Artistic culture occupies an important place in the life of society, the decline in its level creates a spiritual vacuum, violates the principles of the normal development of society. Art is a content core artistic culture, one of the main mechanisms of cognition of a person and the reality surrounding him, the formation of a system of his value attitudes. For a child, the perception of art is one of the ways of mastering the world, which significantly affects the formation of his personality.
The period of preschool childhood is most favorable in this regard, when children are predisposed to the perception of various types of art. This is due to the fact that the leading in the psyche of the child emotional sphere and art is emotional in nature. The actual direction of modern pedagogy is the pedagogy of art, introducing children to the best examples of art of various types and genres.
The problem of familiarizing children with art can be solved by using high-quality programs and technologies, with a high level of professional training of teachers, leading artistic pursuits and their interaction with the entire teaching staff. Additional opportunities in this regard are provided by new educational complexes, since they can successfully implement a system of working with children, ensuring the continuity of the preschool and school levels in it.
Introducing children to art begins at the preschool stage, the importance of which can hardly be overestimated. Preschoolers are distinguished by increased curiosity, openness to everything new, empathy, cognitive activity, emotional responsiveness to works of different types of art. Children sensitively perceive music, empathize with the heroes of a fairy tale, picture, performance, their statements and assessments are always emotionally colored.
Introducing preschoolers to art is successfully carried out in integrated music classes, which are highly effective in terms of developing figurative thinking, speech, imagination, and creativity in children. In these classes, children are introduced to the values ​​of world artistic culture, offering them highly artistic and accessible to their perception works of various types of art.
The musical repertoire offered to children includes works of different eras and styles: J.S. Bach and W.A. Mozart, A. Vivaldi and J. Haydn, M.I. Glinka and P.I. .Rimsky-Korsakov and S.S. Prokofiev. For the first time to children preschool age offer works by unknown authors of the 13th and 16th centuries, the music of modern composers is quite widely represented: G. Sviridov, V. Gavrilin, S. Slonimsky, V. Kikta, V. Agafonnikov, R. Ledenev.
Children also get acquainted with the standard, highly artistic paintings by I. Levitan, I. Shishkin, V. Serov, V. Vasnetsov, illustrations by I. Bilibin and V. Konashevich, works of folk applied art, artistic photography. Presented to preschoolers literary works are also very diverse: these are ancient Russian folklore, poetry of the 19th century, poems by modern children's authors.
The effectiveness of introducing children to art increases significantly if the actions of all participants in the pedagogical process are coordinated. No less important is the participation of parents in this interesting work, involving them, together with their children, in the richest world of art. Teachers ensure the expansion of the cultural space of the child - the organization of joint visits with parents to musical theaters, philharmonic concerts, art museums. Visiting theaters, historical and architectural ensembles is also associated with the impact on the child of various types of art: architecture, painting, sculpture, music, artistic word. Children absorb a variety of artistic experiences, this contributes to the amplification, enrichment of their artistic and general cultural development.
Excursions to the musical theater and the museum are a kind of culmination in introducing children to a particular topic in the classroom in kindergarten. Having listened to and watched in the video, for example, the ballet "Cinderella" by Sergei Prokofiev, preschoolers perceive the holistic image of this ballet performance in a deeper and more conscious way. musical theater, having familiarized themselves with the lute and harpsichord, how they sound and look on old engravings, examine them with interest in the Museum musical culture named after Mikhail Glinka.
The result of a meeting with art is a mandatory subsequent discussion of a cultural event that has taken place in the lives of children, as well as the embodiment of their vivid impressions in various forms. artistic creativity. Preschoolers discover the magical power of art and, with a sufficient wealth of impressions, strive to express them in their own “creative product” in various types of children's activities (musical, theatrical, artistic and speech, visual). At the same time, children improve their own abilities, realize their creative potential.
The beauty and harmony of art attract parents. For them, kindergarten regularly holds open classes, musical drawing rooms and evenings with classical music, demonstrate a visual range with works of fine art, video recordings of choreographic miniatures, fragments of concerts and ballet performances. Children, admiring their parents with their knowledge, solve musical riddles, dance, play in the orchestra, draw music and participate in musical performances.
As practice has shown, a well-thought-out system of working with children at the preschool level, unfortunately, is sometimes lost at school. The artistic impressions accumulated by preschoolers, knowledge about art and the children's need for creativity are not always in demand there. This is bitterly spoken by the children themselves and their parents, coming after school to kindergarten: “We don’t draw music anymore”, “We don’t go to the theater with the class, as we used to go to kindergarten.”
New educational complexes can play a positive role in improving this situation, provided that a single artistic and aesthetic direction is built in them, the implementation of which will begin at the preschool stage and continue successively at school. At the same time, the thesaurus of artistic impressions acquired by preschoolers will serve as propaedeutics, preparation of school training courses "Music" and "World Artistic Culture".

T. RUBAN, Candidate of Pedagogical Sciences, Senior Researcher of MIRO

The role of self-education in introducing art

Sooner or later, a person joins the art, whether it is an amateur school choir or a special school of a special direction.

The problem of the text can be defined as follows: the search for ways to art. Happens sometimes: in the beginning life path a growing person, a schoolboy, is not very willing to participate in what is connected with art. And yet, the introduction to the aesthetic side of life is either prompted by circumstances (for example, he must perform with the choir at a song contest), or his own desire, for example, to draw or learn to play a musical instrument.

Commenting on the problem, we can say that a person intends to creatively express himself only in cases where his talent and efforts are duly appreciated by those around him, who will support and encourage him, instill confidence in his strength.

At the same time, the position of the author is as follows. Only in-depth work on oneself, connected with the enrichment of feelings, the expansion of one's horizons, will give its results. You cannot learn to play any instrument well without learning the notes, without comprehending the basics of musical literacy. It is impossible to write a serious picture without preliminary "blanks" - sketches. This work requires patience, time, perseverance. Only under these conditions will the results be successful.

I agree with the position of the author and confirm it with the first example. Great Italian violinist and composer of the late XVIII - first half of XIX For centuries, Nicolo Paganini studied under the supervision of a stern father who introduced his son to art, almost torturing him. And the young musician eventually became a great master of violin music, the founder of the romantic direction in it. It was he who showed an example of performing by heart, without notes, a huge number of solo parts on the violin. Thus, cruel external circumstances and the great love for the instrument awakened in the soul of the musician made the master a genius.

The second example in support of the author's position can be cited from V. Shukshin's story "The Owner of the Garden". Between two neighbors villagers, a dispute arises over what is more important: to spend money on repairing a bathhouse or to invite a music teacher to teach his son how to play the button accordion. The economic peasant reproaches the impractical neighbor, who wished to introduce his son to beauty, because he wasted money without first repairing the bathhouse in his own yard. But the neighbor is sure he is right: a bath is a transient thing, and he will make his son happy for life.

Conclusion. The true talent of a person and his determination are the key to his success in art. And in any case too.

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  • familiarization with art can also occur in a spacious exam essay
  • initiation to art can also occur in a spacious composition
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Based on the text, social science knowledge, and your own social experience, give two arguments why a person needs to be introduced to art.
E. A. Maimin in his book for high school students “Art thinks in images” (Maimin E. A. Art thinks in images. M., 1977) writes: “The discoveries that we make with the help of art are not only vivid and impressive, but also good discoveries. The knowledge of reality that comes through art is knowledge warmed by human feeling, sympathy. This property of art makes it a social phenomenon of immeasurable moral significance. Leo Tolstoy spoke of the "unifying principle" of art and attached paramount importance to this quality. Thanks to its figurative form art in the best possible way introduces a person to humanity: it makes one treat with great attention and understanding someone else's pain, someone else's joy.
But understanding works of art is far from easy. How can one learn to understand art? How to improve this understanding in yourself? What qualities do you need to have for this?
Sincerity in relation to art is the first condition for its understanding, but the first condition is not everything. Knowledge is needed to understand art. Factual information on the history of art, on the history of the monument and biographical information about its creator help the aesthetic perception of art, leaving it free. They do not force the reader, viewer or listener to some particular assessment or attitude towards a work of art, but, as if "commenting" on it, they facilitate understanding.
Factual information is needed, first of all, in order for the perception of a work of art to take place in a historical perspective, to be permeated with historicism, because the aesthetic attitude to the monument is always historical.
Always, in order to understand works of art, one must know the conditions of creativity, the goals of creativity, the personality of the artist and the era. Art cannot be caught with bare hands. Spectator, listener, reader must be "armed" - armed with knowledge, information. That's why it's great importance have introductory articles, commentaries, and generally works on art, literature, and music.
Folk art teaches to understand the conventions of art. Why is it so? Why, after all, is it precisely folk art that serves as this initial and best teacher? Because the experience of millennia has been embodied in folk art. Customs are not created in vain. They are also the result of centuries-old selection for their expediency, and the art of the people is a selection for beauty. This does not mean that traditional forms are always the best and should always be followed. We must strive for something new, for artistic discoveries.

(traditional forms were also discoveries in their time), but the new should be created taking into account the former, traditional, as a result, and not as a cancellation of the old and accumulated. Folk art not only teaches, but is also the basis of many contemporary works of art.
(D.S. Likhachev)

Art... Perhaps this is the most important indicator of the level of development of society. What does each person need to know the author's intention?

How much attention should be paid to a detailed self-study of art? S. Lvov reflects on this very problem.

The question of the need for self-development in art is very relevant, since in our time many young people ignore the great cultural heritage.

This problem is a socio-philosophical one. This conclusion can be drawn due to the fact that art exists

Only in society, and it is through creativity that people try to understand the world. The raised problem is considered on the example of the life of students of the Institute of History, Philosophy and Literature, who were engaged in self-development.

The author draws attention to the fact that young people received most of the knowledge about art of their own free will, voluntarily attending theaters, literary evenings. S. Lvov notes with chagrin that sometimes a person may feel embarrassed when talking about a certain type of creativity due to ignorance. However, the author argues that one should not immediately give up when faced with something incomprehensible: by paying attention and time to one or another type of art, you can learn it yourself.

My position is confirmed by the experience of fiction. Many writers have raised this topic in their works. For example, in R. Bradbury's book "451 degrees Fahrenheit" art is completely deleted from the life of society, but some heroes, thanks to books, have the opportunity to get acquainted with great works on their own.

This is also mentioned in the work of M. Vladi “Vladimir, or Interrupted Flight”. Vysotsky and his wife visited exhibitions, museums, concerts all their lives, got acquainted with the art of the whole world.

Thus, in order to study and understand the work of musicians, writers, artists, it is necessary to make maximum efforts and attention. Self-education in art is necessary, because it is thanks to the knowledge of culture that a person enriches his inner world.


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Russian language

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(1) Initiation to art can take place both in a spacious, purpose-built building, and within four walls, and in the open air. (2) Whether the audience is shown the next film, whether the classes are conducted by a drama club, an amateur choir or a circle in the fine arts - in all this the fire of creativity must and can live for a long time. (3) And he who one day puts his own effort into one of these things will be rewarded in time.
(4) Of course, art is revealed sooner and more willingly to those who themselves give it strength, thoughts, time, attention. (5) Sooner or later, everyone can feel that he is in an unequal position among acquaintances and friends. (6) They, for example, are interested in music or painting, and for him they are books with seven seals. (7) The reaction to such a discovery may be different.
(8) When I became a student at the Institute of History, Philosophy and Literature, a lot connected me immediately with new comrades. (9) We were seriously engaged in literature, history, languages. (10) Many of us have tried to write ourselves. (11) As if anticipating how short our students would be, we hurried to do as much as possible. (12) They not only listened to lectures in their courses, but also went to lectures given to undergraduates. (1H) We managed to attend seminars for young prose writers and critics. (14) We tried not to miss theatrical premieres and literary evenings. (15) How we managed everything, I don’t know, but we did it. (16) I was accepted into my environment by students who were a year older than ours. (17) It was the most interesting company.
(18) I tried to keep up with her, and I succeeded. (19)3a with one exception. (20) My new comrades were passionately interested in music. (21) One of us had a great rarity at that time: a radiogram with a device for turning records - there were no long-playing records then - which allowed you to listen to a whole symphony, concert or opera without interruptions. (22) And a collection of chamber, opera and symphonic music.
(23) When this indispensable part of our evening began, the comrades listened and enjoyed, but I was bored, languished, tormented: I did not understand the music, and it did not give me joy. (24) Of course, you could pretend, pretend, give your face a proper expression, say after everyone: “Great!”
(25) But to pretend, to portray feelings that you do not experience, we were not in the habit. (26) I hid in a corner and suffered, feeling turned off from what means so much to my comrades.
(27) I remember well how the fracture occurred. (28) In the winter of 1940, the author's evening of the then young D.D. was announced. Shostakovich - the first performance of his piano quintet. (29) Friends took a ticket for me too. (Z0) They handed him solemnly. (31) I realized: what is to come is an event!
(32) I will not claim that I was immediately and forever cured of immunity to music that evening. (ЗЗ) But a turn - decisive and important - has occurred. (34) How grateful I am to my friends of those old years that they did not give up, did not exclude them from listening to music - and it was not necessary to exclude, with the then youthfully vulnerable pride, an ironic remark would be enough to make me feel among them , understanding and knowing, superfluous. (35) This did not happen.
(36) Many years have passed. (37) For a long time, serious music for me has been a necessity, a need, happiness. (38) But it was possible - forever and irreparably - to miss her. (39) And deprive yourself.
(40) This did not happen. (41) Firstly, I didn’t take the pose of a person who, not understanding something, says out loud or mentally: “Well, don’t!” (42) And because I didn’t want to pretend, pretending to understand, when I was still very far from it. (43) And most of all - thanks to my friends. (44) It was not enough for them to enjoy themselves. (45) They wanted to attach me to their understanding, to their joy.
(46) And they succeeded!

(According to S. Lvov)

Show full text

In the text proposed for analysis, Sergey Lvovich Lvov raises the problem of the influence of friends on a person's life.

To draw the attention of readers to the problem posed, the author tells the story of how his friends awakened in him an interest in music. S. L. Lvov did not understand music and was bored while his comrades listened and enjoyed. Then friends handed him a ticket to the concert of D. D. Shostakovich. As a result of this event, the author's attitude to music changed. The author is grateful to his comrades and notes that if it were not for his friends, who “didn’t give up, didn’t exclude them from listening to music”, he could “forever and irreparably miss the music”.

The position of the author regarding the problem raised is expressed clearly and unambiguously. Sergey Lvovich Lvov leads the reader to the conclusion that friends influence on a person's life. They can help in difficult times, and are also able to interest in something new, which was previously incomprehensible or boring.

To prove my point, I present the following literary example. Mikhail Sholokhov in his work “The Fate of a Man” showed that friends always try to help each other. When Andrei Sokolov knocked down a cow, he was

Criteria

  • 1 of 1 K1 Statement of source text problems
  • 3 of 3 K2