But Nastya's parents - Alexander Tikhanovich and Jadwiga Poplavskaya - were not at the celebration. Toured. Did not come to congratulate his mother and 9-year-old son Vanya. As Tikhanovich admitted to Komsomolskaya Pravda, he did it with his grandparents in the morning.

They presented perfumery and a teddy white bear, which, when you press it, it sings lullabies in the voice of my mother, - the singer tells Komsomolskaya Pravda with trepidation. - And the bear also records voices, and my parents, along with Vanya, wished me various congratulations.


Anastasia Tikhanovich arranged a party on the occasion of her 32nd birthday in one of the nightclubs in Minsk. Scandalous producer Dmitry Baranov gave the singer earrings from the latest Cavalli collection, Ivan Buslai came with roses (in total, Tikhanovich received 97 roses and a dozen more bouquets from the guests on her day), but the most original gift for the birthday girl was organized by her girlfriends. For two days, out of 60 sweets and one chocolate kinder, they “blinded” a microphone.

The birthday girl herself prepared a surprise for the guests. After leaving BT, Tikhanovich came to grips with her singing career. Not without songs and at the festival. Together with the musicians, the singer honestly worked out an hour-long performance. By the way, it was emotional!


Nastya's personal life also seems to be getting better. Recall that two years ago, after seven years of marriage, Tikhanovich divorced a pulmonologist Dmitry Salogub. And on her birthday, the singer literally surrounded herself with men and did not leave the young man all evening. And after the official part, the couple drove off to celebrate in another club. As Komsomolskaya Pravda found out, the young man's name is Ignat, and he has already managed to light up in the domestic secular party. Ignat is a musician, he worked as a drummer for the Lightsound band for about a year, and more recently he has been playing drums in Tikhanovich's band. The singer herself is reluctant to talk about personal things.

I'm doing well, and I'm happy, - she told Komsomolskaya Pravda.



Belarusian pop diva Anastasia Tikhanovich is the daughter of fashionistas of the last century - Yadwiga Poplavskaya and Alexander Tikhanovich. engaged in singing, leads concerts, weddings and corporate parties. Anastasia is not the most typical hero of the KYKY poster (the portal writes primarily about the underground, not pop music), but we believe that in a fragmented warring Minsk it is very important not to separate, but to unite the worlds.

Exhibition "Kanapa Market". Style: black dress and red scarf

The organizers promise that at the event guests will see original items life, created by Belarusian furniture designers. We do not know how creative the tables and chairs will be. Let's just say that you need to go to the event if you are an adherent of natural wood, stone, concrete and glass in the interior.

About this theme: Who makes craft furniture in Minsk. Dedicated to those who are tired of IKEA and fiberboard

Anastasia Tikhanovich:“Because this is a display of interior items, people are sure to come there to look for something for their home. So it is necessary that nothing prevent them from getting what they came for. Obviously, at such an event you will have to walk a lot, which means that you do not need to wear any special clothes. It seems that a simple dress and jute is enough, which can be decorated with a bright scarf and stole. How do I feel about Belarusian fashion designers? Very positive. I am happy to see how our brands are being promoted abroad, how fashion designers are growing professionally. Among my good friends is Natasha Potkina, with whom we studied together at the institute. I don’t know if there is fashion in our country, I’m only sure that there are people in Belarus who create relevant and fashionable things.”

Concert "Rock for life". Style: leather pants and denim jute

Belarus is the only country in Europe and in the post-Soviet space where the death penalty is still applied. According to human rights activists, more than 400 people have been executed in the country over the past twenty years. Having come to the concert "Rock for Life", you, like the musicians of the groups "Give me a gift!", Re1ikt, "Mutnaevka", silently speak out against the use of capital punishment in the Republic. Similar actions will be held all over the world: on October 5, the traditional week starts every year under the slogan "The death penalty is irreversible."

Anastasia Tikhanovich:“Rock concerts are events that I have attended very often in my life. My youth came at a time when the entire underground came to light. I was very fond of rock music, I went to concerts of now masters: “Kramy”, “Neuro Doubel” and many others. The craziest story ever? There were a great many of them. I was surrounded by the most different people with whom it was never boring. For example, my cousin, Stas Poplavsky, who played bass in Neuro Dubel.

I remember when I was 16, alone good friend He sent Levi's jeans from America, which I safely opened with a pair of compasses during the solfeggio lesson. I really wanted pants with holes then.
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It is clear that now you will not surprise anyone with such clothes, but at that time, if you were walking in holey jeans, half of the subway car was looking in your direction, and you felt like a cool informal. Fortunately, together with the choir where I sang in my youth, we often went to competitions in different countries, and I had the opportunity to independently purchase all sorts of fashion paraphernalia. Among my things one could also find leather bracelets, leather jackets, boots "Camelots", "Martins". Yes, now in such things a person can go absolutely anywhere.

Let's get back to the event. A person goes to a rock concert to enjoy the music and have a good time. Therefore, it is logical to put on things that do not interfere with fun. I think jeans or leather leggings, comfortable jute and jewelry will go well here. What do I think about the theme of the concert? I can't unequivocally answer "for" or "against" when we are talking about the death penalty. I understand if a person has done something really terrible and his guilt is 100% proven, capital punishment is something in which a human court can be right. After all, people sometimes commit such atrocious crimes that it is not clear whether they have the right to continue to exist, even in closed institutions. But what about something that is important to many believers, such as the commandment “Thou shalt not kill”? These two points do not give me the opportunity to unequivocally answer this question.

Performance "Visit of the old lady". Style: blue dress

In Minsk, the largest annual theater forum "Theart" is in full swing, which means that during the week you can see a bunch of the coolest productions. For example, the tragic comedy of the Swiss playwright Friedrich Dürrenmatt "Visit old lady". The play takes place in the ruined city of Güllen. The poor townspeople are waiting for the arrival of a former resident of the province, now a multi-billionaire, who, as the poor naively believe, will put the town on its feet. In principle, a rich lady is not averse to giving money to fellow villagers and upon arrival we offer them a billion, on the condition that they kill her ex-husband.

Anastasia Tikhanovich:“To my great regret, I very rarely go to the theater. I have never been to the performances of this theatrical forum. Of course, I have been to performances that really touched my soul. For example, once they brought us the "California Suite" performed by the incredible Alisa Freindlikh and Oleg Basilashvili. Another performance of our theater "Young Spectator", where, together with actress Vera Kavalerova, there was a production of "The Miracle Worker" about the fate of a deaf-mute girl. Despite the fact that the theater is “for the young”, even an adult cannot leave this performance without tears. Now I dream of getting into the production of Pesnyar. A wonderful play, plus Sergey Zhbankov plays there - a participant in the Star Stagecoach project, where I was lucky to be a producer.

Miss Peregrine's Home for Peculiar Children. Style: white tights and black cloak

Tim Burton's next visual miracle has already managed to break the North American box office: in just one weekend, the cartoon grossed $ 28.5 million. This week, the screening of the film starts in the CIS countries. What to expect from viewing? Lots of bright colors, Eva Green and mystical story about a house where children with superpowers live.

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Anastasia Tikhanovich:“I love watching a good movie, especially when I can completely relax and immerse myself in the story while watching it. Often at home on TV there is a channel “TV 1000”, where a variety of films are played. From the last one, I watched the cartoon "Secrets of Pets" - I really liked it. I also like cinema because after the next premiere something becomes fashionable in society: hairstyles, demeanor, phrases. Cinema affects our lives. How do I feel about Belarusian cinema? Fine. I understand that it is not easy to make and promote films. To establish contacts and tell people that there is such a small country, Belarus. Therefore, I have deep respect for those who promote cinema. Our actors, producers, directors are people to be proud of. They are no worse than foreign representatives of the film industry.”

Concert by Nino Katamadze. Style: black dress and boots

This singer gained immense fame, perhaps without frequent rotations. Nino was born in Adjara, a southern province of Georgia. In 1990 she entered the Music Institute in the vocal department, and today she is one of the coolest jazz singers, from the music of which goosebumps begin to run through the body. if you love good music, then you definitely need to go to this concert.

Anastasia Tikhanovich:“Nino is just space. A singer, after whose concert you understand that your aura has become cleaner. This is a completely unique, original woman. There is a lot of improvisation at her performances, you just see how art is born before your eyes, because just a second ago this simply did not exist, did not exist. What was my joy when I found out that on the set New Year's show in Kyiv, where I happened to participate, there will be Nino. Naturally, I approached her and met her. I was very pleased just to stand next to, in the rays of this man. Her music is something that disturbs, opens your heart. I always go to the concerts of this singer with great pleasure.

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At the end of January, one of the most famous Belarusian artists, Alexander Tikhanovich, passed away. But the production center, which was headed by Alexander Grigorievich, is still working - his daughter Anastasia continues his work. Onliner.by talked to the singer and producer about nepotism on the Belarusian stage, sincere performances in small towns, sky-high money for big hits, and also about Malinovka, which is no longer played at concerts.

"The Rammstein concert in Minsk is one of my favorites"

- You recently returned from vacation. Where did you rest?

Yes, there was a short vacation. I was in Georgia. Tbilisi is my favorite city after Minsk. Every time I come there and never get tired of walking along these incredible streets and trying the most delicious cuisine in the world, enjoying the warmth and amazing atmosphere. There are cities that you want to return to.

- I understand that you have a rather busy schedule.

I joked that I arrived from the ship to the ball, because the next day after returning we had a concert in Liozno as part of the “About the main thing” tour with Alena Lanskaya, then immediately went to Gomel with the “Touch of Life” project - the organizers did this marathon through the cities of Belarus, and I am very pleased that Dmitry Korolyov and me were invited to participate in it. And yesterday, medical workers were congratulated on their professional holiday and one of our largest sanatoriums "Krynitsa" on its 95th anniversary.

- If you do the calculations, how many concerts do you have a year?

I never thought, because it is very difficult: in addition to the concerts in which I participate, we also organize events. It was very pleasant that at the last Lira award our production center received an award as the best concert organizer - then it was calculated that we held more than 200 events in a year.

From the outside it looked strange, because there are large concert agencies - they bring Depeche Mode, Rammstein, Robbie Williams here.

The fact is that these organizations were not among the nominees: the number of events was probably important. You can't put on a Rammstein or Elton John gig every day. It's difficult enough. Of course, there are organizations that have been successfully bringing artists to the country for many years: it is wonderful that Belarusian viewers have the opportunity to see world-famous artists.

“The Rammstein concert in Minsk is one of my favorites because it's the coolest show. But, probably, there was a task to understand who organizes concert programs in the country and makes them in large numbers. Coincidentally, that year was very fruitful.”

- After Alexander Grigoryevich passed away, who took over the leadership of the production center?

- Coping?

The fact is that throughout my life there were people next to me from whom I could endlessly learn. I remember that I had just graduated from the institute in 2003, when serious projects began - Star Stagecoach, Hit Moment, Eurofest. I learned wisdom from my dad, from Dmitry Baranov - a wonderful, strong producer, who, unfortunately, is no longer with us either.

Sometimes there are situations in life when you need to make some kind of decision: I really want what was invested here - years of great work and creativity - to continue and work, so that there is some kind of continuity. Alexander Grigoryevich helped young performers a lot: he endlessly gave birth to some ideas, projects. It was a man-energy, and being next to him, you were charged with all this. And to begin with, I had to delve into some things that I had simply not thought about before.

- For example?

These are moments that are not related to creativity - just the life of any organization. Any paperwork. Although in any case you are not a warrior alone in the field, and the most valuable thing for me is the people who have been working side by side for many years: we have gathered here as a team.

This is really a very difficult time for us: we had to think about a lot, accept some facts and get used to some things. But there are wonderful people nearby - in creative work this is very important because not all projects involve financial gain. Often you have to work for an idea, and finding like-minded people who will be there and believe in you is quite difficult. It's good that they are.

There was a period when a lot of time was taken away from me by TV projects, and I was very worried that I could not fully devote myself to my beloved work - to be on stage, to sing. We bring laughter and joy to people. But then I made a decision: it was time to take the stage to the fullest. Purpose is a big word, but you feel that you are doing what you love.

“I can turn on Metallica with a symphony orchestra or listen to Nirvana”

- Here you are talking about the destination ... Have you ever been broken by the fact that you are engaged in pop song?

I have a very wide musical taste - I am a music lover by nature and keep completely different music in my music library.

- For example? What do you have in your player now?

I have just returned from Georgia, so I have Georgian songs there. I discovered many interesting performers - something very suitable for the soul. In general, one of my favorite albums is “Again” by Ella Fitzgerald and Joe Pass.

“When I’m in the mood, I can listen to Metallica with a symphony orchestra - food, sing along. Yesterday we listened to Carlos Santana, sometimes we play Nirvana's "Unplugged in New York" and sometimes Julio Iglesias. There is too much of this music - depending on the mood, you turn on this or that. ”

Why pop song... It's hard to say. You see, in Lately we toured a lot - first with Vanya Buslay, now with Alena Lanskaya. I meet with the audience and realize that we did the right thing: in addition to Minsk, there are many small places where there were no artists for a very long time. And for me it's an opportunity to sing with ordinary people, to give them a joyful moment: for a person to come and get distracted from their problems. But everything does not end with the Belarusian stage: there is simply not enough time to arrange everything into some kind of separate project. But there were such moments - we made an excellent duet with the group "No Panic". I sometimes attend their concerts, and the guys call me to the stage - we perform a beautiful rock ballad “Fingers”. I also like to sing in projects with an orchestra.

But it's all about money, right?

No, not all. I think that here you need to clearly plan something and really want it. Of course, the financial issue is important: in the store they won’t give you a piece of sausage for free. But somewhere we just don't want something badly enough, because if we try hard enough, everything happens miraculously. You just need to do something and not sit still. Although I don’t like talking about finances at all: we don’t have a completely correct idea of ​​​​the life of an ordinary Belarusian artist.

- Describe what it is?

Here, for example, is an ordinary box office concert. What it is? This is when people buy tickets, and your earnings depend on how many people come to the concert. Today the situation is quite complicated not only in our country, but also in other countries - it's all connected with the standard of living and people's earnings. A ticket to a concert of a Belarusian artist costs 10 rubles, someone has 15. This money is received not only by the artist, but also by the venue, sound engineer, technical workers, ballet, musicians, administrators, concert directors, drivers. In order to assemble a small hall, you need to work hard for many people. Posters, media, platform ...

- …unions.

I don't understand why it causes such a reaction. How are New Year's parties sold? This is the same distribution of tickets, but it does not happen by order. There is just a suggestion: they come to you and say that then and there a concert will take place, would you like to buy a ticket?

We have never done concerts by force. In general, on the Internet you can find a lot of videos from our events, they show how the audience accepts the artists. I think if people are forcibly sent somewhere, they will not see you off with applause and give flowers, write thanks on social networks. I don’t understand why you need to constantly prove that you are not just standing here?

- You are a public figure.

I'm talking about Belarusian artists in general and the skeptical attitude towards them.

- Where do you think it comes from?

I think it's not just the artists. We're just not used to loving ourselves. Sometimes it seems to us that someone else's is better - this is not only about music. But there is a moment that is not connected with the material aspect - this is already a matter of self-consciousness. I think that we need to be more proud of the country, history, culture and its achievements. Let them be small, but they are ours.

- What achievements of Belarusian popular music over the past five years can you single out?

Since I am connected with television, I can say that in terms of entertainment projects, we have stepped far ahead. Of course, now there is a huge amount of everything that can be seen - with effects, bells and whistles ... Our artists are used to being compared with Western, Russian or Ukrainian ones, but you need to understand (being present, for example, at Ani Lorak's show) the scale of investments.

“Probably, after all, there are different territories, and somewhere the system works a little differently. Nobody forbids, in general, to buy songs from authors with a name - this is already a purely financial issue.

- How much does it cost?

If we're talking about a hit like Lauren's Euphoria, that would be hundreds of thousands of dollars. You can give $20-30 thousand, but where can you get them? Do you think Belarusian artists have an opportunity? You can write a good song and do production, but again, those who have the means can afford it. An image, a costume, a clip - to get all this, serious financial investments are required.

The talk about "gathering the hall" seems ridiculous, but understand that not all Russian artists do this - many concerts are simply canceled. It is not necessary to say that no one goes to see only Belarusian artists.

- So after all, they go to Belarusian artists, but not to all.

They go when people get promoted in another country. Probably, the question is still in some kind of correct approach, and our public is used to perceiving their own people in this way: if they have achieved it, then well done. Because the IOWA group existed in the city of Chausy even before the Star Stagecoach, from where Katya Ivanchikova left. And when she participated in the project, it was immediately noticeable that this was a very original person - the new Zhanna Aguzarova. Many people want to create an image, but you can immediately see when a person is real. The issue with Katya was not even in vocal data, but in this charisma. You saw and understood that it needs to be highlighted somehow. I remember that after the "Star Stagecoach" we tried to somehow support the guys. I remember that there was a casting for the musical "Prophet" - I called the guys from "Stagecoach", said that there was such an opportunity. And Katya got into this musical, went, and everything worked out. You need to make an effort. If you just sit, nothing will work.

“Why scolded dad? Because then he was engaged in this competition.

- Let's talk about Eurofest. Have you ever had the desire to try your hand?

I can't say no - that would be wrong. It’s just, I guess, I was very much absorbed in the “kitchen”, preparation - such things are immediately addictive. Philip Kirkorov correctly says: you get sick with Eurovision. And I understand one thing: in order to participate in this competition, there must be a song. At least kill yourself! See how the competition has changed. I remember when we went to Eurovision with Dima Koldun, there was a lot of scenery. We thought about how to pack it all, how to transport it correctly. And now everything is based on graphics - there are very few things that need to be brought to the stage. But the essence remains the same: Eurovision is a song contest.

But there was no song.

I did not have a goal to participate in the selection. However, if thoughts appear, then I know what is needed and how much it is necessary to invest - creative and financial resources. So many!

- Didn't you have a feeling that you are considered a "daddy's daughter"?

In such situations, there is no other way. I'm really daddy's daughter - you can't throw out a word from a song.

- Was it painful for you?

I am happy that I am my dad's daughter. He is one of the most wonderful and wonderful people in this world. Call me daddy's girl more often. A lot of warmth, peace and kindness - I received such a correct example from him. Being the daughter of people from eternity is cool!

- Undoubtedly. But you've probably heard the talk about nepotism.

What else can be said in this situation? This is the very first thing that comes to a person's mind. I once thought about it: a person has some kind of inner dream like “he could, so I can.” Why are all talent shows so popular? Not only because someone sings well there. These are things from our subconscious - deep and complex. A man from nowhere, from a simple family, came and showed what he was capable of on stage. And then a thought pops into my head: "So I can do it too."

“What about in my case? There is no such option, everything is clear here: everything is seized, everything is on a silver platter. Among public people, such myths are quite common. I think the same thing happens in other areas: dynasties happen quite often.

Alexander Grigoryevich said in an interview that he often helps you both in creative things and financially. What was this help?

I wouldn't say. Until some point, the question of help was very embarrassing for me, and I said: “I don't need anything. I myself will!” And indeed, at that time it was necessary to do something on her own, to isolate herself from everything. Therefore, no one touched me and interfered. Let me be wrong, but it will be my mistake. Sometimes my mother used to say: “I heard a song on the radio today. It's you? New song?" No one sat with a stick and drove me to the studio and to concerts. We found our own team of people with whom we decided, worked and reached a certain result. Until you yourself go through all this, no one will help you. And then the moment came when I myself wanted to consult with my parents on creativity.

In general, for me all this is strange. Why do people resent the fact that parents help their child? You yourself are helping the children. On the contrary, it's great when you can give something to your child if he needs your help and support. But there has never been a purposeful push, and I probably even regret it now. Maybe you should have walked up and said: “Yes, I want to go there! Push me right here!” Maybe I should have done that, but I thought about what people would say. The most important thing is that after many concerts and projects I really know what I can do myself.

In general, Alexander Grigorievich is a person who has always been subjected to a flurry of criticism. And first of all it was connected with Eurofest. Why was Tikhanovich always to blame?

And you read what they write now. The directors who invented the boat are to blame for everything, they are to blame, these are to blame ... Guys, finally relax. I could never understand this super responsible attitude. You come to the competition, you look at the delegations from other countries and you see that people just enjoy this wonderful show. I remember very well: when Fabrizio Foniello from Malta took some kind of almost last place, he was still greeted as a hero. So what? It's a competition - anything can happen!

Why was dad scolded? Because then he was engaged in this competition. If another person were engaged, they would scold him. And Alexander Grigorievich always did it very actively: many people still call the national selection "Eurofest" - apparently, they managed to create a mini-brand. These selection rounds gave the artists the opportunity to take certain steps and somehow promote and show their creativity.

- There were after all and scandals. Why did this happen with Alena Lanskaya and the Litesound group?

It's hard for me to explain why this happened. And it is very painful that then all the dogs were let loose on Dima Baranov, who died literally a year later. Probably, in any structure there are pitfalls and intrigues. It was a rather complicated situation, and there are always moments that remain incomprehensible. I don’t know why we are talking about something that has passed a long time ago ...

“I think that as a result of the conflict, everyone who stood up for justice was satisfied. Although I don’t really understand what happened: I was busy with other issues related to the production part.

- Was your father very worried about this?

Most of the emotions were for Dima, who did a lot for this project. He was the first to arrive at work, the last to leave. Many innovations and special effects, the artists who were brought to the festival, were his merit. And on the last show, we didn’t show what we wanted at all. A week before the event, they did not find a common language in order to implement everything they had planned. In a week to remake the whole concept of the show is a disaster. And you still bear the responsibility and then you receive from the audience.

“I am sincerely sorry that this happened at a difficult moment for our family”

- Let's talk about the sore. How was the conflict with Hank resolved?

And who had a conflict with whom? Hanok made a claim. Well, "Robin", "Zaviruha", "Lucky chance", "I live with my grandmother" no longer sound. I am deeply saddened because no one understood what happened all of a sudden. We very often communicated with him, sat together on the jury - in my understanding, he was a person who was very friendly to our family. A month before dad passed away, we talked to him: "Edik came, showed new songs, wanted to give them". And what happened then and at what point, I do not understand.

Maybe this whole story will really make us think about what copyright is, how an artist, arranger and lyricist should protect themselves. If that's the question...

“I don’t know who is right and who is wrong from the point of view of the law, but these songs already belong to the people. Yes, many will say that this is some kind of pathos and romance. But if you understand that as a result of joint creativity, something was born that began to belong to everyone, this is very cool.

I am sincerely sorry that this happened at a difficult time for our family. I just don't understand a lot of things. The constant mention of funerals...

- Have you tried talking to him without emotion?

There was a conversation right in this kitchen. It's only been forty days. We came to the studio to somehow understand what to do. Mom said: "Edik Khanok will come now, he wants to talk." She made coffee. He left and said some strange things ... Like, he was not mentioned at the concert. But at each concert, his parents mentioned him at least three times - there are a lot of videos on which all this can be seen and heard. It was already like our father. At the concert in memory of his father, he was also mentioned: according to the concept proposed by the ONT channel, Alexander Grigoryevich led the concert from the screen and talked about the history of the creation of the song “I live with my grandmother” and its author, Eduard Hanke.

And on that day, leaving us, he said: “Yadya, I understood everything, I allow you to perform everything free of charge.” And repeated it three times. A month later, a letter with a ban came. I posted him on social networks only after he began to give interviews. A lot of things have been said that have nothing to do with copyright. Why does a person in such a form speak about the people's artists of Belarus? Why does he publicly call these people mediocrity?

- Why is he doing this?

I think he explained everything himself in the interview. Like, "at the memorial concert everyone was talking about Sasha's songs."

You know, in the 90s, dad and mom did not perform these compositions and traveled in the same way, performed and collected halls. And they returned to them on a wave of nostalgia and retro already in the zero. I think Yadviga Konstantinovna will have new songs.

- Mom is ready to go on stage?

She's already on stage. Now he works in the studio - there are big plans for new songs, programs. We will continue the work of the father - there must be continuity of generations.

Belarusian musicians Ya. K. Poplavskaya (b. 05/01/1949) and A. G. Tikhanovich (1952 - 2017) met at the conservatory in Minsk. Collaboration in the famous musical group Verasy brought the young artists closer and in 1975 they got married. Children of Yadviga Poplavskaya and Alexander Tikhanovich: the only and beloved daughter Nastya and grandson Ivan.

Star daughter of Jadwiga Poplavskaya

The daughter of Jadwiga Poplavskaya is the successor of her family's musical creativity: today Anastasia Tikhonovich is one of the most popular pop singers in Belarus. The heiress of the talent of wonderful musicians, Nastya Tikhanovich, simply by the fact of her birth, had to devote her life to music. The third generation of honored musical figures in one family is like a destiny.

The biography of Anastasia Alexandrovna Tikhonovich is rich in bright events that are associated with musical creativity, and not only. Having lived for seven years in a marriage with her husband Dmitry, Anastasia realized that the doctor and the singer were not a couple. The former spouses have a son, Ivan. Therefore, today Nastya Tikhonovich is not only a singer, a Belarusian pop star, she is a caring mother.

Ivan is fond of music, and his parents pay maximum attention to development creativity son. A special role in the boy's life is played by his beloved grandmother Jadwiga, who began to study music with her grandson from the cradle. Spectators who are in love with the work of the Poplavskys and Tikhonovichs can only believe that the fourth generation of talented musicians is already ready to conquer the expanses of the modern stage.

Biography of Ya. K. Poplavskaya and A. G. Tikhonovich

Yadviga Konstantinovna Poplavskaya was born in 1949 on May Day. Her mother - Stefania Petrovna (1920-2018) and father - Konstantin Iosifovich (1912-1984) Poplavsky were adherents of musical culture. Papa Jadwiga was an honored worker of arts of Belarus, a choirmaster, a famous conductor and a folklorist. Therefore, the three children of Poplavsky connected their lives with music.

Sasha Tikhanovich, after graduating from the Suvorov School, where he fell in love with music, entered one of the best conservatories in Belarus. He studied at the department of wind instruments. A. Tikhonovich began working in Verasa's group two years after its formation, and in 1975 he and Yadviga Konstantinovna, who was the organizer and soul of the vocal and instrumental ensemble, decided to create not only a creative, but also a family union.

Yadviga worked as a musician, soloist, in addition, she arranged songs. Alexander played the trumpet or the guitar perfectly, and was also an indispensable soloist of the ensemble. His talent also manifested itself in cinematography: Alexander Grigoryevich performed in leading role movie Apple of the Moon. In 1991, Ya. K. Poplavskaya and A. G. Tikhanovich were awarded the honorary title of Honored Artists of Belarus.

For great merit and contribution to musical culture countries in 2005, Yadviga Konstantinovna Poplavskaya and Alexander Grigorievich Tikhanovich were recognized as People's Artists of Belarus.

ANASTASIA TIKHONOVICH ABOUT FATHER'S ILLNESS: "WE DID EVERYTHING WE COULD ... BUT IT IS IMPOSSIBLE TO CURE FROM THIS The People's Artist of Belarus died in the intensive care unit of the Minsk hospital. Until the last he did not want to know about the disease ...

The death of Alexander Tikhanovich came as a complete surprise and shock to many. Thousands of condolences, reposts of his songs and photos on social networks, memories. And the question is: Why did he die? Why so early?" After all, the people's artist was only 64 years old. The daughter of the artist Anastasia Tikhanovich called Komsomolskaya Pravda the diagnosis of the disease from which her father suffered. It sounds like this: autoimmune lung disease - idiopathic fibrosing alveolitis. This is a rather rare disease with which they live for 3-4 years. Alexander Tikhanovich lived with him for almost 7 years. The fact that the artist has lost so much weight for Last year- one of the manifestations of this disease. “There is no radical treatment today, it can only be slowed down, which is what we have been doing all this time,” Nastya told us. - A year ago, he had a deterioration, and he also spent a long time in the hospital. We did everything we could, he went to Germany for treatment. Unfortunately, this is a disease that cannot be cured. Dad really did not want the general public to know about the disease. Therefore, we did not make public statements and did not raise funds. He wanted to stay active, be on stage for as long as possible.

So it was - he worked his last concert on January 13 at the presidential ball, and on January 14 he ended up in the hospital. It was very difficult for him already on January 13, and everyone saw it. But he did everything he could. Alexander Tikhanovich was in the hospital under an oxygen mask for almost two weeks, but in those moments when it was removed, he tried to smile in order to cheer up his relatives who were nearby. He was very courageous until the very last moment ... - I was with him until the very end, - says Anastasia. Tikhanovich was always the first to open his arms: Friends remember people's artist Georgy Volchek, artist: - I treat Sasha like my pop father. In the dashing 90s, I came to his song theater, and together we traveled the whole world thanks to his good relations with everyone. He still belonged to the Soviet artistic school, there were no more such people left - he was a singer completely devoid of star disease. Sasha was always the first to open his arms, even for strangers. Some were surprised and even shocked. I once asked why he hugs everyone. He answered: so does God embrace, all God's people. But you don't know them, I wondered. Or maybe I know, - Sasha answered with a smile. He was a very religious person, spent a lot of time in church, knew all the prayers. And God protected him for a long time. Anatoly Yarmolenko, artistic director Ensemble "Syabry": - It is difficult to say any words at such moments - whatever you say, everything looks banal. We played on the same field, for the same team, walked through life together. Now we have met with people who knew him closely to commemorate. What can I say about Sasha ... An artist who was loved, who professionally did his job. The fact that he was sick lately was very noticeable - but he continued to work until the last day, performed and brought joy to the audience. My condolences to the family - Yada, who went side by side with Sasha all her life and daughter Nastya. Alena Spiridovich, TV presenter: - I've been thinking about Sasha all morning. You know, even if it weren’t for this sad occasion, because it’s not customary to speak badly about the dead, even if Sasha were with us now, you wouldn’t find a person who, knowing him personally, would say bad things about him. Everyone loved him, and for good reason. I travel a lot throughout the former Soviet Union, and when strangers from the artistic environment ask me: “Are you from Belarus?”, I already know what the continuation will be. They say: "Say hello to Sasha Tikhanovich!"... The man lived a bright and very beautiful life. Probably the best thing that could happen to him has already happened. I am sure that where he is now, he is fine too. This is the essence and justice of life ... Georgy Volchek, artist: - I treat Sasha as my pop father. In the dashing 90s, I came to his song theater, and together we traveled the whole world thanks to his good relations with everyone. He still belonged to the Soviet artistic school, there were no more such people left - he was a singer completely devoid of star disease. Sasha was always the first to open his arms, even for strangers. Some were surprised and even shocked. I once asked why he hugs everyone. He answered: so does God embrace, all God's people. But you don't know them, I wondered. Or maybe I know, - Sasha answered with a smile. He was a very religious person, spent a lot of time in church, knew all the prayers. And God protected him for a long time. Few people know that he did a lot for charity, but he never advertised it. He was the founder of our artistic fraternity, which helps those in need. For two years, we traveled with him to all the homes for the disabled in Belarus, and there we met incredible returns and gratitude.