childhood.

From the age of seven, the famous pianist Wojciech Zhyvny began to study with the boy. By the age of twelve, Frederik had reached the level of the best pianists in Poland. From 1823 Chopin studied at the Warsaw Lyceum.

Creative activity

After graduating from college, Chopin began studying music theory in the class of the composer Józef Elsner. Thanks to the patronage of the princes Chetvertinsky and Anton Radziwill, Frederick managed to get into high society.

Since 1829, Frederic Chopin, whose biography already at that time testified that he would become a great musician, began to actively perform his works in Vienna. In 1830 the composer left Warsaw forever. In 1831 he settled in Paris, where he instantly became famous, gaining many admirers. After some time, the musician himself begins to teach.

Chopin's social circle included many young musicians and major European composers - F. Giller, Tulon, Stamati, Francomm, Bellini, Berlioz, Schumann, Mendelssohn, artist E. Delacroix, writers V. Hugo, G. Heine and others.

Disease. Last years

The first attack of lung disease happened to the composer Chopin in 1837 (according to the musician's biographers, it was tuberculosis). Since then, he has suffered from asthmatic attacks. At this time, Chopin lived with the writer George Sand. From 1838 to 1839, the lovers stayed on the island of Mallorca. Their relationship was not easy, which also adversely affected the composer's health. In 1847 they separated.

In 1848, Chopin settled in London, where he continued to give concerts and teach. On November 16, 1848, the last concert of the great composer took place in London. Every day he felt worse and worse and soon returned to Paris.

On October 5 (17), 1849, the short biography Chopin. The great composer was buried at the Pere Lachaise cemetery in Paris.

Chronological table

Other biography options

  • Since childhood, Chopin, in order to tune in the right way, played the piano in complete darkness. This habit remained with him throughout his life.
  • Already in 1818, in one of the Warsaw newspapers, there was an article about Chopin as a brilliant child who performed the most complex compositions and created dances and variations himself.
  • According to Chopin's last will, his heart was transported to Warsaw and immured in one of the columns in the Cauldron of the Holy Cross.
  • Chopin's work had a huge impact on the development of the harmonic style and form of European music. The achievements of the great composer were used in the creation of their works by Liszt,

Semyon Petliura? Stepan Bandera? No. These days we are celebrating the 200th anniversary of the author of these words - one of the greatest composers of the 19th century - Fryderyk Chopin. Fryderyk Francyshek, that is how the baby was named, was born in the town of Zhelyazova Volya, near Warsaw, in the family of subjects of the Russian Empire - French emigrant Nicolas Chopin and Justina Krzhizhanovskaya. This event took place in 1810, but it is difficult to determine the exact date. The metric does not agree with the family archives - either February 22, or March 1. Be that as it may, the boy was lucky - his mother was a great music lover and an outstanding pianist. At her insistence, Nicolas' husband acquired a rather expensive thing for those times - a piano.

Genius of impure blood

And Fryderyk, at the age of eight, realized that he owed his career primarily to his mother. At the very first public performance in Warsaw, where Chopin played a polonaise of his own composition, he was awarded an enthusiastic applause from the audience. After the concert, he ran up to his mother with words of gratitude. “Mom, did you hear them clapping? It's because you sewed a white lace collar on the brown jacket - very beautiful! - a scene, as if written off from the current advertising of bleaching agents.

The official reaction to this musical breakthrough did not suffer from childish naivety at all: “Chopin is a real genius of music, composing dances and variations that delight connoisseurs and connoisseurs. If this child prodigy had been born in France or Germany, he would have attracted real, great attention.”

It seems that Chopin's parents, and indeed he himself, were in full agreement with this - the subsequent musical career composer was formed away from Poland, in the then "capital of the world" - Paris. In the same place, he is caught by events that forced him to make speeches that can now be qualified as inciting ethnic hatred. Polish uprising 1830-1831 It started off quite cheerfully and joyfully. The proud gentry quite successfully managed to cut out the Russian garrisons, whose personnel passed through the army lists as a “disabled team”. But then the Muscovites again took possession of Warsaw and deprived Poland of all privileges, in particular the Constitution. Chopin's grief and pain are indescribable. He is especially burdened by the fact that he is unlikely to be able to see his homeland again.

What would be waiting for him in Poland? Compatriots could admire his talent, but he, a plebeian, the son of a French tutor, was not going to high society. When he wanted to marry the aristocrat Marysa Wodzińska, her parents made it clear that nothing would come of it. “I regret that your last name is not Shopinsky,” Marysia’s mother wrote to the composer, whose name has already thundered throughout Europe.

A Farewell to Arms!

Paris is different. The local beau monde takes Chopin with delight. He makes friends with such giants as Heine, Berlioz, Bellini. He is admired by the painter Eugene Delacroix. Warm relations connect him with Mendelssohn. But with another contemporary, Franz Liszt, relations did not work out.

In 1836, in the salon of Marie d'Agout, Chopin met the famous writer George Sand. This is how he describes this meeting: “The face of Madame Dudevant, known as George Sand, is unsympathetic. I didn't like her at all. There is even something repulsive about her.” However, Sand Chopin herself was necessary to the extreme. What's the matter? Why did she want to get this Pole for herself so much?

The reason is simple. Marie d'Agout counted the famous virtuoso and composer Franz Liszt as her lovers. Her friend, George Sand, who, apparently, lacked not only literary fame, but also wanted female fame, was desperately jealous of Marie. She urgently needed to acquire an equally famous lover. And then Chopin appears ... Two ladies throw off the masks of secular friendship and begin a protracted duel, in which two geniuses serve as weapons. But George Sand was out of luck. Her "weapon" in terms of striking factors was beyond praise, however, in terms of physical health, Chopin was much inferior to Liszt. Consumption is a poor assistant in public speaking. But George Sand didn't care about Chopin's health. When Liszt gives his triumphal concert in the hall of the Paris Conservatory, Sand launches a decisive counterattack and arranges Chopin's chamber performance in the Salle Pleyel. He, despite the opened hemoptysis and inhuman fatigue, is forced to agree. The concert is going great. Heinrich Heine calls Chopin the "Raphael of the pianoforte", George Sand triumphs...

Best of the day

Constant performances finally undermined the health of the composer. The "weapon" is out of order. What is usually done when the tool becomes unusable? That's right - throw it away. Exactly the same fate was prepared for Chopin. In 1847, George Sand, realizing that the duel is lost, leaves his lover.

Grateful family?

Chopin dies two years later. But the writer continues to take revenge on him, as if he did not live up to expectations, even after death. At her insistence, the pair portrait, where Eugène Delacroix depicted Chopin improvising on the piano and George Sand as the listener, was cut in two.

The posthumous fate of Chopin is full of sublime romance and bitter irony. The composer's body rests in the Pere Lachaise cemetery in Paris, and the heart, according to his will, was sent to Warsaw, where to this day it is in the Church of the Holy Cross. But the Poles had a strange attitude towards Chopin himself. Less than half a century after his death, compatriots managed to forget about him completely. The Russian composer Mily Balakirev, a great admirer of Chopin's talent, was amazed when he arrived in Warsaw. “I found the house in which the brilliant Fryderyk was born in a terrible state of abandonment, and the current owner of the village did not know at all who Chopin was ... The result of my activity was the establishment of a monument in Zhelyazova Wola, which took place on October 14, 1894.” The irony of fate - "Muscovites, these eastern barbarians" cursed by Chopin cared about preserving his heritage almost more than the proud gentry ...

The musician, who had a great influence on world music, and also laid the foundation for the Polish school of composers, was born on the first day of spring 1810.

The date of birth of the famous musician is a rather symbolic step, because Frederic Chopin is very bright representative romanticism in music. All his work is unusually original and is a multiple synthesis that often combines contrasting genres. The peculiar style of Chopin's work keeps the listener in suspense throughout the entire work. Preludes, created by a unique composer of their kind, are the most lyrical and accompany the musician throughout his entire creative life.

The birth of a musician

The composer's birthplace is the city of Zhelyazova-Wola, located in the vicinity of the Polish capital.

Poor health did not allow the child to actively participate in the games of children, he spent all the time in the company of his three sisters, taking part in theatrical productions.

Nicolas Chopin moved to Poland from France, where he got a job in the estate, the educator of the count's children. Having an officer rank, the man subsequently took up teaching, getting a job as a teacher of foreign languages ​​and literature in the lyceum of the city of Warsaw in the vacant position of the deceased teacher.

In Poland, Nicolas marries, the couple has a son, who is called Frederic Franciszek Chopin.

The boy's mother was a highly educated girl who owned foreign languages and playing the piano, good vocal abilities allowed Justina to sing beautifully.

However, both parents of the composer were distinguished by their love for music, which, of course, contributed to his creative way. The musician owes his love to folk melodies to Justina.

From the age of six, Frederick began to learn to play the piano. Even without knowing the notes, the kid picked up melodies by ear. At such a young age, just like the young Mozart, Chopin amazed and delighted contemporaries with his extraordinary musical ability. The impressionable boy was so captured by the music that he could cry from this or that melody. The first glory came to a gifted child after a concert he gave at the age of seven. Thus, Poland recognized the talent of the young Chopin. The pianist Wojciech Zhyvny becomes the first teacher of the developing talent. The teacher had great hopes for the boy, having given the child all possible knowledge, after five years of study, the master refuses to teach Frederick, believing that he cannot teach talent anything.

Youth and development of talent

The first concert, with pleasure participating in the musical salons of Chopin, took place at the age of eighteen. Studying at the Music Lyceum, and then at the Main Music School of the capital, the young man received a good education. A welcome guest of aristocratic salons, conquered society with his refined manners.

During his studies, the musician traveled all over Poland, giving wonderful concerts, he also visited the capitals of Austria and France.

Career Development

  • At the end of the twenties, at the age of nineteen, after a big performance in Warsaw, the young pianist was invited on tour to Austria. This is how his European success begins. Chopin, who was at the peak of his popularity, was admired by Liszt and Schumann.
  • The uprising in the Polish capital deprives the young composer of his homeland, being a supporter of the suppressed rebellion, Chopin writes the etude "C Minor". This tragedy of his homeland divides the work of Frederic Chopin into two major periods.
  • After visiting various cities in Europe, Chopin settles in Paris, which becomes his last refuge. During his life in the capital of France, the musician met Schumann and Liszt, who admired his work, made new friends, including the talented writer Victor Hugo and artist Eugene Delacroix. This career stage of the musician is developing not without the participation of patrons and artists.
  • In the mid-thirties, Chopin felt a serious deterioration in health, developing tuberculosis did not give him a chance to continue his career as a pianist, however, as a composer, Frederic develops very rapidly and leaves an indelible mark on world music with works composed during this difficult time. Chopin wrote only piano music, as if exposing the intimate side of his life to the audience.

Personal

In 1938, Frederic traveled to Mallorca, where it happened, which became fatal in the life of a musician, to meet the French writer George Sand. His touching friendship with a scandalous personality and the passion that took possession of him make Chopin fully revealed.

After living for about ten years, the couple broke up, which had an extremely negative impact on Chopin's health. Experiencing a difficult financial situation, the musician travels to Britain, planning to give a concert in London, but poor health does not allow plans to come true. Chopin returned to Paris in an extremely bad mood and state of health, Chopin was exhausted from the tuberculosis that tormented him.

Frederic Chopin dies at thirty-nine. During his life, the composer knew fame, love and friendship, leaving the world many beautiful works. The musician is buried in Paris. According to the will, the heart of the virtuoso was buried in the church in Warsaw. Fate introduced the great composer to many countries and cities, but his soul always longed for his homeland.

Polish composer and virtuoso pianist, teacher

short biography

Fryderyk Chopin, full name- Fryderyk Franciszek Chopin (Polish Fryderyk Franciszek Chopin, also Polish Szopen); full name in French transcription - Frederic Francois Chopin (fr. Frédéric François Chopin) (March 1 (according to other sources, February 22) 1810, the village of Zhelyazova-Wola, near Warsaw, the Duchy of Warsaw - October 17, 1849, Paris, France) - Polish composer and pianist. In his mature years (since 1831) he lived and worked in France. One of the leading representatives of Western European musical romanticism, the founder of the Polish national school of composers. He had a significant impact on world music.

Origin and family

The composer's father, Nicolas Chopin (1771-1844), from a simple family, moved from France to Poland in his youth. Since 1802, he lived on the estate of Count Skarbek Zhelyazov-Vol, where he worked as a teacher of the count's children.

In 1806 Nicolas Chopin married Justine Krzyzanowska (1782-1861), a distant relative of the Skarbeks Tekla. The Krzyzhanovski (Krzhizhanovski) family of the Pig coat of arms dates back to the 14th century and owned the village of Krzyzhanovo near Koscyan. Vladimir Krzhizhanovsky, the nephew of Justina Krzyzhanovskaya, also belonged to the Krzyzhanovsky family. According to the surviving testimonies, the composer's mother received a good education, spoke French, was extremely musical, played the piano well, possessed beautiful voice. Frederick owes his first musical impressions to his mother, the love of folk melodies instilled from infancy.

Zhelyazova Volya, where Chopin was born, and Warsaw, where he lived from 1810 to 1830, during the Napoleonic Wars until 1813 were on the territory of the Duchy of Warsaw, a vassal of the Napoleonic Empire, and after May 3, 1815, following the results of the Vienna Congress - on the territory of the Kingdom Polish (Królestwo Polskie), vassal of the Russian Empire.

In the autumn of 1810, some time after the birth of his son, Nicolas Chopin moved to Warsaw. In the Warsaw Lyceum, thanks to the patronage of the Skarbeks, he got a place after the death of the teacher, Pan Mahe. Chopin was a French teacher and German and French literature, maintained a boarding school for pupils of the lyceum.

The intelligence and sensitivity of the parents soldered all family members with love and had a beneficial effect on the development of gifted children. In addition to Fryderyk, there were three sisters in the Chopin family: the eldest, Ludwika, married to Endrzeevich, who was his especially close and devoted friend, and the younger ones, Isabella and Emilia. The sisters had versatile abilities, and Emilia, who died early, had an outstanding literary talent.

Childhood

Already in childhood, Chopin showed extraordinary musical abilities. He was surrounded by special attention and care. Like Mozart, he impressed those around him with his musical “obsession”, inexhaustible imagination in improvisations, and inborn pianism. His susceptibility and musical impressionability manifested themselves violently and unusually. He could cry while listening to music, jump up at night to pick up a memorable melody or chord on the piano.

In its January issue for 1818, one of the Warsaw newspapers published a few lines about the first piece of music composed by a composer who was studying back in primary school. “The author of this Polonaise,” the newspaper wrote, “is a student who is not yet 8 years old. This is a real genius of music, with the greatest ease and exceptional taste, performing the most difficult piano pieces and composing dances and variations that delight connoisseurs and connoisseurs. If this child prodigy had been born in France or Germany, he would have drawn more attention to himself.

The young Chopin was taught music, placing great hopes on him. The pianist Wojciech Zhivny (1756-1842), a Czech by birth, began to study with a 7-year-old boy. The classes were serious, despite the fact that Chopin, in addition, studied at one of the Warsaw schools. The boy's performing talent developed so rapidly that by the age of twelve, Chopin was not inferior to the best Polish pianists. Zhivny refused to study with the young virtuoso, saying that he could teach him nothing more.

Youth

After graduating from college and completing five years of studies with Zhivny, Chopin began his theoretical studies with the composer Józef Elsner.

The Ostrozski Palace is the seat of the Warsaw Chopin Museum.

The patronage of Prince Anton Radziwill and the princes Chetvertinsky introduced Chopin into high society, which was impressed by Chopin's charming appearance and refined manners. Here is what Franz Liszt said about this: “The general impression of his personality was quite calm, harmonious and, it seemed, did not require additions in any comments. Chopin's blue eyes shone more with intelligence than they were veiled with thoughtfulness; his soft and thin smile never turned bitter or sarcastic. The subtlety and transparency of the color of his face tempted everyone; he had curly blond hair, a slightly rounded nose; he was of small stature, frail, thin build. His manners were refined, varied; the voice is a little tired, often muffled. His manners were full of such decency, they had such a stamp of blood aristocracy that he was involuntarily met and received like a prince ... to no interests. Chopin was usually cheerful; his sharp mind quickly found the funny even in such manifestations that not everyone catches the eye.

Trips to Berlin, Dresden, Prague, where he attended concerts of outstanding musicians, diligently visited opera houses and art galleries, contributed to his further development.

mature years. Abroad

Since 1829, Chopin's artistic activity began. He performs in Vienna, Krakow, performing his works. Returning to Warsaw, he leaves it forever on November 5, 1830. This separation from his homeland became the cause of his constant hidden grief - longing for his homeland. In 1830, news arrived that an uprising for independence had broken out in Poland. Chopin dreamed of returning to his homeland and taking part in the battles. The preparations are over, but on the way to Poland he was caught by terrible news: the uprising was crushed, the leader was taken prisoner. Having passed Dresden, Vienna, Munich, Stuttgart, he arrived in Paris in 1831. On the way, Chopin wrote a diary (the so-called "Stuttgart Diary") reflecting his state of mind during his stay in Stuttgart, where he was overcome by despair due to the collapse of the Polish uprising. Chopin deeply believed that his music would help his native people achieve victory. "Poland will be brilliant, powerful, independent!" - so he wrote in his diary. During this period, Chopin wrote his famous "Revolutionary Etude".

Chopin gave his first concert in Paris at the age of 22. The success was complete. Chopin rarely performed in concerts, but in the salons of the Polish colony and the French aristocracy, Chopin's fame grew extremely quickly, Chopin gained many loyal fans, both in artistic circles and in society. Kalkbrenner highly appreciated the pianism of Chopin, who nevertheless offered him his lessons. However, these lessons quickly ceased, but the friendship between the two great pianists continued for many years. In Paris, Chopin surrounded himself with young talented people who shared with him a devoted love of art. His entourage included the pianist Ferdinand Hiller, the cellist Francomm, the oboist Brodt, the flutist Tulon, the pianist Stamati, the cellist Vidal, and the violist Urban. He also kept in touch with the major European composers of his time, among whom were Mendelssohn, Bellini, Liszt, Berlioz, Schumann.

Over time, Chopin began teaching himself; love for teaching piano hallmark Chopin, one of the few great artists who devoted a lot of time to this.

In 1837, Chopin felt the first attack of a lung disease (most likely it was tuberculosis). A lot of grief in addition to parting with the bride brought him in the late thirties love for George Sand (Aurora Dupin). Staying in Mallorca (Majorca) with George Sand had a negative impact on Chopin's health, he suffered from bouts of illness there. However, many greatest works, including 24 preludes, were created on this Spanish island. But he spent a lot of time in the countryside in France, where George Sand had an estate in Nohant.

A ten-year cohabitation with George Sand, full of moral trials, greatly undermined Chopin's health, and the break with her in 1847, in addition to causing him considerable stress, deprived him of the opportunity to rest in Nohant. Wanting to leave Paris in order to change the situation and expand his circle of acquaintances, Chopin went to London in April 1848 to give concerts and teach. This turned out to be his last trip. Frederic Chopin's last public concert took place on November 16, 1848 in London. Success, a nervous, stressful life, a damp British climate, and most importantly, a periodically aggravated chronic illness lungs, - all this finally undermined his strength. Returning to Paris, Chopin died on October 5 (17), 1849.

About Chopin deeply mourned the whole music world. Thousands of fans of his work gathered at his funeral. According to the wish of the deceased, at his funeral, the most famous artists of that time performed Mozart's "Requiem" - a composer whom Chopin put above all others (and called his "Requiem" and the "Jupiter" symphony his favorite works), and his own prelude was also performed No. 4 (E-minor). In the Père Lachaise cemetery, Chopin's ashes rest between the graves of Luigi Cherubini and Bellini. The composer bequeathed that his heart be transported to Poland after his death. Chopin's heart was, according to his will, sent to Warsaw, where it was walled up in a column of the Church of the Holy Cross.

Creation

As noted in encyclopedic dictionary Brockhaus and Efron N. F. Solovyov,

“Chopin's music abounds in boldness, finesse, and nowhere suffers from whimsicality. If after Beethoven there was an era of novelty of style, then, of course, Chopin is one of the main representatives of this novelty. In everything that Chopin wrote, in his wonderful musical contours, a great musician-poet is visible. This is noticeable in finished typical etudes, mazurkas, polonaises, nocturnes, etc., in which inspiration flows over the edge. If there is a certain reflectivity in anything, it is in the sonatas and concertos, but nevertheless amazing pages appear in them, as, for example, the funeral march in the sonata op. 35, adagio in the second concerto.

Among the best works of Chopin, in which he put so much soul and musical thought, can be attributed etudes: in them, he introduced, in addition to technique, which before Chopin was the main and almost the only goal, a whole poetic world. These sketches breathe either a youthful impetuous freshness, like, for example, ges-dur, or a dramatic expression (f-moll, c-moll). In these sketches he put first-rate melodic and harmonic beauties. You can't reread all the etudes, but the crown of this wonderful group is the cis-moll etude, which, in its deep content, reached Beethoven's height. How much dreaminess, grace, wondrous music in his nocturnes! In piano ballads, the form of which can be attributed to the invention of Chopin, but especially in polonaises and mazurkas, Chopin is a great national artist, painting pictures of his homeland.

Author of numerous works for piano. He interpreted many genres in a new way: he revived the prelude on a romantic basis, created a piano ballad, poeticized and dramatized dances - mazurka, polonaise, waltz; turned the scherzo into an independent work. Enriched harmony and piano texture; combined classic form with melodic richness and fantasy.

Among the works of Chopin: 2 concertos (1829, 1830), 3 sonatas (1828-1844), fantasy (1842), 4 ballads (1835-1842), 4 scherzos (1832-1842), impromptu, nocturnes, etudes, waltzes, mazurkas , polonaises, preludes and other works for piano; as well as songs. In his piano performance, the depth and sincerity of feelings were combined with elegance and technical perfection.

Chopin in 1849 is the only surviving photograph of the composer.

The most intimate, "autobiographical" genre in Chopin's work is his waltzes. According to the Russian musicologist Isabella Khitrik, the connection between real life Chopin and his waltzes are extremely limited, and the totality of the composer's waltzes can be regarded as a kind of "lyrical diary" of Chopin.

Chopin was distinguished by restraint and isolation, therefore his personality is revealed only to those who know his music well. Many famous artists and writers of that time bowed to Chopin: composers Franz Liszt, Robert Schumann, Felix Mendelssohn, Giacomo Meyerbeer, Ignaz Moscheles, Hector Berlioz, singer Adolf Nurri, poets Heinrich Heine and Adam Mickiewicz, artist Eugene Delacroix, journalist Agathon Giller and many other. Chopin also met professional opposition to his creative creed: for example, one of his main lifetime competitors, Sigismund Thalberg, according to legend, went out into the street after a Chopin concert, shouted loudly and answered his companion’s bewilderment: there was only one piano all evening, so now you need to at least a little forte. (According to contemporaries, Chopin could not play forte at all; the upper limit of his dynamic range was approximately mezzo-forte.)

Artworks

For piano and ensemble or orchestra

  • Trio for Piano, Violin and Cello Op. 8 g minor (1829)
  • Variations on a Theme from the Opera "Don Giovanni" Op. 2 B-dur (1827)
  • Rondo a la Krakowiak Op. 14 (1828)
  • "Great Fantasy on Polish Themes" Op. 13 (1829-1830)
  • Concerto for Piano and Orchestra Op. 11 e-moll (1830)
  • Concerto for Piano and Orchestra Op. 21 f minor (1829)
  • "Andante spianato" and the following "Great Brilliant Polonaise" Op. 22 (1830-1834)
  • Cello Sonata Op. 65 g-moll (1845-1846)
  • Polonaise for cello Op. 3

Mazurkas (58)

  • Op.6 - 4 Mazurkas: fis-moll, cis-moll, E-dur, es-moll (1830)
  • Op.7 - 5 Mazurkas: B-dur, A-moll, F-moll, As-dur, C-dur (1830-1831)
  • Op.17 - 4 mazurkas: B-dur, e-moll, As-dur, a-moll (1832-1833)
  • Op.24 - 4 mazurkas: g-moll, C-dur, A-dur, b-moll
  • Op.30 - 4 mazurkas: c-moll, h-moll, Des-dur, cis-moll (1836-1837)
  • Op.33 - 4 mazurkas: gis-moll, D-dur, C-dur, h-moll (1837-1838)
  • Op.41 - 4 Mazurkas: cis-moll, e-moll, H-dur, As-dur
  • Op.50 - 3 mazurkas: G-dur, As-dur, cis-moll (1841-1842)
  • Op.56 - 3 Mazurkas: H-dur, C-dur, c-moll (1843)
  • Op.59 - 3 mazurkas: a-moll, As-dur, fis-moll (1845)
  • Op.63 - 3 Mazurkas: H major, f minor, cis minor (1846)
  • Op.67 - 4 Mazurkas: G-dur, g-moll, C-dur, No. 4 a-moll 1846 (1848?)
  • Op.68 - 4 Mazurkas: C-dur, a-moll, F-dur, No. 4 f-moll (1849)

Polonaise (16)

  • Op. 22 Large brilliant polonaise Es-dur (1830-1832)
  • Op. 26 No. 1 cis-moll; No. 2 es-moll (1833-1835)
  • Op. 40 No. 1 A-dur (1838); No. 2 c-moll (1836-1839)
  • Op. 44 fis-moll (1840-1841)
  • Op. 53 As-dur (Heroic) (1842)
  • Op. 61 As-dur, Polonaise Fantasy (1845-1846)
  • woo. No. 1 in d-moll (1827); No. 2 B-dur (1828); No. 3 f-moll (1829)

Nocturnes (total 21)

  • Op. 9 b-moll, Es-dur, H-dur (1829-1830)
  • Op. 15 F major, Fis major (1830-1831), g minor (1833)
  • Op. 27 cis-moll, Des-dur (1834-1835)
  • Op. 32 H-dur, As-dur (1836-1837)
  • Op. 37 g minor, G major (1839)
  • Op. 48 c minor, fis minor (1841)
  • Op. 55 f-moll, Es-dur (1843)
  • Op. 62 No. 1 H-dur, No. 2 E-dur (1846)
  • Op. 72 e-moll (1827)
  • Op. posth. cis minor (1830), c minor

Waltzes (19)

  • Op. 18 "Great Brilliant Waltz" Es-dur (1831)
  • Op. 34 No. 1 "Brilliant Waltz" As-dur (1835)
  • Op. 34 No. 2 a-moll (1831)
  • Op. 34 No. 3 "Brilliant Waltz" F-dur
  • Op. 42 "Great Waltz" As-dur
  • Op. 64 No. 1 Des-dur (1847)
  • Op. 64 No. 2 cis-moll (1846-1847)
  • Op. 64 No. 3 As major
  • Op. 69 No. 1 As-dur
  • Op. 69 No. 10 H-moll
  • Op. 70 No. 1 Ges-dur
  • Op. 70 No. 2 f-moll
  • Op. 70 No. 2 Des-dur
  • Op. posth. e-moll, E-dur, a-moll

Piano sonatas (total 3)

Musical cover of Frederic Chopin's Funeral (Funeral) March, released for the first time as a separate work under this title. Breitkopf & Härtel, Leipzig, 1854 (Breitkopf & Härtel print board no. 8728)

  • Op. 4 No. 1 in c-moll (1828)
  • Op. 35 No. 2 in b-moll (1837-1839), including the Funeral (Funeral) March (3rd movement: Marche Funèbre)
  • Or. 58 No. 3 in b-moll (1844)

Preludes (total 25)

  • 24 Preludes Op. 28 (1836-1839)
  • Prelude cis-moll op","45 (1841)

Impromptu (total 4)

  • Op. 29 As-dur (circa 1837)
  • Op, 36 Fis-dur (1839)
  • Op. 51 Ges-dur (1842)
  • Op. 66 Impromptu Fantasy cis-moll (1834)

Etudes (total 27)

  • Op. 10 C-dur, a-moll, E-dur, cis-moll, Ges-dur, es-moll, C-dur, F-dur, f-moll, As-dur, Es-dur, c-moll (1828 -1832)
  • Op. 25 As-dur, f-moll, F-dur, a-moll, e-moll, gis-moll, cis-moll, Des-dur, Ges-dur, h-moll, a-moll, c-moll (1831 -1836)
  • WoO f-moll, Des-dur, As-dur (1839)

Scherzo (total 4)

  • Op. 20h minor (1831-1832)
  • Op. 31 b minor (1837)
  • Op. 39 cis minor (1838-1839)
  • Op. 54 E major (1841-1842)

Ballads (total 4)

  • Or. 23 g-moll (1831-1835)
  • Op. 38 F-dur (1836-1839)
  • Op. 47 As major (1840-1841)
  • Op. 52 f-moll (1842-1843)

Other

  • Fantasy Op. 49 f-moll (1840-1841)
  • Barcarolle Op. 60 Fis-dur (1845-1846)
  • Lullaby Op. 57 Des-dur (1843)
  • Concert Allegro Op. 46 A major (1840-1841)
  • Tarantella Op. 43 As major (1843)
  • Bolero Op. 19 C-dur (1833)
  • Sonata for Cello and Piano Op. 65 g-moll
  • Songs Op. 74 (total 19) (1829-1847)
  • Rondo (total 4)

Arrangements and arrangements of Chopin's music

  • A. Glazunov. Chopiniana, suite (one-act ballet) from the works of F. Chopin, Op. 46. ​​(1907).
  • Jean France. Orchestration of 24 Preludes by F. Chopin (1969).
  • S. Rachmaninov. Variations on a Theme by F. Chopin, Op. 22 (1902-1903).
  • M. A. Balakirev. Impromptu on the themes of Chopin's two preludes (1907).
  • M. A. Balakirev. Re-orchestration of F. Chopin's Piano Concerto in e-moll (1910).
  • M. A. Balakirev. Suite for orchestra from the works of F. Chopin (1908).

Memory

Fryderyk Chopin a short biography for children and adults is set out in this article.

Fryderyk Chopin short biography

Frederic Francois Chopin- Polish composer and virtuoso pianist, teacher. Author of numerous works for piano.

Fryderyk Chopin was born March 1, 1810 in the town of Zhelyazova Volya. Chopin's mother was Polish, his father was French. Little Chopin grew up surrounded by music. His father played the violin and flute, his mother sang well and played the piano a little. By the age of 6, he began to play the piano.

The first performance of the little pianist took place in Warsaw when he was seven years old.

In 1832, Chopin began his triumphant concert performances in Paris.

He gave his first concert at the age of 22. Here there were meetings with the largest figures of literature and art of France and other countries (F. Liszt, G. Berlioz, V. Bellini, J. Meyerbeer; G. Heine and E. Delacroix).

In 1834-35. Chopin travels along the Rhine with F. Giller and F. Mendelssohn, in 1835. meets R. Schumann in Leipzig.